Kiru

With all its dark humor and cynical attitude towards samurai code of honor, Kill! comes as a truly unformulaic and genre-bending period drama. Written and directed by the famous Kihachi Okamoto, the film's loosely based on Shūgorō Yamamoto's widely read short story Peaceful Days (also the basis for Kurosawa's Sanjuro). Kill! (or Kiru in Japanese) combines a well-crafted, complex plot with audaciously choreographed fight scenes, some visually-stunning, long shots of Japanese landscapes, with a bunch of witty - and often farcical - dialogues.

The picture presents a story about two luckless, hungry would-be warriors, who find themselves in the middle of a ferocious battle between the opposing sides of a dangerous yakuza clan. Genta (Tatsuya Nakadai) is a former samurai, who got tired of the difficult lifestyle of a wandering ronin. He wasn't able to find any other work, and just wound up in the deserted city, where he met Hanjiro (Etsushi Takahashi), an ex-farmer who wants to become a samurai, but didn't have a chance to prove his abilities yet. As soon as the two discover that the abandoned city is a battleground for a merciless group of samurai retainers, it's simply too late, and they get dragged into the whole deadly intrigue in just a matter of minutes. It becomes clear that one side of the conflict betrayed the other, and the resolution of the struggle might come only when one of the parties kills the other. In the cutthroat game of murder and betrayal, the two main characters take differing sides, and in order to achieve success they need to kill each other at first. Though Hanjiro's first assignment as an aspiring samurai is to dispose of Genta, he hesitates for a long time, as Genta proved to be a valuable source of information regarding the precious samurai life. As the tension mounts, and both groups become more and more irritated and bloodthirsty, Hanjiro and Genta decide to team up and outsmart everyone in their way, leading on to one of the most riveting and satisfying finales in a samurai picture ever filmed.

The problem with Kill! is that it's not as well-known around the world as it really should be. Moreover, it's simply an under-watched samurai epic, even though it actually shares - and makes fun of - all the far-reaching values of many prominent Kurosawa pictures. Here the portrayal of typical samurai warriors is a most parodical one, as Kill! shows so deliberately that there are those, who behave only badly and those, who behave only honorably, and there's nothing in-between. It's a game-changer of sorts when it comes to the topic of samurai, given its highly fanciful attempt at denuding all the hidden aspects of those seemingly convoluted personas.

The cinematography is as raw-looking as it is actually picture-perfect. It brings out all that's eye-popping about the beautiful, yet blood-filled, Japanese scenery.

Kill! also references various other samurai pictures, playing with the idea of a dramatic and serious samurai film, giving itself an utterly lighthearted tone. Kihachi Okamoto created a little, under-appreciated gem that's not only engaging, but also truly smart and concise.

Kill! is an economically titled film that provides some great characters, a strong story, lots of well shot fights and some clever humour. I have to confess that most of the samurai films I've seen have put me to sleep - Kurosawa's work or the Zatoichi films being a happy exception. KILL! never once had me in danger of nodding off, keeping me entertained from start to finish.

I was reminded of Kurosawa's SANJURO quite a bit, and read afterwards that both films were based on the same novel. I'm not sure if there were multiple stories within that novel, or if one or both of the films are just very loosely based on it. Tatsuya Nakadai's ronin is certainly a similar character to Mifune's Sanjuro, perhaps a little more world-weary and sly, not so majestic. Nakadai is Mifune's only serious competition for the "God of Samurai Films" crown, having made a bunch over the course of his career. His performance in KILL! is the best I've seen from him.

The film is well lensed, written, directed and performed. The pacing rarely if ever lags, and the story focuses on the characters rather than getting bogged down in trying to accurately describe historical detail or tedious political intrigues. Action is exciting and the comedy is subtle, smart and dark... all making for a pleasing 114 minutes of cinema :) Recommended!

Seven young samurai kill a corrupt local magistrate on the orders of their clan's chamberlain, Ayuzawa, believing that doing their duty for the honor of their clan. But when they discover that Ayuzawa was only using them, and that now he's set on cleaning house, their only hope my lie with enigmatic drifter Genta and strong bodied, thick headed ex-farmer Tabata. Assuming they don't get killed first. Thus begins Kihachi Okamoto's Kill! Based on the same novel as Kurosawa's Sanjuro, Kill! weaves a tale filled with twists, betrayals, and death that is steeped in the samurai ethos of honor and duty. But this is no brooding drama or tragedy; it's a slick action comedy.

The central story is a compelling one, pitting the courage and youthful idealism of the seven against the callous deceptions of Ayuzawa. These are men who despite their inexperience and naiveté are committed to their cause and fully prepared to die for it if need be. But although they may not be fools or cowards, neither are they hardened warriors, accustomed to a life on the run. When things are down, they fight, they get scared, they make mistakes, but they manage to pull it together. And although I couldn't keep their names strait, each of them have been developed with their own personalities and character traits.

The most interesting character by far though is Genta He's an outsider, a vagrant. He's got no connection to the seven, no reason to get involved. Yet from the moment he meets them commits himself to their cause and repeatedly risks his life to aid them. And believe me, there is no better man to have on your side. In battle, he possesses the power of a raging storm and the grace of a dancer, easily cutting down half a dozen opponents. Even more formidable is his cunning and charisma, which allow him to pit enemies against each other and undermine them from within.

Genta remains something of an enigma for most of the film. We learn early on that he used to be a samurai, and that he had a falling out with his former master. But almost until the end we receive only oblique hints as to what lies in his past, and what motivates his actions now. It's clear however that he holds no regard for his former profession. For him, it's not the title or rank that matters, but the kind of man you are.

His sometimes ally Tabata is the main source of comic relief. His stubbornness, earnestness and all around cluelessness are worth more than a few chuckles, and remind me just a bit of the peasants from The Hidden Fortress. His early fight scenes are among the funniest parts, as he tries his hardest to strike down a foe who nonchalantly comments on his technique while dodging his clumsy blows. I also enjoyed the bit involving the chicken, but the part that evoked the most laughs would have to be the frantic brothel scene, which is not nearly as risqué as it sounds.

Kill! is not only a lot of fun and quite funny, but also surprisingly deep, sometimes poignant, and possesses a clear message about what it truly means to be honorable. It is a credit to its genre, and one hell of an action flick.

As films like 'The Good, the Bad, and the Ugly' serve as anti-Westerns because of their morally ambivalent characters who fly in the face of traditional good guy/bad guy roles, it seems to me that 'Kill!' serves as an anti-samurai film of sorts. There are few signs of a code of honor to be found here, and the samurai (or would-be samurai) fight instead out of some personal motivation, like hunger or ego. One of them (Tatsuya Nakadai) is actually an ex-samurai, and he regularly cautions another man (Etsushi Takahashi) against taking up the profession.

I liked that aspect of it, but what stopped me from liking it as a whole was how messy and confusing the story was. That may have been the point, that it's all helter-skelter and you have different clans killing one another for reasons they (and the viewer) aren't completely sure of, with powerful men in the background quietly pulling the strings, but I think that could have been illustrated in a more satisfying way. The film blends together so many elements, parodying famous samurai films like Sanjuro and Yojimbo, getting in battle scenes of its own, and including some comedy, the more humorous moments of which take place in a brothel. I would have liked it more if it had been a fully comedy or a full revisionist samurai film with a better plot, but as it was, it ended up in a weird middle ground for me. Anyway, it's a wild ride and I'm sure more suitable for connoisseurs of the genre, but it was a little too messy for me, and I probably missed some of its references.

Tatsuya Nakadai is no stranger to Samurai films, having played in Ran, Yojimbo, and Sanjura among the almost 100 films he has done. This film is based upon the same book as Sanjura.

Tatsuya Nakadai plays Genta, a yakuza that travels from town to tow. He meets up with Hanji (Etsushi Takahashi) a farmer who wants to be a Samurai. Reminds you of the farmer in the Magnificent Seven who wanted to be a gunfighter.

They get caught up in a local fracas that pits seven samurai against a lord taking over the town. It is a one-sided fight, to say the least.

You will find some Kurasawa in here, as well as some Clint Eastwood as "the man with no name"; along with some very funny dialog. All of this will serve to keep you glued to the action until the very end.