L'Exorciste : Au commencement

I have read many of the comments concerning this movie and find that I tend to feel that this movie should not be judged in relation to the first. This movie stands out on its own by reviewing Father Merrin's life long before his fateful encounter with Regan years later. My son Nathan and daughter Ryann both found this too scary for them and felt it was far more scarier than the first. I saw it to be more historical and would judge it on that content. Yes, people are right in their comments about all the gore and vileness, but I saw that in the first movie in 1973 when it came out. I'm going to venture to say that people are turned off by this movie simply because it in no way resembles the original. This is the part where a director steps back and quits trying to leech off the first success. Give him some credit about trying to diversify this movie for the audience. Don't go in with any type of preconceived notion about the original or you will be disappointed like the rest in these comments. It is a good movie and well worth seeing. Mark Lockwood, Lubbock Tx...

Hollywood sure chews 'em up and spits 'em out: one minute, director Paul Schrader is working on a long-awaited prequel to The Exorcist; the next, he's been replaced by Renny Harlin, one-time director of mega-budget action films starring the likes of Stallone and Willis, now reduced to the task of salvaging other people's failed projects (the result of having had one too many expensive box office disasters of his own).

However, despite the film's troubled history, Harlin has managed to turn out a fairly reasonable time-waster. The story is pretty unremarkable, detailing Father Merrin's struggle with his faith and his first encounter with the demon Pazazu in Africa—but the stylish direction, wonderful cinematography, decent gore (gotta love those snapping limbs!), and a strong central performance from Stellan Skarsgård as the emotionally scarred Merrin give viewers plenty to appreciate.

Some of the CGI could have been better—I wasn't very convinced by the hyenas or the insects—and Isabella Scorupco's shower scene is woefully short, but these are minor quibbles for a film that had the potential to be absolutely horrendous.

It is a pity this movie is so underrated, but I think the main reason for that is the fact that people judge the movie before seeing it, so they won't watch it objectively. Another reason perhaps is the adventurous style of the film, but it is acceptable because father Merrin is younger than in the original film. The best actor to portray a young father Merrin is certainly the wonderful Stellan Skarsgård, what a stylish performance, this superb actor gives such a perfect image of how the main character would have been at the moment in his life when he lost his faith. The two other most important roles by Izabella Scorupco and James D'Arcy are excellent, the best supporting role is performed by Alan Ford. The madness and the confusion in the final battle between the Turkana and the Brithish are convincingly brought to screen. As for the crew members, I was very impressed by Trevor Rabin his soundtrack, the production design of Stefano Maria Ortolani and the magnificent cinematography by Vittorio Storaro. Conclusion: if you watch this film objectively than you will probably enjoy it. All though sometimes over the top, Renny Harlin has made a good prequel to the original one, with some very memorable scenes.

I watched Schrader's "Dominion" in the morning and Harlin's "Beginning" in the afternoon, hoping that watching them back to back would make a comparison easier than for most people who waited a year until the deleted version by Schrader was finally released. Renny Harlin used only a few minutes from the already existing footage, so "Beginning" really became a new movie. But unfortunately, the whole effort of re-shooting didn't make the movie better.

In Harlin's "remake", we get a smart young priest, straight from the Vatican (James D'Arcy) who has received all the information about the buried church in advance. In "Dominion", Gabriel Mann played an innocent priest who does not expect anything terrible, he just wants to start a school in the middle of Africa. The latter was the better screenplay idea in my opinion, because D'Arcy is such a cool "professional" that we don't really care about him, whereas Mann was a character the audience loves for his human feelings. Also there is more mystery in "Domionion" whereas "Beginning" once explained the whole background, and that was it - too easy.

"Beginning" has a lot more gory effects, swarms of ugly insects and its demon uses obscenities in same way Linda Blair did in the original "Exorcist" movie. This will probably entertain people who just want a horror movie and nothing else. Mind you, "Beginning" also has good photography, a few unforgettable moments like the battlefield at the beginning and good actors! But the release of the original version "Dominion" proved that the story has had more potential, Schrader worked more careful with the characters and their relationships and gave more food for thought. I voted 6/10 for "Beginning" and 8/10 for "Dominion".

Here's a film which had a more interesting story behind the cameras rather than on the screen. This beleaguered production originally had Paul Schrader directing, but studio bosses were unhappy with his more intellectual interpretation of the events so they hired go-to guy Renny Harlin for extensive reshoots that amped up the gore content. What emerges is a troubled, visceral production with occasional flashes of greatness. Overall it's a let down, with a sense of what could have been rather than what is.

The film sets off on a poor footing with some extremely bad CGI work of a huge landscape. These kind of schlocky effects periodically turn up and are laughed off screen every time they appeared; a scene involving CGI-ed jackals is particularly bad. The ensuing story is choppy and disjointed, building up a series of portentous moments and religious iconography and then backing away from them. There's also a lot of bad taste stuff involving plague victims, a stillborn birth and colonial racism.

As the sort-of youthful Father Merrin, Stellan Skarsgard is a bit of a mixed bag. He's suitably tough, but his icy exterior never cracks for an instant, meaning it's difficult to feel any sympathy for him. He's supported by a bland James D'Arcy, a pretty-but-wasted Izabella Scorupco and two cameos from Ben Cross (a neat bit of casting, seeing as he himself played an exorcist in THE UNHOLY) and David Bradley. More fun is Alan Ford (SNATCH) as a delightfully scuzzy deadbeat.

Finally, after a lot of spectacle and not a great deal of sense, the film plays its true hand in the last twenty minutes. Here it becomes a full blown EXORCIST copy, complete with an extended and dramatic showdown between good and evil and not bad makeup effects. In actual fact I didn't mind the ending, it may be cheesy but at least there's stuff going on. I wish, thought, that it hadn't taken so long to get there – it's one of those films which is all build up and little actual climax. This isn't a particularly great film, but it isn't particularly bad either; just kind of so-so.