Après la pluie

Kurosawa was very interested in stories about older men facing their destiny. Most of his films from Kagemusha and on deal with this in some way. Ame Agaru is another story that deals with the topic.

Almost like a play at times, Ame Agaru takes it's time and is all the better for it. There are some excellent sword fights and formal duels in the film but they are not the focus of the film. There's a bit of time depicting the main character silently practicing his sword work in the woods that might bore a number of viewers.

Is this a Kurosawa film? Yes, in that I could easily see him directing this story. There are a number of similarities to his last film, Madadayo. No, in that the direction here is sort of mundane. Kurosawa's distinctive eye is missing. There's a TV movie quality that's sort of unusual for a film like this. However, the actors and the story really do carry this film over and while it's not a masterpiece, it's not a waste of time either if you know what you are getting into.

The only way I can describe this movie is Sweet.

It is such a lovely movie in its simplicity. There are no evil schemes and plots. No subplots within subplots with twist and suspense building. No massive production with a cast of thousands. No nasty characters that you hate. It is just a sweet simple story telling about an unemployed man (ronin) and his wife.

This movie made me smile as especially the wives. The wife of the Samurai, Tayo, is incredibly sweet. Same with the wife of the lord. Both play the "character" of the Asian wife...quietly supportive while leading the man to understanding with words of wisdom.

Great minimalistic acting. A Samurai Feel Good movie.

excellent Japanese period piece, co-written by Akira Kurosawa. an out-of-work samurai(a ronin) & his wife are stranded during a flood. as they are unable to cross a swollen river, they stay at an inn with many other stuck traveler's(mostly lower class). to earn some extra money(to to buy "comforts" for the other guests; namely food & wine), our protagonist gambles his fencing skills against the local instructors. they are no match for his superior skills and seek vengeance to restore their honor... not an action movie so much as a human drama, with many colorful & interesting characters. the fighting scenes are realistic & not prolonged & add a disturbing, violent balance to an otherwise slow paced, beautifully shot film. there's a great iai sequence shot in very serene surroundings(for those bu-do aficionados). a must see for those fans of Kurosawa's samurai flicks!!

I stumbled upon this film by accident and I'm glad I did. The plot is simple, a master-less samurai and his wife are staying at an inn during a rain storm. Everyone is waiting for the rain to end and the river to go down so they can cross. The samurai is a gentle man who tries to help everyone pass the time much to his wife's chagrin. This is a sweet gentle film where nothing much happens and yet we get to know a bunch of very good people and learn a lesson about the value of kindness and honesty. A winner from start to finish.

It's been raining for a while. No one can cross the river, the travelers at the inn are short-tempered and grouchy. Ronin Akira Terao comes back with a feast for everyone. He apologizes to his wife, Yoshiko Miyazaki. He fought some duels for money for the feast, and promises never to do it again. She forgives him with the loving, resigned air of the mother of a good child who gets into scrapes. When the rain stops, it will be some time before the river is passable. Terao goes for a walk and encounters half a dozen local samurai about to fight a duel. He chides them gently and disarms them. The local lord, Shiro Mifune rides up, calls them idiots, and thanks Terao. Then Mifune sends for Terao, to offer him the job of fencing master. This riles up the locals, who think the job should go to one of them.

Akira Kurosawa had written the script and finished pre-production just before he died. His heirs made the film under the direction of Takashi Koizumi, Kurosawa's regular assistant director since 1980. With its rough and kindly good humor and natural beauty, this doesn't look like any movie of Kurosawa's -- although his Capra-esque ONE WONDERFUL SUNDAY, more than half a century earlier, is cut from the same cloth. I think that after years of epics and fantasies, Kurosawa wanted to make a simple comedy about good people who smile and make jokes and laugh. I doubt it would have looked like this, but I think he would have been pleased with the result.