Horton Hears a Who!

Growing up in the '70s, I had vague, but favorable memories of animation like "Horton Hears a Who", "The Lorax", "Dr. Seuss on the Loose (the Sneetches)", and "Rikki Tikki Tavi". After having children of my own, I took up the mission of finding, acquiring and viewing these films with my kids. I discovered all of these children's books converted to animation withstood the test of time and were loved by my boys as much as they were by me (maybe it's a male thing).

These cartoons had two things that 21st century remakes (e.g. Tim Burton's "Charlie and the Chocolate Factory") don't have: 1.) they respected the original but built upon it (Dr. Seuss/Ted Geisel and Chuck Jones complement each other with their own unique contributions); and, 2.) they focused on well-founded ethical points that many films today lack. Writers and directors today could learn something from these animated features. Namely, when producing films targeted at children and their parents (e.g. "Shrek 2"), subtlety, and a good story beats ostentatious effects and double entendre wisecracks any day.

My intent is neither to trash the remakes that are ubiquitous in Hollywood (I liked "Shrek", "Shrek 2" and "Charlie and the Chocolate Factory"), nor is it to wallow in the nostalgia of my childhood. It simply is my opinion that these old cartoons deserve a second look. If you enjoy illustrated entertainment like comics, children's books and cartoons you (and your kids) will enjoy "Horton Hears a Who".

While some might say that "Horton Hears a Who!" was mostly a funny story for children, I notice a similarity to an earlier cartoon which Chuck Jones - who would have turned 95 today - directed: "Punch Trunk". That one portrays a tiny elephant accidentally ending up in a major city, and anyone who sees it is considered insane (though it really does exist in the cartoon). In this cartoon, Horton befriends the microscopic citizens of Whoville but everyone else considers him crazy. Not only do both stories involve elephants, but they both depict beings which most individuals would probably never imagine existing but really do exist (in the cartoons, that is). What to make of this? Maybe I'm reading too far into the cartoon. Dr. Seuss and Chuck Jones probably intended for the story to mostly be entertainment for children, and it is quite enjoyable. I recommend it.

Chuck Jones and Theodore Geisel teamed up to produce the animated adaptation of Geisel's classic Horton Hears a Who! (why does the title always end in an exclamation mark?), as they did earlier for How the Grinch Stole Christmas! Horton's story is just as good as the Grinch's, with wonderful animation by Jones, and excellent lyrics by Dr. Suess (aka Geisel). Horton Hears a Who! has a moral: a BIG one. It deals with the concept of free speech, and how no one should believe they are the center of the universe and are the ones that REALLY matter, let alone that there is no one else at all. Both Dr. Hoovey and Horton are condemned as quacks just because they are not, like the rest of the community, self-centered morons. This in itself is a wonderful short story. But if you combine it with excellent lyrics and unbeatable animation, you have captured the essence of Horton Hears a Who! What really baffles me is that this masterpiece is so unappreciated as to be mentioned in a four-line paragraph at the back of a video with The Grinch as the feature. This "supplement" is just as good as How the Grinch Stole Christmas!

An elephant named Horton tries to protect a microscopic community of "Whos" from his interfering neighbors who think it's all in his mind. Another wonderful Dr. Seuss tale brought to life by the great Chuck Jones. This isn't quite on the level of How the Grinch Stole Christmas (which was perfection), but it is very enjoyable in its own right. It's written, of course, by Dr. Seuss (including the song lyrics). His words are what makes his stories so timeless. Like many of you, I grew up reading his books and being enchanted with them. This is a simple story on one level but, as always with Seuss, you can peel back the layers and see how much more there is to it than it seems at first. Solid voice work from Hans Conried and June Foray. The animation is great and the music pleasant. Definitely one you'll want to check out if you're a Seuss fan. Just make sure you watch out for those Wickersham Brothers!

Horton the Elephant discovers the Whos, a race of people who live entirely on a speck of dust and know nothing of the outside world. His jungle friends don't believe him and turn against Horton, eventually threatening to boil the dust speck in beezlenut oil.

There are at least three layers to this film. On the most superficial level, it's a cartoon featuring an elephant, some little people and a handful of catchy songs that kids and parents will love. This is what you'd get if you weren't following along at all, and you'd still have a good movie.

On the next level, we have the film's core message: a person's a person, no matter how small. This is what most people will walk away with, and the intent is clear: we're all created equally. Whether Suess was focusing on race, gender, physical stature or handicap is unclear... but we get the point -- each of us is human, even if we're different.

The third level is a bit convoluted and I'm not entirely sure I grasp it. The Wickersham brothers accuse Horton of trying to create civil unrest. Here we may see parallels to the events of the 1960s. The Wickersham brothers want to protect "free enterprise" and "compound interest rates" and hope to stop Horton from overthrowing the government. I'm not really sure how that relates to a dust speck... this seems a cheap attempt at attacking extreme right-wingers (such as Joseph McCarthy).

So, you'll like the first and second levels... and the third one just might leave you scratching your head. Or, if you're me, liking it even more. I mean, politics is in no way foreign to Suess -- watch (or read) "The Butter Battle Book" or "The Sneeches" or "The Lorax"...