Satya

Ramgopal Varma's hard hitting film on the Bombay Underworld. This movie is a classic from scene one to the climax. When you see this movie you will see history in the making. A hard hitting story of a person from nowhere , Satya. How he joins the underworld gang led by bhiku mhatre. This movie gives one message hard 'CRIME NEVER PAYS'.The scene where chander(snehal dabi) tells a joke, the scene where bhiku mhatre satya vidya and pyaari go for a dinner, the scene where yedda scares the music director romu sagar, the theatre scene, the climax, all these scenes will go down in the history of Indian cinema as classic scenes. Urmila Matondkar as Satya's Girlfriend and Shefali Chaaya as bhiku mhatre's wife are excellent. J.D.Chakravarthi is brilliant as Satya. Manoj Bajpai gives an excellent and award winning performance as bhiku mhatre.He has managed to make the character of bhiku mhatre an immortal one like late amjad khan did for gabbar singh. Govind Namdeo is brilliant as Bhau. Co-script writer saurabh shukla is superb as kallu mama.It is so nice to see that first time writers saurabh shukla & anurag kashyap wrote such a brilliant script. A special mention must be made of the best cameo since rajesh khanna's cameo in andaz, by paresh raawal as commissioner of police.Satya was supposed to be made as a songless film but co-producer Bharat Shah felt that no distributor will buy the film and it will be too tense. Music director Vishal Bharadwaj and lyricist Gulzar were roped in to provide the music for this film and they did a brilliant work. The song 'Sapne Main milti hai' and 'kallu mamma' are too good. This is one of the very few brilliant movies of the 90's.

I've been newly introduced to Indian film, so I'm no expert. But clearly it is more than just Bollywood. Viewing "Satya," after previously seeing another film by Ram Gopal Varma, "Company," I would have to say that Varma is one of the greatest filmmakers now working. With these two movies that are deft, unsentimental, and at the same time not hard-boiled, he seems to add something unique to the gangster genre: the emotionally rounded portrait of the gangster, the gangster inside-out.

Unlike American gangster movies of the 30s, which "Satya" and "Company" remind me of somewhat, Varma's movies are more philosophically ambitious and do something more difficult: they manage to be moral without moralizing. And differently than Coppola's "Godfather" trilogy, where people seem born into a life of crime, Varma shows them becoming criminals and the results of the choices they've made.

I should also say, from the point of view of entertainment, Varma's films are riveting and earn every second of their "Bollywood" length. They do not have unnecessary "filler." Even the de riguer musical numbers "work" and have arrangements and choreography you could imagine on a hip New York stage.

If it hasn't already happened, Varma is ready to be discovered by the festival circuit. I myself am ordering everything I can find by him on DVD and can't wait to check out his other work. Films like "Satya" and "Company" are surely not a fluke.

I am not a big fan of Hindi films - infact I'm not a fan of commercial Hindi films at all. But then there's Satya, Ram Gopal Varma's classic 1998 Indian mafia fan is brilliant, innovative and despite certain directorial flaws is nonetheless so vastly different from the run of the mill Hindi films (ie. 99% of Hindi films) that it is unforgettable. It is 175 minutes long, the typical duration, but it grabs you instantaneously as you follow the journey of Satya who comes to Mumbai to make a life for himself.

Before getting into a long winded review, I shall just point out a few plusses and minuses of this great movie. The minuses are minor and are nothing compared to the mishaps in a normal hindi film.

Plusses: - Manoj Bajpai, Manoj Bajpai and lastly, Manoj Bajpai. This is probably the single best acting performance by an Indian in the 90s. The realism and flawlessness he brings to the role is amazing. He does to go a bit over the top, but without losing any of his characters identity (hell, Pacino has been doing it for years now). - The rest of the cast. Urmila is incredibly refreshing as the innocent girl next door with the usual handicapped Dad and perennially miserable Mom. Saurabh Shukla as Kalu Mama is brilliant and comes quite close to Bajpai performance-wise. The realism he brings is equally breathtaking. Just seeing the scene where he, Bajpai and Govind Namdeo (Bhau) literally makes you a member of the gang, standing there and smiling along with them. - The plot is largely excellent. - (see weakness #2) Golimaar and Sapne Me are hilarious musical numbers

Now for two minor flaws: - Ram Gopal Varma's directorial synchronization of music and plot is often out of sync. A classic example is during the scene after the gangland shootout (when Kalumama first sees Vidya and Satya). There are certain other flaws as well in his direction as well. - Barring numbers from classic Hindi films (known for their music), I have never been even a remote fan of Hindi film singing and dancing. I feel three out of five songs in this movie are totally unnecessary and I would've enjoyed an "all-out" realistic film for a change w/o any songs. Having said that, the film is all the more memorable due to the two main numbers: Goli Maar and Sapne me milti hai - mainly due to Bhiku's gang and their histrionics.

All in all a refreshing Hindi film that made me a part of the main gang for the three hour duration and left me wanting more. I hope this inspires a revival of GOOD hindi films as was in the late 70s and early 80s.

Here is a movie that would go a classic as far as indian films go. A true rendition of the underworld saga of "Mumbai". Mumbai ka king kaun-Manoj Bajpai. A brilliant performance. Also, a masterpiece background score by Sandeep Chowta. One movie that could have given a good run for money to any of it's hollywood peers.Of course, if cinema knew no language:-)

Such was the power of this movie that people in the movie house were actually jeering when the occasional song came around(even the mandatory "rain song"). A sight very uncommon in Indian cinemas!!

The movie scored highly over the others in it's genre mainly because of its realistic portrayal of incidents like shooting, fighting etc, without being overly dramatic.

Ironically, the name of the movie is derived from it's principal character Satya, but the real hero of the movie is Bhiku Matre, played by the IMMENSELY talented Manoj Bajpai. The character Satya is just the central hinge around which the movie rotates.

The violent scenes in the movie are shot in a typical Hollywood style, and it's just shoot at sight everywhere.

Just when you start to get the feeling that it is IN to go around with a rod in your pocket, the morality lesson takes over and the gun-slingers eventually meet their end.