A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.A mysterious, morbid professor who has suffered a number of horrid events in his life tries to help a young troubled man, whose girl friend was killed during an illegal abortion.
- Director
- Writers
- Stars
Ciaron Davies
- Graham
- (as Ciaran Davies)
Colm O'Maonlai
- Reginald
- (as Colm Lydon)
Shawn Brewster
- Fisherman 1
- (as Shaun Brewster)
Mike J. Regan
- Monroe
- (as Mike Regan)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Upon reading other viewers' comments, I have to wonder if we saw the same film! Despite the awful, B-movie title, this was far and beyond the most visually beautiful film I've ever watched. The cinematography was stunning, and the atmosphere was appropriately dark and brooding. The entire town seemed "haunted," with fear and evil oozing from every stone, every tree, nearly every character. I could almost feel the dank air in my own living room!
Having read "Turn of the Screw," and found it particularly unsatisfying (imagine the most overacted, melodramatic soap opera you've ever seen . ..then put it in novella form), and seen previous comments placing this film on a LOWER level than Screw's supposed glorious pinnacle, I admit my expectations weren't too high. Instead, I found the story much more intriguing than Screw, with a couple of little plot twists in rapid succession toward the end. (Saw the first coming, but not the second.) Some may find it depressing because it lacks the Happy Hollywood Ending so typical of American films; however, the screenwriter's refusal to pander to Disneyfication only serves to further raise the level of my esteem for this production.
If you like your movies event-based (like slasher flicks, all about the scary moment, with lots of filler in between and actresses doing bizarre things to get from one event to the next) rather than story-based, you probably won't enjoy this film. If, instead, you like a good story in which nasty ghosties play a role, this is the film for you.
Having read "Turn of the Screw," and found it particularly unsatisfying (imagine the most overacted, melodramatic soap opera you've ever seen . ..then put it in novella form), and seen previous comments placing this film on a LOWER level than Screw's supposed glorious pinnacle, I admit my expectations weren't too high. Instead, I found the story much more intriguing than Screw, with a couple of little plot twists in rapid succession toward the end. (Saw the first coming, but not the second.) Some may find it depressing because it lacks the Happy Hollywood Ending so typical of American films; however, the screenwriter's refusal to pander to Disneyfication only serves to further raise the level of my esteem for this production.
If you like your movies event-based (like slasher flicks, all about the scary moment, with lots of filler in between and actresses doing bizarre things to get from one event to the next) rather than story-based, you probably won't enjoy this film. If, instead, you like a good story in which nasty ghosties play a role, this is the film for you.
It is a good movie with good dialogue and happenings. Its interesting and not so b as it looks. It may be a not a costful movie, but its great as it is and mystic with mystical music in the background. It really appeals me. It is good to me. I cant understand the bad things here with good Talking and good acting.
A mysterious, morbid professor (Michael York) who has suffered a number of horrid events in his life tries to help a young troubled man (Andrew Bowen), whose girl friend was killed during an illegal abortion.
I had some issues with this, particularly that the age looks all wrong, despite the costumes and mustaches. The time period is unclear, but it strikes me as 1990s people dressed up as people fro ma century ago. An that just takes the magic out of it, makes it more like a theater production. That would not be bad in itself, but I am sure this was not the intent.
The film was directed by Mitch Marcus and based on "The Ghostly Rental" by Henry James. I have not read the James story (unfortunately -- I should) and this was Marcus' first time out as director, so he can be excused. Just such a shame that producer Roger Corman had Michael York to work with (who does excellently) and pairs him with a cast and crew that is not on his level.
I had some issues with this, particularly that the age looks all wrong, despite the costumes and mustaches. The time period is unclear, but it strikes me as 1990s people dressed up as people fro ma century ago. An that just takes the magic out of it, makes it more like a theater production. That would not be bad in itself, but I am sure this was not the intent.
The film was directed by Mitch Marcus and based on "The Ghostly Rental" by Henry James. I have not read the James story (unfortunately -- I should) and this was Marcus' first time out as director, so he can be excused. Just such a shame that producer Roger Corman had Michael York to work with (who does excellently) and pairs him with a cast and crew that is not on his level.
Roger Corman produced, but not really typical of Corman, yet there's a bit of the style of the old Corman/Poe/Vincent Price series from the 60s here. I'd say that the title would be about the only thing "Cormanesque" about this in regards to making it interesting commercially, to kind of cash in on the same-time remakes of "Haunting" and "House on Haunted Hill". Other than that, it's a nice, yet small, psychological thriller, with some plot elements influenced by The Tell-Tale Heart. York gives a nice and slightly hammy performance as the tortured old professor, and the others are more than adequate. It will keep the interest of those who don't mind a gradual build and don't care for the lack of real terror and/or gruesome displays of killing. There's some violence and slight gore, but nothing gratuitous. Nothing here ever gets beyond being just a grade more than mediocre, say about B-, EXCEPT the really nice use of the Irish countryside as a substitute for old New England, which is an A grade. Nothing grand, but better than average.
This is an old movie from 1999 and it's happening in the 19th century I believe. It's a nice sad ghost story, not a horror movie and not a haunted house movie. While I quite liked it, there was some serious issues with it. At times it is hard to follow what and why is happening - you aren't given any reason as to why the characters are doing certain things that just seem illogical.
Definitely worth a watch if you can bear b-class movies, this is one of the better ones.
Definitely worth a watch if you can bear b-class movies, this is one of the better ones.
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- Henry James' The Haunting of Hell House
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- Runtime
- 1h 30m(90 min)
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- 1.85 : 1
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