- Awards
- 1 win & 2 nominations total
Joey Lawrence
- Graham Manning
- (as Joseph Lawrence)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I recently saw this film on VHS, and I thought it was SO good, that I went out to go and buy on DVD for $35! Call me stupid, but I thought this was a very good movie with very few, if any, flaws. The death scenes were scary and creative ("kidney heist" and "cinema verite" were stand-outs), the actors and actresses were very good (especially Jenny Morrison and Loretta Devine [who always cracks me up as Reese]), and the story and killer's motive made a lot more sense than any of the SCREAM movies. And on top of everything else, this film contains many interesting and well-thought touches. All in all, I must say that this is a very good film that shouldn't disappoint any horror film buff.
PS- The ending is awesome and completely surprising!
PS- The ending is awesome and completely surprising!
starring: Jennifer Morrison, Loretta Devine, Joseph Lawrence, Matthew Davis, Anson Mount, Jessica Cauffiel, Eva Mendes, and Jacinda Barrett.
plot: A killer in a fencing mask is killing off students at a prestigious film school, staring with actress, Lisa (Jacinda Barrett). After a popular director named Travis Stark (Matthew Davis) is found shot, apparently from suicide, his twin brother Trevor (still, Matthew Davis) sneaks into campus and teams up with writer Amy (Jennifer Morrison) to try and catch the killer as more bodies begin to drop.
review: This is a very fun sequel. I love the cast, its got Loretta Devine from the original UL, Joseph Lawrence from Do You Wanna Know A Secret?, Jessica Cauffiel from Valentine, and Jacinda Barrett from Campfire Tales. This has great gore, great acting, good directing, and good writing. But the killer's motive stinks!
9/10.
plot: A killer in a fencing mask is killing off students at a prestigious film school, staring with actress, Lisa (Jacinda Barrett). After a popular director named Travis Stark (Matthew Davis) is found shot, apparently from suicide, his twin brother Trevor (still, Matthew Davis) sneaks into campus and teams up with writer Amy (Jennifer Morrison) to try and catch the killer as more bodies begin to drop.
review: This is a very fun sequel. I love the cast, its got Loretta Devine from the original UL, Joseph Lawrence from Do You Wanna Know A Secret?, Jessica Cauffiel from Valentine, and Jacinda Barrett from Campfire Tales. This has great gore, great acting, good directing, and good writing. But the killer's motive stinks!
9/10.
As a former film student the setting for the film had some appeal. Film students after the coveted Hitchcock Award strive to make the film that will secure them a spot in Hollywood, just like the honored alumni before them. Unfortunately the power of greed has someone taking out the competition.
It begins with an obvious film-within-a-film cliché to introduce us to all the principal characters/victims of the film. The cast, a slew of nobodies, lacks any true depth and continually stumbles through forced 21st dialogue. The only recognizable face, Joey Lawrence of Blossom fame, has matured in looks but not so much in talent. In fact, the most entertaining parts of the film are when the killer `urbanizes' his victims making the viewer happy to see them go.
The entire story is weak and too many standard horror movie conventions are tossed into the mix. Bumps in the dark, shadows in the background and masked characters that appear out of nowhere are tired repeats of films in our past. As expected, every character is given a reason to be the killer until the very next scene when they are exonerated because another character seems more deserving.
With many veiled references to Alfred Hitchcock's films, the filmmakers may have thought they were honoring the great director but in reality the idea is so poorly done that they only come across as cheap rip-offs. Stair climbing in a tower ala Vertigo and a weak wheelchair scene ala Rear Window are two that come to mind.
The whole scary movie genre was given life by Scream and now it ought to be put out of its misery with one swift swing of the ax.
2 1/2 out of 5
It begins with an obvious film-within-a-film cliché to introduce us to all the principal characters/victims of the film. The cast, a slew of nobodies, lacks any true depth and continually stumbles through forced 21st dialogue. The only recognizable face, Joey Lawrence of Blossom fame, has matured in looks but not so much in talent. In fact, the most entertaining parts of the film are when the killer `urbanizes' his victims making the viewer happy to see them go.
The entire story is weak and too many standard horror movie conventions are tossed into the mix. Bumps in the dark, shadows in the background and masked characters that appear out of nowhere are tired repeats of films in our past. As expected, every character is given a reason to be the killer until the very next scene when they are exonerated because another character seems more deserving.
With many veiled references to Alfred Hitchcock's films, the filmmakers may have thought they were honoring the great director but in reality the idea is so poorly done that they only come across as cheap rip-offs. Stair climbing in a tower ala Vertigo and a weak wheelchair scene ala Rear Window are two that come to mind.
The whole scary movie genre was given life by Scream and now it ought to be put out of its misery with one swift swing of the ax.
2 1/2 out of 5
A student filmmaker's thesis project encounters production problems when the actors and crew of her film start getting killed by a monstrous force.
Jennifer Morrison stars as Amy Mayfield, a student at a prestigious film school, unsure about what her thesis film is going to be. But after a conversation with security guard Reese Wilson about her experience with a series of murders that had happened on the campus she had previously worked in, she is inspired to make a film about a serial killer murdering in the fashion of urban legends.
I rewatched this on Blu-ray in the new collector's edition trilogy, although I have seen the film in the past. The film is carried by Morrison's gratifying performance, alongside Loretta Davis bringing comic relief to the film. Where the film succeeds is in its classiness as a horror picture, and director John Ottman has proven that he can successfully cross over from being, not only a gifted composer but also a respectable filmmaker. The film embraces the horror genre wholeheartedly and giving us a nail-biting, heart-jolting experience. Where I found the film fell short is the fact it's very keen on keeping the film (mostly) bloodless and a lot of the deaths happen off-screen or cut away just as it happens, although I think the film would've benefitted from more gore and brutality. Which is not something I would normally say. The end of the film wraps up reminiscent of an episode of "Scooby-Doo" with a nice nod to the original courtesy of Rebecca Gayheart. It's a fun watch.
Jennifer Morrison stars as Amy Mayfield, a student at a prestigious film school, unsure about what her thesis film is going to be. But after a conversation with security guard Reese Wilson about her experience with a series of murders that had happened on the campus she had previously worked in, she is inspired to make a film about a serial killer murdering in the fashion of urban legends.
I rewatched this on Blu-ray in the new collector's edition trilogy, although I have seen the film in the past. The film is carried by Morrison's gratifying performance, alongside Loretta Davis bringing comic relief to the film. Where the film succeeds is in its classiness as a horror picture, and director John Ottman has proven that he can successfully cross over from being, not only a gifted composer but also a respectable filmmaker. The film embraces the horror genre wholeheartedly and giving us a nail-biting, heart-jolting experience. Where I found the film fell short is the fact it's very keen on keeping the film (mostly) bloodless and a lot of the deaths happen off-screen or cut away just as it happens, although I think the film would've benefitted from more gore and brutality. Which is not something I would normally say. The end of the film wraps up reminiscent of an episode of "Scooby-Doo" with a nice nod to the original courtesy of Rebecca Gayheart. It's a fun watch.
Urban Legends: Final Cut is a great sequel to Urban Legend. It is not like other horror movies because in the first one, the mask was different, other horror movies have the same masks for all the sequels that they have.
I think that the return of Reese was good because she is able to understand Amy, in what is happening to her, when she realises that something is wrong, because of what happened the last time.
Also, Rebecca Gayheart's return at the end was excellent. I think that was a great surprise. I didn't expect to see Rebecca in the sequel before I knew, she had a cameo appearance. Not all horrors do that either. Even though the killer is different. The killer from the first one is in the second.
Well this movie is great and I hope all of you enjoy it too!
I think that the return of Reese was good because she is able to understand Amy, in what is happening to her, when she realises that something is wrong, because of what happened the last time.
Also, Rebecca Gayheart's return at the end was excellent. I think that was a great surprise. I didn't expect to see Rebecca in the sequel before I knew, she had a cameo appearance. Not all horrors do that either. Even though the killer is different. The killer from the first one is in the second.
Well this movie is great and I hope all of you enjoy it too!
Did you know
- TriviaThe role of Vanessa was originally much smaller in the initial script, but Director John Ottman liked the character so much, along with the casting choice of Eva Mendes, that he expanded her role.
- GoofsAmy is seen walking through a heavy snowstorm, but by the next morning, the several inches of snow have disappeared and the trees are green.
- Crazy creditsAs the end credits roll, Professor Solomon is being pushed in a wheelchair by a nurse who happens to be the killer from the first movie!
- Alternate versionsGerman cinema version was edited for violence and gore to secure a "Not under 16" rating.
- SoundtracksJust Can't Wait
Written by Scott Nickoley & Jamie Dunlap
Performed by Melody Patron
Courtesy of Marc Ferrari/MasterSource
- How long is Urban Legends: Final Cut?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Leyendas urbanas: Corte final
- Filming locations
- Ontario Place, Toronto, Ontario, Canada(amusement park scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $21,468,807
- Opening weekend US & Canada
- $8,505,513
- Sep 24, 2000
- Gross worldwide
- $38,574,362
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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