Jackie Gleason's last weekly variety series, which alternated between regular variety hours with big name guest stars and musical remakes of old "The Honeymooners" sketches.Jackie Gleason's last weekly variety series, which alternated between regular variety hours with big name guest stars and musical remakes of old "The Honeymooners" sketches.Jackie Gleason's last weekly variety series, which alternated between regular variety hours with big name guest stars and musical remakes of old "The Honeymooners" sketches.
- Won 2 Primetime Emmys
- 3 wins & 4 nominations total
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The talent of Jackie Gleason and Art Carney made for an awesome chemistry on stage/screen. Anyone who can't see that should envy bats. "The Great One" has not only secured his rightful place in the history of show business but also in the hearts of millions of his fans for all time!!
If one would likes to see how a husband should treat his wife and how his wife reacts to his ways, this is the show, no matter how bad this turn out, they always fix it at the end on the day. I hope we can have more of there shows aired to let us know how in a funny way to deal with regular lives problems we face today with couples. I know that cleaning is a very hard work. This reminds me on the Honeymooner (1966-1970), they had an episode on the wives at work, Ralph Kramden (Jackie Gleason) told his wife that she did not work and that he was the bread maker in the house. Alice Kramden (Sheila MacRae) said, "A women's work is never done from sun up to sun down" and that is so true. While the husband was working outside she did the work at home and when he got home she still worked on taking care of him. Thank You!
I was in the vocal group through the entire run, some variety and all Honeymooners shows. The only ones rerun were the first season in which they win a trip around the world. Twentieth Century Fox paid the rerun checks on those. The Poor Soul's Christmas was rerun all over the place. The word I have is that ownership of the rest of the tapes (we did, I think, something like 49 shows all together) cannot be proved, and so none of those shows can ever be shown. I'd give a great deal to experience them again. To my knowledge, only one or two of the orchestra are still living--my husband was lead trumpet. Most of the singers and dancers are still around. Marilyn Taylor was NOT around these shows. She and Jackie got together again later.
This show was Jackie Gleason just doing what came natural to him. Enjoying himself and making people laugh. His portrayal of several different regular characters, all of whom were as memorable as Ralph Kramden, were all portrayed flawlessly. Frank Fontaine's songs were an added treasure! It seems unlikely to hit the airwaves again, so one can only hope that the shows are released on DVD.
FOLLOWING HIS HIGHLY successful return to network television's weekly grind, it was time for a course correction. The new program had been given the handle of JACKIE GLEASON'S American SCENE MAGAZINE and attempted to sort of update the focus of the comedy being produced. They also wanted to "modernize" the production with short, attention span friendly "blackout" type of skits.
BY THE END of the fourth season, that which had been considered "fresh" and "innovative" was now thought to be commonplace. So, what to do in order to fix things? Perhaps the thought crossed someone's mind that it was time to return to the well once again; but this time it would be to the old and familiar waters of THE HONEYMOONERS.
YES IT WAS true, the Gleason show was returning to Delancy Street and to the tenements of the Kramdens and the Nortons. It was a case of the old becoming fresh and "new" because of an extended absence. (Remember Schultz, "Absence makes the heart fonder!") SO WITH THIS news, the new segments were about to undergo some cast changes. Sheila Mac Rae would be Alice and Jane Kean would take over as Trixie. But without a doubt, no one could envision anyone else in the part of Ed Norton but Art Carney. We were right as it was indeed a reunion of what many believe to be the "Laurel & Hardy of TV" were now being reunited.
OTHER THAN THE live television aspect of the original incarnation of THE HINEYMOONERS, there were several items that could only be viewed as being updates. In addition to the aforementioned application of videotape, the series was now to be a musical. Original songs and production numbers would be the order of the day.
A PREVIOSLY USED IDEA that had both the Norton and Kramden families sharing a winning ticket in a contest and traveling away from their blue collar (Proletariat) existence and seeing Planet Earth from the decks of an Ocean Liner. They would also be taping the shows in beautiful color.
SOME GREAT MAN once said that "You can't go home!" But it would appear that THE HONEYMOONERS succeeded in doing it.
BY THE END of the fourth season, that which had been considered "fresh" and "innovative" was now thought to be commonplace. So, what to do in order to fix things? Perhaps the thought crossed someone's mind that it was time to return to the well once again; but this time it would be to the old and familiar waters of THE HONEYMOONERS.
YES IT WAS true, the Gleason show was returning to Delancy Street and to the tenements of the Kramdens and the Nortons. It was a case of the old becoming fresh and "new" because of an extended absence. (Remember Schultz, "Absence makes the heart fonder!") SO WITH THIS news, the new segments were about to undergo some cast changes. Sheila Mac Rae would be Alice and Jane Kean would take over as Trixie. But without a doubt, no one could envision anyone else in the part of Ed Norton but Art Carney. We were right as it was indeed a reunion of what many believe to be the "Laurel & Hardy of TV" were now being reunited.
OTHER THAN THE live television aspect of the original incarnation of THE HINEYMOONERS, there were several items that could only be viewed as being updates. In addition to the aforementioned application of videotape, the series was now to be a musical. Original songs and production numbers would be the order of the day.
A PREVIOSLY USED IDEA that had both the Norton and Kramden families sharing a winning ticket in a contest and traveling away from their blue collar (Proletariat) existence and seeing Planet Earth from the decks of an Ocean Liner. They would also be taping the shows in beautiful color.
SOME GREAT MAN once said that "You can't go home!" But it would appear that THE HONEYMOONERS succeeded in doing it.
Did you know
- Quotes
Jackie Gleason: [at the end of each show] The Miami Beach audience is the greatest audience in the world!
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