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Orfeu

  • 1999
  • Tous publics
  • 1h 50m
IMDb RATING
5.5/10
979
YOUR RATING
Orfeu (1999)
CrimeDramaMusicRomance

In a dangerous but human Rio's slum, rises the love affair betwen Orfeu and Eurídice, provoking jealousy and violence in times of carnival.In a dangerous but human Rio's slum, rises the love affair betwen Orfeu and Eurídice, provoking jealousy and violence in times of carnival.In a dangerous but human Rio's slum, rises the love affair betwen Orfeu and Eurídice, provoking jealousy and violence in times of carnival.

  • Director
    • Carlos Diegues
  • Writers
    • João Emanuel Carneiro
    • Carlos Diegues
    • Paulo Lins
  • Stars
    • Toni Garrido
    • Patrícia França
    • Murilo Benício
  • See production info at IMDbPro
  • IMDb RATING
    5.5/10
    979
    YOUR RATING
    • Director
      • Carlos Diegues
    • Writers
      • João Emanuel Carneiro
      • Carlos Diegues
      • Paulo Lins
    • Stars
      • Toni Garrido
      • Patrícia França
      • Murilo Benício
    • 15User reviews
    • 11Critic reviews
    • 52Metascore
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 5 wins & 10 nominations total

    Photos5

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    Top cast34

    Edit
    Toni Garrido
    • Orfeu
    Patrícia França
    Patrícia França
    • Eurídice
    Murilo Benício
    Murilo Benício
    • Lucinho
    Zezé Motta
    Zezé Motta
    • Conceição
    Milton Gonçalves
    Milton Gonçalves
    • Inácio
    Isabel Fillardis
    • Mira
    Maria Ceiça
    • Carmen
    Stepan Nercessian
    Stepan Nercessian
    • Pacheco
    Maurício Gonçalves
    • Pecê
    Lúcio Andrey
    • Piaba
    Mary Sheila
    • Be Happy
    Eliezer Motta
    • Stallone
    Serjão Loroza
    Serjão Loroza
    • Coice
    • (as Sérgio Loroza)
    Silvio Guindane
    • Maicol
    Castrinho
    • Oswaldo
    Alexandre Hendersen
    • Ronnie
    Gustavo Gasparani
    • Mano
    Paula Assunção
    • Deise
    • Director
      • Carlos Diegues
    • Writers
      • João Emanuel Carneiro
      • Carlos Diegues
      • Paulo Lins
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews15

    5.5979
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    Featured reviews

    6coolmorgaine

    not too bad, though the actors are a little weak

    I actually liked this movie, though others I know found it alright. We actually watched it in my Intro to Film and Video class...at first I didn't know if I would be able to follow it as well, since I had to read the subtitles (in English), however I quickly got engrossed in the setting and use of night and day. Though I found the "drug lord" character not to be the best actor, nor some of the other characters in the film, I found the music to be the key for this film. The use of awesomely bright colors and loud pulsating music brought the Carnival scene to life for me as a viewer. The love attraction of Orfeu and Euridice was a little weak, but the imagery is well done. Though the story at times strays from the original Greek myth it was based on, it was an interesting twist on it. I think some of you will enjoy it, and others not. It sort of feels like the modern day Romeo and Juliet with Leo DeCaprio (sorta). So if you found that interesting, you might like this film too!
    1excalibur1308

    Dreadful Rubbish !

    This is one of the worst films I have seen in a long time. The acting was so bad, a better job would have been done by employing a queue of people waiting for a bus ! The script is execrable, dreadful. The direction dire, don't allow the director to control traffic anywhere, there would be a pile up ! What illegal substance was the man on ? Perhaps he got next door's cat to do the work. It would have proved a better result.

    This film shows just how good the original, Black Orpheus, is. There is no need to refer to that masterpiece in case the mere mention of Orfeu might tarnish a great work.

    I play in a Samba Bateria in Europe and have never been to Brasil so I was interested in the shots of Carnaval. The director seemed to have even taken away some of the magic of that event, so flat was his direction.

    The drug dealer 'Lucinho' had the acting talent of a mannequin. He had obviously seen John Travolta in Pulp Fiction and tried to model his distinct lack of ability on Travolta. Well he couldn't even mimic Travolta. Orfeu was like a kid they had just pulled off the street who had been kicking a football about ten minutes earlier. They would have got a better cast if they had enrolled first year drama students in their first week of college; where their tutor was off sick and they had spent the first week in the canteen drinking coffee.

    The dialogue and plot line was a joke. In fact this would be one of those films that is so bad while meant to be serious the audience end up falling about laughing. The director wanted to give the story – or lack of it, a feeling of the film City of God; not guns and roses but guns and favelas.

    A very attractive girl played 'Mira' – perhaps the one redeeming feature of the film. Euridice acted like a Portuguese au-pair from up-country lost in Manchester.

    The ending of the film was so dreadful I can't even bring myself to think about it. It should have been the director who was thrown off the side of a hill.

    I noticed that some people from Los Angeles liked the film, perhaps they don't have any quality to measure the film against? Before I watched the film I looked on IMDb and saw that someone from the UK who has had a long interest in Brasil, complained about the film. Perhaps with this accurate appreciation, I should have avoided it; but as they say, you learn more from taking one really bad photograph than from twelve good ones.
    3Anyanwu

    Melodramatic, chintzy acting, but great soundtrack and good cinematography.

    I just got back from Orfeu. I wish I could say this movie was good, cause I like Diegues, but it was not. His excellent movie Quilombo sold me on his historical honesty and ability to tell a story. Using the backdrop of Rio and Carival you don't even get a sense of the city and the joy of the Carnival. He uses some shots that show the beauty of the city and intricate scene shots but there just isn't enough. The acting is not good. It was poorly cast. The female roles should have been re-arranged. Mira should have played the "best dancer". The best dancer should have played Euridice and Euridice should have been eliminated and barred from the set. The lead role of Orfeu was decent enough, but he needed much more to play off of. And there was no romance. This was a disappointment.
    canto-3

    Excellent movie.

    I liked this movie. It was very well done and the director was awesome. This history can serve of an example to everybody. Sorry for my terrible English, but this movie was very good. The actuation of the actors was great. I recommend it to the lovers.
    8ElianaM

    Colorful, good entertainment considering the source

    ORFEU is a good reworking of the Orpheus story. It has been remade using all of Vinicius de Morais' criteria for an updated version. Among the criteria was adding the modest modern forms of the art. ORFEU does that wonderfully in depicting the current underworld ruling the favelas (poor shanty towns), and the modern trends in language and music, including Brazilian rap. It is definitely an updated version of the late 50's "Black Orpheus." Now, whether one prefers the comparatively nostalgic '50s ORPHEUS or not is another matter. And that should not be the yardstick on which this film is rated. Understandably, a lot of people have problems with accepting rap in Brazilian samba, overt sexuality (which is rampant even on Brazilian prime-time TV) and the nuanced acting of Brazilian telenovelas, which, like it or not, is what the people are used to, and the popular standard for acting in Brazil. Whether this style of acting is good or bad is definite subjective. Regular people in Brazil overact more than those in the movie have been accused of doing. Go there and see people in a normal discussion, then argue about who overacts. I therefore assure you that ORFEU delivers what it intended, and with fabulous sound and cinematography, state of the

    art. Whether you preferred the "innocent" days of the 50s to today's rougher climate is of course your choice, but it's not fair to vent your anger or to criticize the film for it. Criticize society, whomever. But not the artists in this movie. They are representing things as they are right now, whether you like it or not. It's unfortunate that since most don't like the general state they take it out on the movie. The movie is definitely worth watching. It only reflects society, and kind of sanitized at that. The acting is the best you'll get from a bunch who have to master Samba dancing, singing, looking wonderful, and seeming realistic, just for starters. They do that and more in this movie.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Official submission of Brazil to the 2000's Oscars in the best foreign language film category.
    • Connections
      Remake of Orfeu Negro (1959)
    • Soundtracks
      A Felicidade
      Composed by Antonio Carlos Jobim

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    Details

    Edit
    • Release date
      • October 27, 1999 (France)
    • Country of origin
      • Brazil
    • Language
      • Portuguese
    • Also known as
      • Орфей
    • Production companies
      • Cine-Source
      • Globo Filmes
      • Rio Vermelho Filmes Ltda.
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $96,811
    • Opening weekend US & Canada
      • $12,908
      • Aug 27, 2000
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 50 minutes
    • Color
      • Color
    • Sound mix
      • DTS
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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