Il était une fois l'Amérique

This compilation of nearly 100 film clips from, roughly, 1896 to 1976 is divided into five thematic sections: Land, Cities, Families, Wars, Spirit. Like most compilations it can feel superficial, and it has two additional problems: a) not naming the films except en masse at the start of each section (in other words, if you really like a clip and you would like to see the whole movie it belongs to but aren't already familiar with it - it happened to me with "Claudine" (1974), for example - you'll have to go back at the start of each section and almost guess the correct title), and b) none of the clips have been remastered, and most look washed-out, a few even terrible. Even with these limitations, "America At The Movies" still has some powerful, amusing, exciting film moments, and may even lead you to some new discoveries - though you'll have to put in some work to find out which movies they actually are! Charlton Heston's sparse commentary is mostly on-point. **1/2 out of 4.

As a contribution to the United States commemoration of its bicentennial, the American Film Institute (AFI) releases this splendid compilation of scenes from over 80 renowned films, none of which lacks interest to cinephiles, since AFI accesses works from all studios, whereas most cinematic anthologies are limited to but one, and this standing advantage, heightened through superior production values, results in a nigh two hour feature of notable variety. Charlton Heston reads the excellent text penned by Theodore Strauss for a film that is divided into five segments - The Land: (essentially the West), concerning which, as Heston relates, "Hollywood didn't always get history right, but told the dream"; The Cities: (mainly New York); The Families; The Wars; and the best section, The Spirit, during which, as Heston affirms, "America was not just a destination, but a journey into the possible", and also "There is more truth in the dream than in the facts," Most of the clips are long enough to generate an emotional response in a viewer and the entire production is adroitly edited, giving one an overall perception of distinction surrounding the selections, intensified by the clarity and succinctness of Heston's narration. In this instance, documentary makers have it right, proving that cinema, as with the United States, "...began in the imagination".