Témoin sous contrôle

I have recently found myself very impressed by some of the original series coming out of HBO. I was totally crushed to find out that this was a one-time movie and not the start of another series. I feel like HBO really tapped into a topic that hasn't been explored in depth before: the psychological stress that goes along with a family having to start over from scratch. The film shows the first five days of the family living in a safe house after entering the witness protection program, and the training that they have to go through to prepare for their new life.

I thought that this film was outstanding, ESPECIALLY for a cable television production. I LOVE mafia movies, but I think that that's because it's always seemed like such a fantasy world to me. This film focuses on the reality that the family must face when they have to leave all of their money and connections behind. I thought that it was heartbreaking and gut-wrenching.

Rock on HBO!!! Gimme MORE!!!

In Boston, when the mobster Bobby "Bats" Batton (Tom Sizemore) is attacked by a killer at home and escapes, he finds that he has fallen in disgrace with his boss since someone has falsely betrayed him telling that he has embezzled money from his funds. Without any alternative, Bobby seeks out FBI chief Sharp (William Sadler) to get protection to his family and him. Bobby accepts to snitch his boss; in return, his wife Cindy Batton (Mary Elizabeth Mastrantonio), his teenage son Sean Batton (Shawn Hatosy), his little daughter Suzie Batton (Skye McCole- Bartusiak).and him will receive new identities and be relocated to Seattle. Along the next days, they move to a safe house to be trained in their new lives by Agent Steven Beck (Forest Whitaker) that shows that they are completely broken and without professional qualification. Meanwhile the family lives the drama to adapt to their new lives. Will they succeed?

"Witness Protection" is a HBO TV movie with a different approach of the witness protection program showing how does it works and how families are affected. In crime films, the procedure are shown in a shallow way; but this film uses the family of a mobster with wife, teenage son and little daughter to disclose the problems faced by the in their new location. Supported by great cast and direction, the most impressive are the odds to be successful, depicted when Agen Steven says 50% and his partner calls him optimistic. My vote is eight.

Title (Brazil): "Proteção à Testemunha" ("Witness Protection")

This movie was very good. Even though I should have probably known better, I was under the long term illusion that these witness protection people got a free ride for selling out to the government. This movie really gives a dose of reality that is pretty believable. You are torn between thinking "he really deserved it" and empathizing with him and his family and what they are giving up for the protection. I also thought the movie did a good job of showing how they have to find them selves and their family core once again to proceed with their new lives. Great jobs by Forest Whitaker and Mary Elizabeth.

This movie is the kind that TV airs by the dozen late in the evening. It is not advertised as something special, just a nice thrill to entertain you before bedtime.

However, it is a very solid, well turned story, showing another side of the gangster/new identity tale that we have seen many times before. We get under the skin of a family forced into assuming a new identity. A son has to give up his access to a famous college and a daughter has to give up her friends at school and learn a whole new family history. Grand parents are said goodbye to, never to be seen again. All the difficulties of assuming a new identity are well described and explored in this film, and the acting is no-nonsense, to the point and convincing. Forest Whitaker is (as always) perfect in his role, but in fact all actors contribute convincingly to the story.

How could anyone say the characters were shallow in this movie? If the characters had any more depth, the viewer would drown in the emotions being displayed.

This film is the only one I have ever given a 10 to. It is filled with sturm and drang. There is more angst than one could imagine. The characters are drowning in their own stress and dysfunctionality. One reviewer said that Mastrontonio was shrill. She was not, but her character was and justifiably so. Can anyone view the argument (fight) between her and Bobby (Sizemore) and not feel how overwhelmed she is and how much she feels betrayed?

Everyone associated with this film has risen to the occasion and gives the performance of a lifetime. Kudos to the Director, Richard Pearce for so artfully staging the brilliant script written by Daniel Therriault. And, as for the actors, each performs brilliantly. Applause to Whitaker, Sadler, Shawn Hatosy (the son) and Skye McCole Bartusick (the daughter). In fact, as a psychologist, I wonder if Skye was slightly traumatized after the role was over, having to portray a 5 year old who has lost her ability to rely on the world and her family. She is fear personified.

Special hats off to Mastrontonio for a superb performance as the wife who stands by her man until he breaks the last straw.

Finally, what can be said about Sizemore's performance except it is MASTERFUL! His Bobby Bats makes Gandolfini's Tony Soprano look like an altar boy. Are he and Gandolfini secret twins, as it is hard now to look at one and not think of the other? The breadth of emotion portrayed by Sizemore show that here is a talent to notice. I thought he was good in The Florentine (see it), but this is superior by tenfold.

This is a giant of a film. Were it a commercially produced product versus one by HBO, I suspect it would have led to nominations for Best Actor and Actress, Best Suppporting Actor, Best Writer, Best Director and Best Film, that's how good this film is.