Accelerator

Saw "Gone in Sixty Seconds" this week, one week after watching "Accelerator". Both films about stealing cars and driving very fast. But whereas this is only the beginning in Accelerator, GiSS never proceeds beyond that given. If you like Trainspotting, Bernie, Lock, Stock, go watch this film.

When after the first half you get the feeling this is Cannonball run without Burt Reynolds, the second half will seriously surprise you. This film is about pain, about lack of opportunity, about lack of control and about despair more than anything else, with some pretty great action sequences mixed in. The pace is stunning, and even in the more tranquil moments there is an underlying tension that holds you in its grip. Great film, best one sofar this year.

Yeah, I liked this movie. It's actually quite good. Strange that the DVD (region 2) I rented to watch it on kept returning to the menu after each chapter (on my Powerbook G3). I don't know whether other people have also experienced this problem, but it seriously detracted from the overall movie. The movie is great in itself though. It's somewhat of a realistic "Gone in 60 seconds" or a serious "Cannonball Run".

I've just seen the film in the city where it all begins (Belfast). Where to begin ? I got the strong feeling that the director (Vinny Murphy) knew how he wanted his film to end, but wasn't quite sure how to get there.

The first half of the film has a confused feel, almost lacking in direction, as it were. The acting was very patchy, almost embarrassing in places. But stick with it; as the action continues, the acting improves vastly, as does the direction. As the race (from Belfast to Dublin) progresses events take a surprising, and disturbing, turn for the worse...

A highly recommended insight into what is, effectively, another world. I look forward to Murphy's second film. Here's hoping it's in production as we speak.

"Accelerator" is an enjoyable and competently directed movie. The plot has been touched on by other reviewers but what disappointed me was the director's insistence on character development rather than concentrating fully on the race and having a winner. I suppose that would have been too predictable.

As for the characters the statuesque Sharon and myopic Anto are probably the most likeable. Sharon (Mary Murray) has the most sensual screen presence I have seen in the last ten years.

Negatives - the smug, patronising, irritating and condescending Ripley and Spock played by the extremely overrated and arrogant pair that is Mary Ellen McCartan and Philip Richey.

Overall I'd say 5/10

It's a British mainland stereotype that everyone in Belfast has a criminal record , wears a balaclava and carries a gun . So how does film from the Republic Of Ireland begin ? With a character driving a car being chased by a couple of hooded men carrying baseball bats . Never mind the Good Friday Agreement if ACCELERATOR doesn't unite everyone in Britain and Ireland in to Belfast stereotypes nothing will

I didn't understand the opening scene . It's obvious the men after the protagonist Johnny are paramilitaries , probably loyalists ones judging by the colours the railings are painted as Johnny runs to his home but feels the need to burn the car he has stolen . Hmmmm if you're getting pursued by a kneecapping squad of the UFF why bother to burn the car . I mean it's not like the UFF are going to send out a forensic team to take fingerprints is it ? I guess the RUC might but wouldn't an experienced car thief like Johnny be wearing gloves ? I suppose the logic of this scene is that the film wants to get off with a bang literally

After setting up this scene the film meanders around . Characters come and go and say " What about ya ? " and " what about ya ? " and " what about ya ? " which is the only comprehensible dialogue in most of the film . Since it's produced in Dublin I often thought the characters were talking in Irish Gaelic

The rest of the film is a rather uneasy mix of GONE IN 60 SECOMDS and TRAINSPOTTING but lacks the star charisma of a Robert Carlyle . That said it does portray lower working class alcohol obsessed Celtic culture relatively well , but of course being set in Ireland someone has to pull out a gun some point . What about ya ?