Erin Brockovich, seule contre tous

I get a real kick out of reading other peoples reviews for movies, i find it disturbing that they always label an actor on previous movies and dont seperate them when they see something worth an oscar like this one. I thought the acting was great, the movie felt real. The plot was so convincing to the veiwer. A little comedy mixed with raw emotion was the clencher to make this movie oscar worthy. After seeing this film I found myself telling others about it and recomending it to everyone. I give this film two thumbs up!

The only thing bigger than Julia Roberts' chest in "Erin Brockovich" is the heart this film has. While it is a drama, it would be more apt to describe the plot as a struggle, because it's all about fighting for what you believe in and overcoming the odds and all opposing forces. Nothing bad actually happens in this movie, at all, but it's the complications, the setbacks the moral struggles along the way that make it shine.

"Erin Brockovich" stars Julia Roberts in the title role in a film based on the true story of a twice-married mother of three who is desperate to find a way to make a living and provide for her family. After a failed attempt at suing for damages after a car accident, Brockovich turns to her lawyer, Ed Masry (Albert Finney), for a job doing anything she can at his law firm. Reluctantly he accepts and soon Brockovich finds herself uncovering a potentially huge case.

Roberts had to have been a no-questions-asked best actress winner after this performance. As Brockovich she is incredible playing multiple roles as the loving mother, the driven working-woman, the troubled lover, everything. The mood swings are effortless for her. Perhaps the best element of her performance is that she comes across as glaringly flawed, even if she is quite likable. Her lines are killer and delivered with command. Though some of her rants are over the top, they're really clever nonetheless.

Finney's character is much the same way. He is really enjoyable to watch and gives a great performance even though his character never gets truly dramatic.

This is just a great screenplay by Susannah Grant. It's almost completely devoid of melodrama and yet it tackles so many real life issues. Brockovich's struggle to balance her work with her family brings up an issue that can connect with anyone, although the feminist tones of the film obviously won't connect as strongly with men. Director Steven Soderbergh feels very distant from the film. Every so often a shot or sequence will be artistic, but he allows the story to tell itself for the most part.

"Erin Brockovich" is better than the average feel-good story. When there's little melodrama and great acting, a feel-good story becomes a great movie. Sports films based on true stories are feel-good stories, but they don't get nominated for best picture. While it may all seem too good to be true and the positive seems to trump the negative more times than it ought to, the film still feels very real and one that no one should miss.

Steven Soderbergh's Erin Brockovich opens with a car accident. The vehicle driven by Erin, an unemployed, twice-divorced mother of three, is broadsided by a speeding car at an intersection. She takes her case to a rumpled, cowed lawyer Ed Masry, who agrees to represent her on a contingency basis. However, in court, Erin's surly manner and blasphemous vocabulary do not endear her to the jury, which finds itself in the defendant's favor, as Erin goes home empty-handed. Still without work and needing to pay her bills, Erin, who has no demonstrable skills, but a passion, an uncommon quantity of common sense, and a defiant way of talking, finagles her way into a position as a file clerk under her former attorney.

It is in this capacity that she uncovers, entirely by accident, a paper trail leading to the town of Hinkley, CA, where an endless stream of residents have been diagnosed with various medical conditions including cancer, disintegrating spinal cords and brain damage. It turns out that the community of Hinkley has been poisoned by hexavalent chromium, leaching into the drinking water from the Pacific Gas and Electric (PG&E) plant. The case is especially odious because PG&E knew exactly what it was doing but lied about what kind of chromium it was using. Erin gains the trust of the community to mount legal action and strong-arms Ed to put together a case that would win the largest direct claim settlement in American history, even as her personal life is threatened by her devotion to the case.

Steven Soderbergh tests Erin's limits of likability numerous times throughout the movie. An early scene is designed to show what a short fuse Erin has when she explodes in a torrent of profanity in the courtroom. Erin, the film makes clear early on, is no sentimental crusader. Rather, she is a tough, hard-nosed cookie who dresses like a hoochie and who would use anything from here heavily coiffured hair to her cleavage or also her baby to get what she needs. In short, Erin is adrift in a hard world. But what makes this potentially despicable character so affable is Julia Roberts' vulnerable and fiercely dynamic performance. As the eponymous character, she is undoubtedly the heart and soul of the film. As a foil for Erin, Albert Finney draws out a complex, engaging performance that is as warm as it is funny. Their scenes together crackle with chemistry and it's a joy to see this kind of male/female interaction where there is absolutely no hint of sexual attraction.

Soderbergh infuses the proceedings with a vibrant, almost peppy sense of style that would not have been half as compelling had a less edgy director helmed it. It would have been easy for him to have allowed Erin Brockovich to descend into manipulative melodrama, but he resists that path of least resistance, instead giving us a film that is smart, savvy, funny, and, at times, poignant.

Erin Brokovich is all about two characters: the title character, played by Julia Roberts, and Ed Masry, played by Albert Finney. Brokovich is a bold and flashy woman; given all the buzz, everyone reading this has surely already heard about her wardrobe. Masry is a talented but world-weary lawyer in a small law firm.

Roberts and Finney are both in fine form here, making the characters sympathetic and believable. The supporting cast is not as strong - none of the other characters in the film seem entirely filled-out - but that's a minor quibble.

There is a bit of a tone of moral righteousness here. After all, it is the story of a nobody going up against Big Business, not to mention the obstacles facing a single mother in the working world. But it's not overdone, and the film succeeds in getting you to root for the underdog, an always popular pastime.

I must admit i wasnt too keen on watching Erin Brokovich for a couple of reasons.One is that i am not too keen Julia Roberts or more to the point the type of film she stars in I.E Pretty Woman the other reason is that i presumed that this film was mainly for women. I was wrong. This is film would appeal to everybody. It has charm, humour and a very good story and the acting from all quarters is top notch. Julia Roberts also looks superb, she has the best legs in Hollywood !. I'm not sure how true to life her character is but i would love to see if the real Erin Brokovich is as up front and speaks her mind as much as the one in the film. 8 out of 10.