Soleil de cendre

It took me about three quarters of the movie to figure out where it aims. Is it a thriller, drama or ....? Since it is based on a novel, the story itself probably just doesn't add up.

The buzzword is pointless. Nothing new to learn, no interesting insight in human's psyche, no unorthodox behavior, no special effects worth mentioning, no twists and turns we haven't seen a zillion times before. Coburn is flat as the father, and his son resembles a doped dimwit from the cuckoo's nest. His girlfriend is convincing as a banana imitating a strawberry. Can you say 'flat characters'?

Don't watch it, it is a waste of time.

It's a good movie that's not just a mystery, but a story of forgiveness, honesty, and family. The actors/actresses give the right touch of mystery and emotion. Sometimes it seems a little wandering or slow, but it kept my attention throughout because there's something about the places and people that makes you reflect.

Made just a couple years before he died, James Coburn is "Atticus Cody", who travels to Mexico to find out what happened to his son. An accomplished singer around LA, Lisa Zane co-stars as Renata, the son's girlfriend. When little things don't add up, Atticus tries to dig deeper and investigate. It's better than I was expecting... a couple times I tried to predict what was coming next, and was wrong both times. A good who-dunnit, and why-didthey-dunnit! The son is played by Paul Kersey, who seems to have stopped acting in 2003 ? As of today, this film is only available in VHS form on amazon.com. Sure, there's a silly, unlikely scene with the motorcycle, but this can be forgiven. All in all, not bad.

Directed by Carl Schenkel, who directed numerous films and commercials, yet died young at 55. Based on the novel by Ron Hansen, who was probably better known for "The Assassination of Jesse James by the Coward Robert Ford".

I was fairly determined to make it through the film as I sort of found the performance of James Coburn to be endearing and the laid back look and feel of the production to be pleasing in a way few modern films can be.

What killed my determination to stay with it was the succession of coincidences that pushed the journey to discovery. This is always lazy writing , whether in a novel or screenplay. Unlike othes I did not know exactly what had happened but as I watched the production I was insulted to be asked to believe Coburn's good fortune in ghetting bits of information. The result was, I came just not to care much what happend.

This movie contains a strong performance by James Coburn, who is in virtually every frame. He is well-supported in a story that moves from a ranch somewhere in the American West to a resort community in Mexico. The mystery is complex, and does move fairly glacially at times. Two cavils: I found it hard to believe that Coburn's character would put up so passively with Lisa Zane's personal snipings, and I was puzzled by several references to legal hanging in contemporary Mexico. Mexico got rid of slavery before we Americanos did, and it has preceded us in dropping the death penalty. But on the whole an interesting and sometimes moving treatment of family and loss themes.