Olga

I've just caught the film, and I must say, it is a powerful, powerful depiction - epic, really, of the life of Olga Benario. Camila Morgado is a force to be reckoned with. She left no stone unturned in bringing Olga (back) to life in this film. Her presence in the film is awe-inspiring. Such an amazing actress. Look for the subtle, uncomfortable humor that she depicts in her first night aboard ship with Prestes. It is great acting. And the strength of her gaze in a number of scenes will lock you in your seat. Just an amazing turn by this young actress. I was fortunate enough to see the film with her in attendance, and her comments afterward highlighted an articulate, well-read and focused young woman who is clearly quite serious about her craft and her country. What a breath of fresh air THAT is today!!

The story itself is solid, the cinematography outstanding.

This film will stay with you.

Olga was one of the most anticipated movies in history of Brazilian cinema. The images of the production was showed drop-to-drop, to rise the hype that surrounded this movie. The trailer was fantastic. With a brilliant cinematography and a beauty melancholic soundtrack. But now, when the movie finally arises in theaters... What can i tell you? Well, this movie REALLY couldn't fulfill the expectations that have created.

There are very reasons that makes Olga an ordinary movie. And the mainly is the direction. Jayme Monjardim (a traditional TV director in Brasil) had their debutance in cinema with this work. The problem is that Olga, has sequences and visual very near of the TV works of the director. The movie doesn't have rhythm and feeling of a real movie. It looks like a TV series showed on a great screen. The movie is very boring, the edition is poor and don't give the rhythm that a movie like that needs. The plot is very dramatic but sound like a journal romance. At least the cinematography is great in the most part of the movie and the art-direction makes a great job to create a cold Germany in the very tropical Rio de Janeiro, Brazil.

If you really don't know the Brazilian cinema, this is not a movie that represents the talented Brazilian directors. A movie without rhythm, descent plot and straight direction, but with a great visual. Go see "City of God", "Redentor" and "The man who copied" if want to know why Brazilian cinema is rockin around the world.

6/10

This was a film that leaves an audience stunned and silent! The concentration camp element of the film proved harrowing as did the repressive cruelty of the Vargas regime. However the the growing attraction between Prestes and Olga was tenderly portrayed and beautifully acted. Along with fine performances by the principals,came some effective acting in the supporting roles,plus a haunting musical score and impressive filming. Of course there is a political element to the film but primarily it is the fight between good and evil,with the power of love conquering all. The film was unmistakably Brazilian but uniformly good and deserves high praise

I am aware of the fact that Brazilian movies are not famous as the American ones,but I agree that Olga should be nominated for an Oscar, and deserves to be watched. Olga was made with a great production by the Brazilians standards, and is a beautiful and sensitive movie, showing the history of this brave Jewish and communist woman called Olga Benario.

Camila Morgado and Fernanda Montenegro are two of my favorite Brazilian actresses,and are great too in their roles. (Camila as Olga deserves applause).

The movie shows Olga's path, since she was a rich teenager to her final moments, in a concentration camp.

One of the most cheesy movies I've ever seen. A fantastic story that was wasted in a completely tacky film, mushy and extremely loaded. I regret that we wasted a chance to do a remarkable film of a moment so important and so unique in the history of our country, involving such amazing characters as were Luis Carlos Prestes and Olga Benário. Unfortunately the choice of director and cast followed the novel patterns are printed it too hard in the film. The use of soundtrack is a separate chapter. It is always over the top, trying to push hard emotion, taking any subtlety that may exist in the interpretations of the cast. This makes it impossible to actually get emotional as before some important dialogue begin the violin is already playing deafeningly. A big waste.