Vertical Limit

Years after he and his sister survived a climbing accident where their father died, Peter and Annie Garrett find themselves on K2 for different reasons. Peter is on the foothills taking pictures for National Geographic, while Annie is part of the documentary crew with playboy millionaire Elliot Vaughn, who is aiming to reach the summit in time to promote the launch of his new airline. However when a storm comes in., most of the party are killed with only Elliot, Annie and leader Tom surviving in a crevice. Peter puts together a rescue mission, led by veteran Montgomery Wick.

It is just this film's bad luck that I watched it only a matter of days after I saw the much better Touching The Void. That film had me on the edge of my seat with my mouth agape at times with a story of a climbing accident and the aftermath. However Vertical Limit doesn't go for realism at any point. The plot is a real mess; it doesn't risk having it's thrills from the effects of the mountain so it also adds a traditional bad guy and a `wages of fear' twist involving the climbers carrying nitro in their backpacks. That's not to say the film doesn't have exciting moments - the opening scene is very dramatic and powerful (despite O'Donnell's crap wide-eyed acting) but it never reaches that again. Instead, it settles for effect shots of climbers hanging over great heights etc. These are visually impressive and they do manage to get a sense of urgency to them but it never lasts long.

It's a shame, because Cliffhanger was enjoyable and Void showed that the real drama can come from just the mountain itself, however here it keeps adding more stuff to try and force drama out of the situation. The lack of real characters is a problem - instead we have very wide clichés almost; `dudes', wise old men, ruthless billionaires, sexy mountain chick and clean cut siblings. Aside from the opening sequence, it is hard to feel an emotional connection to any of them and, as the latest disposable actor hangs over a drop awaiting the chop I was more focused on how good it looked rather than nerves over the outcome. O'Donnell is as bland as he often can be and didn't impress me at all; likewise Tunney was a bit `all-American' for my taste. Paxton could have been sending up Richard Branson if he hadn't been playing it so straight. In a similar vein, Glenn would have been better if he'd put his tongue in his cheek and acknowledged how daft his character was! The support cast or `drop monkeys' as I call them are an average enough bunch but the film basically kills them off one by one like a horror movie - to much audience apathy I might add.

Overall this is an OK film if you can just turn off your brain and enjoy the vertigo-inducing effects. However with no good plot, dialogue or characters it will be very difficult for anyone to really get involved in the film beyond this aspect. I can only plea to you to seek out a film with a fraction the budget of this and that's Touching The Void. It is a true story with no digital effects but it is a similar setting but much, much better.

I can't believe how many people pick on this movie! It's a movie...and movies are meant to entertain. I thought it was a good story line, very suspenseful & emotional. Yes, there was a lot of unbelievable problems that arose, and maybe the acting wasn't all that great. Chris O'Donnell is very cute to look at, but I have to admit he's not the best actor out there. Scott Glenn is great in every movie he is in. The rest of the actors were OK. I just don't see why this movie was picked on so much. I don't watch movies so I can pick on them, I watch them for entertainment..and I was entertained by this movie. I would recommend it to anyone who is wanting to see an edge-of-your seat, emotional movie.

I enjoyed Vertical Limit. One thing I would have done differently, as a director, is to eliminate the explosives. Blowing a hole at the top of the crevass that your friends and family are at the bottom of is folly, and even if you do feel the need to bring explosives (in avalanche country), use something relatively stable, like dynamite.

Dynamite would have been readily available, for it is used to mine Himalayan salt in Pakistan. Certainly, the man with the millions of dollars could have afforded some. The exclusion of explosives from the scenes would have contributed to a more believable Himalayan adventure (think Into Thin Air).

The story line was good, and I appreciated the strong, complex dynamics and connections between the brother and sister, and between the two siblings and the rescue team leader. While Vertical Limit strove to expose the harsh realities of technical climbing (especially at K2), however, it lost some steam by being very lax in re-creating the conditions that would have been met by the climbers, even at K2's Base Camp at 18,645 feet.

No one was even wearing hats at the alcohol-ridden "barbecue" at Base Camp, the night before the climb. It would have been blisteringly cold, between -20 and -50 farenheit. No professional climber would have been drinking alcohol at that time.

On the mountain, in the raging storm, the climbers did not even have the sense to pull the Cord-Locs on their hoods tight: Snow would have accumulated inside their hoods and parkas, then melting. There were some scenes when protective face masks were used, and that was excellent.

Chris O'Donnell's character makes a terrific leap onto a snowy cliff face. I am not entirely certain that the jump would have been possible in real-life, but just maybe. They should have made the jump less-ambitious and more believeable.

Although I am glad that there were not one but two women in the rescue team, in reality, they would have not been allowed: Women just don't have the brute force necessary to haul 200-pound guys down the mountain (or up on a rope).

While I am tempted to say that it is unrealistic that the veteran and renowned ascent team leader and National Geographic photographer (also a highly-experienced climber) could be cajoled into continuing the ascent after the severe storm warning had been issued to them, we have seen bad decisions in the past by real-life alpine team leaders,culminating to disaster.

Although it may seem that I am being very critical of Vertical Limit, my score of 8 shows that I am willing to forgive the sins that Hollywood felt compelled to commit. The strong inter-personal dynamics, memorable characters, strong story line in-general, and clear, bold decision making in the screenplay made this film worth watching. Heroism is always a welcome theme in the movies I watch, and in Vertical Limit, everyone's a hero in his or her own way.

Scott Glen's character as the rescue team leader and sage mountaineer was superb.

Usually I do not care very much for mountain climbing films as they usually have a very similar plot. This film had plenty of action with Helicopters flying all over the place and horrible snow storms and also entrapment in caves deep under tons of snow and ice. The film starts out with a father, son and daughter adventuring up a steep mountain during a very sunny day and having a wonderful time with each other. Their father was a very experienced climber and all of a sudden a tragic situation happens and a horrible life or death decision had to be made within seconds. There is lots of scary scenes and plenty of explosions and more action than you can handle.

In this high-octane action film, three climbers make stupid decisions at 26,000 feet, en route to the summit of K2, the world's second highest mountain. The climber's peril thus necessitates a rescue, which puts additional people on the mountain and at risk of dying. That's it. The story is thus fairly thin, but the filmmakers insert all kinds of natural and human obstacles, conflict, and difficulties to rev up the action and excitement.

The film's CGI creates compelling tension. We have the illusion of vertical scale, or perspective, which translates into a needed sense of vertigo. The sensation that the characters could, at any moment, fall to their deaths is the film's strength.

The mountain scenery is also nice, although it is sometimes wasted, because of the film's fast pace. Cinematography is quite good. And some of the scene transitions make the film flow really well.

Dialogue seems flat to me. Production design and costumes are adequate. Acting is largely irrelevant.

By far, the biggest flaw is the unrealistic amount of action. In the plot, everything that could go wrong does go wrong, from bad weather to avalanches to exploding nitro to human conflict and discord. It's all a bit much. But, that seems to be a problem inherent to outdoor action films. Directors cram in too much chaos.

Another minus is the background music, which is irritatingly nondescript. For a film set mostly in Asia, I could have wished for more indigenous music which, when combined with the majesty of the mountains, could have added emotional depth and a sense of mystery and awe.

"Vertical Limit" does have an emotional spine to its story, but that is secondary to the super action plot. Viewers who expect well thought out characters, meticulous plotting, or a subtle "theme" will need to look elsewhere. This film is strictly for people who like heavy-duty outdoor action.