Essex Boys

A good film on several levels. The unflattering comparisons that some critics have made between it and The Usual Suspects are completely misguided as directorial intent and effect in the two pictures are dissimilar. Winsor's film, it seems to me, brilliantly evokes both the drabness and cruelty of the criminal mindset. It does this partly through the choice of dull, flat Essex landscapes with their coastal marshes, grey motorway links, flash nouveau riche mansions and the tawdry glamour of seafront locations. The characters are both repellent and yet curiously mesmerising. This is not a film in which it is easy to lose interest. Nobody can do psycho-thug better than Sean Bean, and Charlie Creed-Miles has created a dangerously weak character as Billy, whom it is almost possible to feel sorry for without actually liking. The film is very well lit, though I did find sound levels a little dodgy at times It's a film that, despite critics' comments, is not a million miles from Get Carter in quality.

I just viewed this video, then have read the reviews and am stunned. Was I watching another movie? Sure the characters are shady, but what do you expect, Scorsese-esque, Soprano-ish likeable lots? This is about the seedy, Darwinian underworld and has a compelling story about how Billy (a more cerebral, physically minute character) gets slowly pulled into the bowels of greed and acrimony. The acting is intense and uncompromising. Alex Kingston is wonderful and the actor who played Billy was smart. Certainly not academy award, but interesting fodder nonetheless. A mixture of Sexy Beast & GoodFellas. 7/10

This movie was reviewed as the English version of Goodfellas, and although the plot lines are similar in a way, and the insanity is much the same, it felt much grittier and harder-edged. Maybe it's the way they treat their women or something. Although the camraderie amongst the 'boys' appeared much the same superficially, underneath there was no 'club'. Sean Bean was so realistic as a bad-guy, that he was REALLY scary. Really hope it was great acting and not a window into his soul showing here. I was surprised at the quality of acting shown by Alex Kingston too. The supporting cast was fine, and it was interesting to see Essex for those of us who live on the other side of the pond. My interest was actually captured farther on in the film by the quick-paced events and the twisted plot line. Imaginative and surprising writing, although the dialogue wasnt as good as Goodfellas. Overall, i recommend it, but it was a hard one to watch -

If you want to "see" what a drug induced blank look really looks like Sean Bean's bedroom scene half way through the movie is a must see. He ain't trying to look good or mean or anything other then just be in the character. And he does that to the exclusion of the rest of the world. He's a git and he will make your skin crawl.

This an an ensemble cast and they fit together wonderfully. The ways they come together and come apart are believable. You may even feel compassion for some of them until you remember what everyone is doing.

At the end of viewing it I thought it was a once through but now a few days later I want to see it again and I am thinking seriously about buying th DVD.

I didn't really like this movie, but had to admit it was compelling. Sean Bean gives a performance as the evil drug thug that compares favorably (if that's the word I want) with Dennis Hopper's crazed bully in "Blue Velvet." It's outstanding work, but if you're a Sharpe fan (and who isn't?) it may be a bit jarring. I mean, this guy throws acid in faces, beats his wife, laughs at suffering, rapes a teenager and strangles her more or less accidentally. That's in addition to selling the drugs and other criminal activities.

Bean is, in fact, so good at being bad, he almost tips the movie over. Alex Kingston and Jim Wilkinson - versatile, dependable and often outstanding actors themselves, do what they can to take a scene away from him, and never quite manage. Charlie Creed-Miles, as the innocent who gets drawn into all this, is quite convincingly intimidated.

An icy jazz score and crisp direction keep the story moving along at a brisk pace. You may be repulsed, but you probably won't be bored.