A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.A waitress falls for a handsome customer who seduces her, her two sisters, her brother, and her brother's girlfriend.
- Director
- Writers
- Stars
- Awards
- 3 nominations total
- Lucy's Ex-boyfriend
- (uncredited)
- Flower Girl
- (uncredited)
- Voice actor
- (uncredited)
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Featured reviews
Set far from the traditional Irish mise-en-scene in Dublin's trendy Temple Bar area, it features Stuart Townsend as a benign Irish cousin to Jack Nicholson in _The Witches of Eastwick_, who plays on the desires of three beautiful sisters for his own ends. Far from being a scheming Casanova, he's a likeable character who does nothing more than tell a few tall tales to aid his seductive techniques, and who helps people come to terms with themselves rather than cosign them to a life of guilt by doing so.
This film is like Stembridges earlier film, Guiltrip, turned inside out. It's bright, urban-based, modern, and shows signs that Ireland is finally developing a mature attitude to Sexuality.
The Laura character summed this film up pretty thoroughly for me. She is an English actor, meaning that two of the main characters, including of course THE main female lead, were not Irish. I can't be bothered repeating why this is extremely sad - it's been said so many times - but the marketing machine behind most movies will not change it's mind about shoving Americans (or Brits) into the leads in "foreign" films, no matter how much people complain. They want the bucks, you know, and a famous names DOES mean more bums on seats. Sad but true.
I found this film uninspired. There were perhaps 2 or 3 genuinely amusing and surprising lines. The characters were pretty much laughable, in a bad way. Adam's justification for his machiavellian behaviour I found ridiculous and unconvincing. This guy is not altruistic - that much should have been patently obvious to anyone with a brain half the size of an ant's b**ls.
I hung on to the end. Lord knows why as I tend to advise: if you don't like a movie, turn it off. Maybe I'm feeling rather masochistic today or maybe I kept hoping something was going to happen to make it worth my while. It didn't.
That said, if you don't care about intelligent scripts or whether a movie rehashes themes/styles/plots that have been done better elsewhere many a time and if you like fluffy, pointless romantic comedy no matter what, then watch and enjoy! 4/10
Kate Hudson, in what was her first film role, shows off her Mom's smile to good effect.
Frances O'Connor is atypically frenzied. And so on.
All inspired by a lovable, enigmatic rogue whose sensuality turns on at least three sisters and a brother.
The song choices are surprisingly conservative traditional pop, culminating effectively in Peggy Lee.
(originally written 6/15/2001)
Frances O'Connor as the quiet, bookish Laura and Charlotte Bradley as the unhappily married Alice will each strike up their own serious relationship with Adam. As we see each of the sisters' stories unfold it puts a new spin on all that we have seen before. Even Lucy's brother finds himself oddly attracted to Adam while Lucy floats along completely oblivious to all that is swirling around her. Each of the key roles is performed well and enough time is given to allow us to explore the motivations of each of these characters. If we didn't really get to know these people and what drives them, everyone involved could come off rather badly, especially Townsend's Adam. But the director makes each character sympathetic enough and it all ties together very well.
A clever script, mostly terrific acting, intriguing characters, wonderful Irish scenery and a very smart plot device that adds a unique twist to everything...About Adam has a lot going for it. It's a smart, funny, enjoyable ride.
Did you know
- TriviaVariety reported in July 2023 that Samantha Morton appeared on an episode of The Louis Theroux Podcast and accused producer Harvey Weinstein of trying to destroy her career because she turned down his offer to star in this. She said she read the script, felt it was really misogynistic and didn't want to be part of it. The casting director warned her "You don't say no to Harvey" and "You're not going to work again unless you do this role." Morton refused, which she said led to her being blackballed in future Weinstein-produced projects such as The Brothers Grimm. According to Morton, Weinstein said he didn't want her for that role because she was "unfuckable." Following Morton's podcast appearance, Weinstein reached out to Variety from behind bars, where he was serving a 23-year sentence for rape, to issue a statement claiming that she is using his name to "advance" her own "agenda." He pointed out that her career wasn't damaged and she went on to star in several prominent projects. He just didn't hire her for Brothers Grimm because they found an actress who was a better fit for the role
- Quotes
Lucy Owens: [Lucy, thinking to herself while singing onstage] Ugh, This place is full of ex-boyfriends. No, don't worry, I'm not interested. there's another. Ugh, maybe Laura was right. I just can't make my mind up. I mean, they're nice boys. Well, most of them... but you know, sometimes you just wish a new face would pop up and... Oh! Well, now, look at that! Hands off, Maria. I saw him first. Is he really that shy, I wonder. Hmm. Well I suppose it's nice for a change. Ok, here goes...
- SoundtracksThe Man I Love
Written by George Gershwin & Ira Gershwin
(c) Chappell & Co/New World Music Ltd/WB Music Corp.
Used by kind permission of Warner/Chappell Music Ltd
Performed by Kate Hudson
Piano: Donal Beecher
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Details
Box office
- Gross US & Canada
- $159,668
- Opening weekend US & Canada
- $33,300
- May 13, 2001
- Gross worldwide
- $802,951
- Runtime1 hour 37 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1