Wilde mossels

WIlD MUSSELS I've seen the remastered version is just a film good on all levels; The story is touching, there is surprisingly funny sequences in this tragic story, the soundtrack is just fabulous and the way the lead role is acted by Fedja van Huet ( who also starred in the Oscar winning film Character is amazing. The dialogues are well written by director Erik de Bruyn, who is responsible for the script too. He must have made a great team with his D.o.p. Joost van Gelder. The photography is like the Southern East dutch landscape is divided into paintings and sometimes the camera is unedited and raw. Van Gelder is now shooting worldwide campaigns from his new hometown L.A. And one can see his talent already in this film. The ending apotheosis is just very very well edited. So I need to say that for cinema-lovers, this can't be missed. Check it out!

About being bored. In millions of shades of grey. The opening scenes of a blotto lead smoking without inhaling created immediately a thin falseness and ruined the whole thing for me. Made it all just silly. And boring.

As a native "Zeeuw" (where the film is shot) it is not easy to pass my bias, but ill give it a try:

Wilde Mossels (Wild Mussels) is first and foremost a cultural movie; it finds its origin in the influence geographical location, soil, terrain, climate, and so on have on the culture and ultimately on the people's personality. Zeeland has always been a harsh country, unforgiving. People have always had to fight against the water, wind and the heavy clay soil. Those that are born and raised here are said to have been dragged out of the clay, instead of being born...

As the typical farm/fishing region rapidly changed from the 1960ies onward to an industrial area, so did the demography. Lots of new people settled here, first from all over the Netherlands, then from other countries. Dikes were elevated, with freeways on them, tunnels, and so on, unlocking the social isolated communities, with each their own dialect and folklore. The world changed in fast forward the last 40 or 50 years.

Both these phenomena are used wisely in this movie, making it a cultural pearl in a sea of empty oysters.

Flatlanders, lowlanders or floodlanders will be surprised to find the horizon they know so well on TV this time. And even thought this landscape is flat as a dime and will bore you to death eventually, it is interesting to see it on screen. People from regions where seeing the horizon is a rarity are impressed with this land that i call home and yes, it is beautiful to see the sun set in the Westerschelde, or Oosterschelde, or any part of the delta, with the Northsea in the background, but its so terribly flat and there is not a square foot of land that isn't somebodies property. You highlanders will love this...

I don't think there is a part in the world where there are more shades of grey than here. (yes I've been around).

In this setting 3 youngsters are trying to get away, daydreaming of far away places where life is lived, not dragged along from 'mosselfeest' to 'mosselsfeest' (which is once a year...) They kept the accents as they are here (although still varying from one village to the next), which is a great achievement for actors that aren't native here. (I raised my daughters with standard dutch and when i talk with my older sister and switch to Terneuzen-dialect, she cannot understand what we are talking about...) This choice to keep the accent, instead of switching to international English, that would surely have reached a larger audience, is something i love, but for international viewers may be a downside. It is the only movie with a local accent and since dialects are disappearing, it will probably stay so. The youngsters try to find ways to get away from everyday life, doing 'crazy things', using some drugs and plan other crazy things to make their dreams come true. It all doesn't work out like they hoped and it ultimately ends tragically. The shrieks from the seagulls warned of this mishap, but the roots have faded.

There is quite some humor in the movie, romance, drama. Nice story. Camera-work is very good; great shots of the wideness of the landscape. Acting is very good. That alone is worth a peek, but the ultimate upper in this movie is the cultural angle. If you like this kind of movies (whale rider for instance is similar in this respect), this is definitely your thing.

I rated it 10, partly because i'm dragged out of the clay here, but if that hadn't been so, i'm sure i still would have rated it an 8.

See it!

The cinematography of this movie is phenomenal somehow, it is rough, has edges. It combines two styles. I love the story because isn't this anti -hero like a sort of Hamlet; a main character who doesn't know what he wants! This movie must have been an example already to movie makers here. It doesn't have a good ending, this story but it is very well told. The dialogues are great and with humor. I personally love the soundtrack. The score by "David van der Heyden" who also scored for the other "Erik de Bruyn" movie "NADINE" (2007) is subtle and tender. But there is also great songs in this film and the Nashville Pussy is performing in it. This movie is a must see.

That Zeeland, a region in The Netherlands, is not just a place for summer holidays, is made pretty clear in this stunning movie. I myself a Zeeland-born person was put on by this film in an explicable way.

The essence of this film, trying to leave the region in which you've grown up, is a major problem of youth in peripheric places. 'Wilde Mossels' is therefore not only a poetic portrait of a depressing 'wasteland', but a pointer of social problems. The director brings out these problems accompanied with a large amount of humor, in one respect because of the dialect that is spoken and one the other hand because of the surrealism that is being used. The alcohol and drug abuse (dried mussels) is another aspect that creates a rather depressing portrait of a beautiful region. But that is what makes this movie special: a new approach on an existing image.

My opinion on this film is that it is of a great value within the Dutch movie-business. Absurdism, social engagement, drama and humor isn't only bound to our capital Amsterdam, but can be used in other places as well.

9 out of 10