That Championship Season

What a good movie filled with good performances. The actors alone is worth the watch. You have a story about a highschool coach and his former players coming together to reminisce about the glory days of winning the state title in basketball. While at the coaches house other drama comes to light and all hell breaks loose. I loved the drama and stories of what each was up to and how their lives have been since winning the title. My favorite character was played by Gary Sinise and he was funny. Although I think the movie was to long and could've been shortened by 15 minutes this is truly a heartbreaking and heartwarming tale about friendship.

Timothy Treakle.

Anyone who gave this a bad review totally missed the point of this movie (play). I see why this play won the Pulitzer prize for drama. It illustrates how we all look back at our youth, and possible triumphs, and paint it as much better and rosier than it was. Nothing was as perfect as it seemed, but for some, it's all they have to hold onto to give their life meaning & purpose. Also, it portrays the lengths some people will go to perpetuate a false image of happiness and perfection.

This is the second attempt to bring this thought provoking play to the mass market, this time through a TV movie now in rental. Thoreau is quoted as saying: "The mass of men lead lives of quiet desperation." This play peels away the layers of self delusion to reveal such desperation in the insecurities, disappointments, unrealized potential and mediocrity of four men and a coach who's lives peaked in high school when they won the state basketball championship.

It is, unfortunately, a depiction too familiar to the many who never escaped their small town or neighborhood and live trying to salvage some feeling of dignity from the mediocrity and despair to which they have allowed their lives to sink.

At the 20th reunion at the coach's house (Paul Sorvino) the characters gradually reveal how pathetic their lives have become. There is the bitter coach, a unabashed bigot who still talks to grown men like they were teenaged basketball players and who believes all of life can be summed up in sports aphorisms.

James (Terry Kinney), a junior high school principal, is by far the most self delusional of the five, clearly a loser who never changed with the times, he believes he has a bright future in politics when he couldn't get elected to a sanitation post.

George (Tony Shalhoub) plays the mayor of Filmore, who has bungled his term in office and will imminently be voted out. He spends most of this time trying to convince himself and everyone else how popular and wonderful he is, when it is clear to everyone that he is a fool.

Phil (Vincent D'Onofrio) is a spoiled little rich boy who inherited his father's business which is now raping the environment for profit. He supports George's campaign so he can get variances that allow him to profit from this abuse.

Tom (a fabulous performance by Gary Sinese) is James brother, a vagabond alcoholic who ironically is the only one who sees the situation with any clarity. He is openly cynical of himself and the others and constantly speaks with justifiable disgust about all his peers and their miserable lives.

The problem with this and most plays that try to go to film is that unless the director adds uniqueness visually, or through the set, location, props or costumes, it just looks like you are watching a play through a window. Since you have lost the power of the live performance, it always loses something in translation.

Sorvino, as the director, failed to do this. He clearly focused on the actors performances (which were all exceptional) and did a brilliant job of recreating a great play on film. That did not make it a great film. It made it seem overly long and tedious. As a play I would give it a 9, as a film a 6.

This is not a film for everyone. One needs to get into a philosophical frame of mind and prepare to see an interesting character study of some very miserable characters. If you are an avid theater goer and can handle a downbeat drama about the failings of common people, I strongly recommend it. Otherwise look for some lighter fare.

To someone who was born and/or spent any time in Scranton, Pa., "That Championship Season" is sort of what "Midnight in the Garden of Good and Evil" is to someone from Savannah, Ga. -- even though it isn't literally based on fact, as the latter is, it is sort of the "hometown" play, in that we all know characters like those in Jason Miller's play. I don't live in Scranton anymore, but I was there when the 1982 movie was made, and there was an incredible amount of hoopla surrounding it. Again, everybody either was at one of the film sites, or was actually in the film, or knows somebody in it. Some of my relatives actually befriended one of the cast members to the extent that they still keep in touch. The 1982 film's first half-hour or so are eerie to me in that they amazingly captured the look and feel of Scranton at that time, which were depressing, to say the least. A lot has changed -- for the better; it couldn't have gotten much worse -- since that movie was filmed, so they did capture a slice of history. All things considered, though, I give a slight nod to the newer, TV version. Sorvino -- a link to the original Broadway production -- is a little bit below Mitchum as the coach. But the 4 members of the TV cast have it over the 4 in the film. In fact, I thought Sorvino was the only one in the film to nail his part. In the TV version, Gary Sinese blows away Martin Sheen in the part of the drunk, Tom Daley. By the end of the film, Sheen was so obviously acting it was pathetic ... Sinese, who never gives a bad performance, clicked with the role much better and longer, I thought. The rest of the TV cast did a little bit better as an ensemble and with theatrical material than did Dern, Keach, etc. Dern's performance deteriorated as the film went on, too. Shahoub held it together better.

Being the second attempt to put on film an outstanding Broadway play, you would think that the producer/director would set aside egos long enough to learn something. The movie is a tedious affair with none-believable character portrayals (even for Gary Sinise, while being the best, is directed to get too drunk too soon).

Perhaps a warning flag could have been posted when Sorvino took on the roles of producer, director, actor, theme song composer, violin concerto composer and with all the out-of-work actors available, agent who hires his own relatives for bit parts (even though Ron Howard and John Travolta do this regularly, they at least produce good movies).

As an actor Sorvino is great...when being directed by others. His performance is stiff, scripted, and evokes no emotion of sympathy for the by-gone glories. By the end, the audience has no attachment or like of the characters (racist, anti-Semitic, selfish) and could care less that they have all resolved their differences and end up posing for a "happy" picture for the scrap book. Paul, go back to acting.