Kirikou et la Sorcière

A beautifully realized animated film about, on a simplistic level, a child, who, by his wits, saves his village from the evil sorceress, Karaba. But it's much more than that, if we pay attention. For the question the child, Kirikou, keeps asking is, "Why is Karaba so mean and evil?" It is the answer to that question, and Kirikou's response, that lifts this film above the ordinary. It also has a great sound track by Youssou N'Dour. Unfortunately, it's not an easy film to find, so if it it ever turns up on a station near you, make sure your VCR is ready.

"Kirikou and the Sorceress" (1998 - 71 minutes) is a Franc-Belgian animation of highest quality, based on a Western Africa traditional legend. Written and directed by Michel Ocelot tells the history of Kiriku, a very small boy who already spoke when still in his mother belly. His fate: to face the powerful and evil Karabá sorceress, who dried the water source of his village, swallowed all the men who went to fight her and that still caught all the gold they had. To achieve his goals, Kiriku has to face many dangerous situations and venture for places where only a very small person could enter. At first, his tribe laughs at his small size, delaying to recognize his courage, brightness and wisdom. But Kiriku faces the power of the sorceress and her guardians, while the others can only fell fear of her. Kiriku goes to consult the wise old man of the mountain, who knows the secret of Karabá and, after that, goes to face the terrible sorceress. According to Michel Ocelot his film is a great chance to show to the African people some of their values. The script runs away from the obvious situations, has captivating characters and sound track signed by the Senegalian Yossou N ' Dour. A fascinating story of determination in the fight for freedom.

Kirikou and The Sorceress is a story of a very small but extremely brave boy, Kirikou, born in a little village somewhere in Africa. Kirikou can walk and talk already when he is born and he starts to set things right in his village. He is very determined and always finds a solution, whatever the problem is. There is an evil sorceress, Karaba, who is tormenting Kirikou's village. She has to be bribed and soothed constantly, she has dried the well and she threatened she will eat all the men from the village... and there are not many of them left. Brave warriors have vanished, possibly have been devoured by the witch, when they tried to fight him. Little Kirikou decides it is not wise to fight Karaba, but to negotiate with her. One day Kirikou walks to the hut of the sorceress...

Extremely beautiful, thrilling story, told in brilliant tones of color and folklore. Very down-to-earth and descriptive by the ways of African life: women naked above the waist, carrying water from long distances, making food, the village elders passing on the stories to the younger ones. My seven year old son, who is used to see the usual smoothed-out, big money animations, was hesitating at first when I showed him the movie. He said the cover looked "funny" and different, and it does. When the movie started, he couldn't stop watching it, he was totally captivated by the story and I enjoyed it very much as well. Excellent story, great animation, rich colors, folklore mixed with everyday life and superstition, great original music by Youssou N'Dour. Highly recommendable. Choose this over any talking funny animals-video.

It's no surprise that this animated adventure is mostly culled from old West African legends, as it plays like a straightforward, unflinching fairy tale. Completely absurd notions, like the infant protagonist emerging at a dead sprint from his mother's womb, are dismissed offhand in the same vein as Little Red Riding Hood's incognito wolf. That fundamental acceptance frees up the storyline to be as wildly adventurous as it likes, and coats the whole endeavor in a veil of whimsy and charm. The result is a yarn on par with Miyazaki and Disney, although the uneven animation quality ultimately keeps it from reaching those lofty heights. At times it's as beautiful and fluid as the best western animation, with a style and panache all its own, but that dedication rarely lasts long. Bright, innocent and optimistic, it's solid fare for open-minded families who don't mind navigating a sea of topless native tribeswomen.

I saw this at a Museum of Modern Art screening in Manhattan and, completely unexpectedly, Michel Ocelot appeared to take questions from the audience. He said several things of interest to IMDb readers: first, that he grew up in French Guinea, and that much of the flavor of the film is based on his childhood memories. Second, though this movie played all over Europe, the wonderful African-accented dub in English (and also in French) is not echoed in other languages because it wouldn't be authentic. Third, the movie was applauded everywhere it played in Europe, but England and America "have a problem with breasts." In the US it had to be released (a very limited release) without a rating, because it would inevitably be rated R (for breasts) and thus children wouldn't be able to see it. Fourth, it was loved in Africa where it played. Screening conditions were less than ideal, but Ocelot & co. made an effort to take the movie to the bush.