Après la pluie

A drama by Takashi Koizumi from a scenario written by "Akira Kurosawa" shortly before his death and made as a tribute to him, No where near as good as it would have been with Kurosawa behind it but fine nonetheless, especially the cinematography which was gorgeous. Any fan of Akira Kurosawa will want to see this. The mixture of calm cinematographic techniques and a few more dynamic elements is perfectly balanced. It was a roller-coaster of emotion, but still left me feeling happy despite some of the more dramatic events. It's the ultimate underdog story of tragedy, triumph, and even a few laughs and there are too many shots worth recalling, too many details worth recalling. If you want a peaceful and beautiful samurai film, do yourself and your immortal soul a favour; this movie is for you, would really recommend it, this one is a lesser known Japanese gem.

The only way I can describe this movie is Sweet.

It is such a lovely movie in its simplicity. There are no evil schemes and plots. No subplots within subplots with twist and suspense building. No massive production with a cast of thousands. No nasty characters that you hate. It is just a sweet simple story telling about an unemployed man (ronin) and his wife.

This movie made me smile as especially the wives. The wife of the Samurai, Tayo, is incredibly sweet. Same with the wife of the lord. Both play the "character" of the Asian wife...quietly supportive while leading the man to understanding with words of wisdom.

Great minimalistic acting. A Samurai Feel Good movie.

About Japanese director Koizumi Takashi, it can be said that his life has come to a complete standstill on two different occasions. Firstly, there was absolute shock for him in store when his mentor, Akira Kurosawa died after having written the screenplay of "After the Rain". It was therefore a tough challenge for Koizumi to direct the film exactly in the same manner as Kurosawa Sensei had wished. Secondly, the quiet manner in which his film flows makes all viewers wonder about the complete lack of movement in his film. It is as if stillness pervades the entire film even in those scenes where there is drama and violence. As a film, After the rain is a highly philosophical tale about a samurai who finds his true worth when he becomes a key witness to some of life's harshest hardships. Despite tackling a tough subject, it remains a highly accessible film due to its focus on entertainment and humor.As a minor theme, Koizumi Takashi deftly explores the importance of a woman who is absolutely dependent on her husband for her survival. There is no sign of weakness in the feminine gaze as the female protagonist has been shown as a worthy partner of a man in distress. If acting is something which might interest enthusiastic viewers then they must give due respect to brilliant acting performances by Japanese actors Terao Akira and Miyazaki Yoshiko who are impressive in their roles as Monsieur Le Samurai and Madame La Samurai.

This movie feels like a ballade on a forgotten road... Its rythm flows like magic and holds you to the storyline which enfolds peacefully. Its inner beauty is based on simplicity, on discovering what makes our humanity and on some well chosen bits of humor. There is an allmighty feeling of pleasure that emanates from experiencing this movie where nature is breathtaking or just simply here with you. And, when the movie is over, you feel grateful to have walked this path where love still exists. Such a powerful message upon entering our next millenium.

A samurai and his wife search to find happiness with themselves, their relationship, and their station as they weather the disillusion of their past and current circumstances.

Written by Akira Kurosawa and directed by Takashi Koizumi after Kurosawa's death. This is a breathtaking reflection of Kurosawa's early and later storytelling sensabilities. But it is a very complex film, one that upon initial viewing may defy the viewers expectations of the samurai genre and seem simplistic, overly long, or as one reviewer described: unexciting.

This film reminds me very much of Red Beard, another Kurosawa story that while set in feudal Japan is not necessarily a samurai film.

Rating 9/10