Sordid Lives

I saw this with my 30-something son who asked, still smiling, as we came out of the theater, "How long do you think they took to make that?" "About a week," I answered and I'll bet they had the time of their lives."

Sordid Lives manages to be sweet, glib, compassionate, irreverent, moving and very funny on an obvious shoe string budget. A triumph over crash 'em up Hollywood and stale romance flicks.

See it in a theater if you can, the group amusement is a pleasure to share.

Sordid lives is a candid account of the south and what happens....Its camp but so is life the humor is over the top but then again white trash is too. If your southern and have a friend or friends who are gay you may have met some of these characters ( I do and have)... The only part I didn't find believable was the break out of the nut house although it was a hoot. I like this movie Delta Burke and Olivia Newton-John were both a stitch....The clothes, sets and make-up were right on I mean really I am southern I come from a small town this people are just wandering around here, u can't swing a dead cat without hitting one or two.... The stereo-types are exact but then again small minded people all tend to act the same way hence the term

Sordid Lives is the screen adaptation of Del Shores' play, and it's a hoot (and a holler) from beginning to end. When I saw it last night, I had no idea what it would be about except that Olivia Newton-John was in it, along with Beau Bridges and Bonnie Bedelia, which was more than enough to get me in the theatre. I was not disappointed. The film starts out over the top and goes only farther in that direction with every scene. It's got a wacked-out cartoon tone to it, but yet the characters ARE real, you do relate to their foibles and situations. The most fully-realized character in the piece has to be Leslie Jordan's cross-dressing Brother Boy, who makes you laugh every time he appears - you are laughing WITH him, though, not AT him, and by the end you are happy for him as well. In the wrong hands, this movie could have been a travesty of major proportions, but Del Shores (who wrote and directed) is confident enough in the value of the piece to make it work.

Rather than being plot driven as in most films, "Sordid Lives" is character driven. Some ten to twelve main characters who live, or have lived, in a small town in West Texas chat, argue, hug, gossip, lament, reflect on, laugh at, debate, divulge, confer, confide in, and generally shoot the breeze, as they go about their drab existence, in preparation for a funeral. Adapted from a stage play, this film comedy is, not surprisingly, heavy on dialogue. The characters have their own unique quirks and personality idiosyncrasies, and are interesting for the most part.

Sissy (Beth Grant) is an older, fussy woman who stings herself with a rubber band on her arm, as a way to quit smoking. Latrelle (Bonnie Bedelia) and LaVonda (Ann Walker) are Sissy's two nieces who argue with each other about everything. Then you've got Noleta (Delta Burke), a tacky trailer park type married to G.W. (Beau Bridges), a man whose two wooden legs caused the death of Sissy's sister. Then there's Brother Boy (Leslie Jordan), Latrelle and LaVonda's brother, who is confined to an institution because he is a flaming transvestite who dresses like Tammy Wynette. Brother Boy is a hoot in that bizarre outfit, and with that deadpan expression and slow Texas nasal twang. To complicate matters, Latrelle's son Ty (Kirk Geiger), is a gay actor who is trying to recover from his boyhood in provincial West Texas.

I liked the first half of the film better than the second half, which trends in the direction of plot absurdity, as two characters enter a bar with guns, and one character threatens to set fire to himself.

With its absence of background music, its exaggerated acting (over the top at times), its indoor sets, and absence of scene transitions at times, "Sordid Lives" feels very much like a TV sitcom. The costumes are colorful and charmingly tacky. Cinematography is conventional. Olivia Newton-John sings a couple of gospel hymns. But I could have wished for more country/western music.

If the film has one overall weakness I would say that it is its flamboyance. Characters, dialogue, acting and plot tend to be overstated; there's almost no subtlety. It's like they were trying a little too hard.

Still, the down-home humor renders lots of laughs for viewers. And underneath all the hubbub, these characters have genuine heart and soul. "Sordid Lives", ultimately, is a film whose theme is love and acceptance.

One of the funniest movies I have ever seen. We've watched it so many times we know the lines by heart. These people are all in my family, and I've often wanted to holler out myself to some of my relatives "Shoot her Wardel, shoot her in the head." I can relate to being gay in a small southern town.

My partner and I are gay in Arkansas, although they have just tried to pass a law to prevent us from being so. But for some reason "It ain't a workin" and there are more of us coming out now that the election's over than before. You'll laugh til you cry when Brother Boy sings Til I Can make it on My Own to the psycho with a fish in her ear - although I do not believe this was one of her "early years" songs. Watch it 10 times and then you can pretend you're in the cast.