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This is one of Frazer Lee's best work so far, and it is a funny sight to see Doug Bradley in a role without pins sticking out of his head. Of course it is not the best movie out there, cause the length of it is a problem - No real story to tell really, just one perverted scene which will make all those of you who are afraid to go to the dentist even more afraid.
But really... A fantastic job by Mr. Bradley, and maybe one of Lee's movies that will be a cult in the future, if he can make some good hit movies. Got myself a signed copy of On Edge and Red Lines (also Frazer Lee and Doug Bradley), with both of their signatures + a little something extra from Frazer. :) A piece of work that every horror fan should watch. At least once!
But really... A fantastic job by Mr. Bradley, and maybe one of Lee's movies that will be a cult in the future, if he can make some good hit movies. Got myself a signed copy of On Edge and Red Lines (also Frazer Lee and Doug Bradley), with both of their signatures + a little something extra from Frazer. :) A piece of work that every horror fan should watch. At least once!
Hijacking a funky London cinema for the premiere of your first short film has to be the coolest move for a new film-maker wanting to make waves in the business.
I was first exposed to Frazer Lee's work at the Prince Charles cinema in Leicester Square, having paid to see Very Bad Things.
Before the main feature, though, four figures mounted the stage (one of whom was just recognizable as Doug Bradley, aka Pinhead, star of Lee's piece). After their stylishly rambling introduction, the curtains rolled back and we were treated to 15 minutes of some of the most promising and compelling horror to hit British cinema in decades.
A visit to the dentist goes horribly wrong when the patient (Charley Boorman) realises he's decidedly not in safe hands. The gruesome end product looks like a flossing incident conducted with barbed wire.
The dentistry theme is of course a winner for any horror movie, and Lee does not flinch on the emotive drill-work. Bradley excels as the twisted tooth-totaller, balancing humour and psychosis with expert skill.
The real treat, though, is Lee's tight script and taut direction. Not a second is wasted and the film is a perfect showcase for his consumate skill. Surely this talent must soon spill over into a feature-length production (by which time I may just have plucked up the courage to visit the dentist again).
I was first exposed to Frazer Lee's work at the Prince Charles cinema in Leicester Square, having paid to see Very Bad Things.
Before the main feature, though, four figures mounted the stage (one of whom was just recognizable as Doug Bradley, aka Pinhead, star of Lee's piece). After their stylishly rambling introduction, the curtains rolled back and we were treated to 15 minutes of some of the most promising and compelling horror to hit British cinema in decades.
A visit to the dentist goes horribly wrong when the patient (Charley Boorman) realises he's decidedly not in safe hands. The gruesome end product looks like a flossing incident conducted with barbed wire.
The dentistry theme is of course a winner for any horror movie, and Lee does not flinch on the emotive drill-work. Bradley excels as the twisted tooth-totaller, balancing humour and psychosis with expert skill.
The real treat, though, is Lee's tight script and taut direction. Not a second is wasted and the film is a perfect showcase for his consumate skill. Surely this talent must soon spill over into a feature-length production (by which time I may just have plucked up the courage to visit the dentist again).
1st seen it on the SciFi channel and happened to tape it just because I liked the short films on Exposure.Following this flick was a Clive Barker interview.And the Ironic thing is -I wasn't even a fan of Clive's at the time- Now I am a huge Clive Barker and Doug Bradley fan and am SOO glad I happened to catch it.Because now it has become one of my prized possessions! Frazier Lee is pretty cool with his dreads and English accent.I definitely want to find more of his films soon. And hope he makes it to the big time.There was an interview with him and I thought it was so funny that he mentioned he's"somewhat of a dental pervert".I think everyone who is a Pinhead fan should see this amazingly horrifying short film especially if you enjoy dark humor,Doug is so humble yet intense as his part,playful yet at the end extreme.I just wanted to share my opinion with everyone because I believe it is a must see.
This is an effective short film featuring Doug Bradley of Hellraiser fame, as a dentist who gives treatment to an obnoxious patient. The story unfolds as the dentist tells the patient about his past. It has a rather neat, surprising and gory conclusion.
This is Frazer Lee's first feature but you wouldn't know it by viewing it. Filmed in stunning 35mm Panavision widescreen the images on screen are beautifully framed and the lighting while being true to the environment add to the uneasy feeling the film is intended to give its viewers. The story follows Peter Thurlow, played by Charley Doorman as he visits his local dentist in a cure for his toothache. After showing up without an appointment and discovering his regular dentist is away on holiday he accepts the offer of treatment from the new dentist, Doctor Mathews, played by horror icon Doug Bradley. Bad Move! Our patient is shown to an upstairs room and settles in the chair for the work to begin and straight away you get the feeling that Doctor Mathews enjoys his work just a little too much.
The camera angle places the viewer right in the dentistry chair with the good doctor poised above you, there's no escaping the horror here folks so sit back and open wide please. As the film progresses you learn Doctor Mathews isn't your run of the mill orthodontist and favors his own method of treatment but I won't say any more, don't want to give away too much now do I!.
Doug Bradley's performance is excellent and his constantly changing emotions and expressions make the character all that bit more mysterious. Is he there to ease his patient's pain or is he there for his own pleasures? The climax is a true horror moment, mainly thanks to the brilliant special effects work of Bob Keen (Hellraiser, Event Horizon, Dog Soldiers) and it's an image that stays with you long after the credits have packed up and caught the last taxi home.
As someone who's never been a fan of dentists this short film got to me, it made me flinch as the anesthetic needle went in, it made me cringe as the doctor slowly moved towards the camera with the drill and the ending, well lets just say my cold pizza and coffee from earlier nearly made a return visit. I'll admit I'm a sucker for these kind of scares, the terror on screen is all that bit more real when it's a situation or experience I can relate to. On Edge gave me the exact same feeling as the last time I watched Arachnophobia. I hate spiders but I love to watch that film just to feel uneasy and scared, and after all aren't spiders and dentists both incarnations of the devil? Please don't let the short fifteen minute runtime put you off this one, the story is so tight and the production values are so high that it really doesn't need to be any longer. Throw in the brilliant performance from Doug and you have the whole shooting match folks, Real life every day horror at its finest.
"Oh, one last thing. Don't forget to floss"
The camera angle places the viewer right in the dentistry chair with the good doctor poised above you, there's no escaping the horror here folks so sit back and open wide please. As the film progresses you learn Doctor Mathews isn't your run of the mill orthodontist and favors his own method of treatment but I won't say any more, don't want to give away too much now do I!.
Doug Bradley's performance is excellent and his constantly changing emotions and expressions make the character all that bit more mysterious. Is he there to ease his patient's pain or is he there for his own pleasures? The climax is a true horror moment, mainly thanks to the brilliant special effects work of Bob Keen (Hellraiser, Event Horizon, Dog Soldiers) and it's an image that stays with you long after the credits have packed up and caught the last taxi home.
As someone who's never been a fan of dentists this short film got to me, it made me flinch as the anesthetic needle went in, it made me cringe as the doctor slowly moved towards the camera with the drill and the ending, well lets just say my cold pizza and coffee from earlier nearly made a return visit. I'll admit I'm a sucker for these kind of scares, the terror on screen is all that bit more real when it's a situation or experience I can relate to. On Edge gave me the exact same feeling as the last time I watched Arachnophobia. I hate spiders but I love to watch that film just to feel uneasy and scared, and after all aren't spiders and dentists both incarnations of the devil? Please don't let the short fifteen minute runtime put you off this one, the story is so tight and the production values are so high that it really doesn't need to be any longer. Throw in the brilliant performance from Doug and you have the whole shooting match folks, Real life every day horror at its finest.
"Oh, one last thing. Don't forget to floss"
Did you know
- Crazy creditsThe vocal performer of the soundtrack at the beginning and ending of the movie is director Frazer Lee.
- ConnectionsFollowed by Red Lines (2002)
- SoundtracksCycles of Abuse
Performed by Self Destructive Nature
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