A Texas Funeral

I am a Texan. I loved this movie. I will buy it for home viewing. The story was an excellent "slice-of-life tale and genuinely made me homesick. While I enjoyed the performances of all the actors I was particularly drawn to Martin Sheen ( as I always am ) and I couldn't help but watch Christopher Noth in amazement.His range of emotions is amazing. We become attached to the truly honest performers...the ones who make us believe. He is one of those. I liked the relaxed style of this Texas movie and the funny moments. I'll never look at a camel in quite the same way again. Or my husband's ears.

The ads suggest that this movie is a drama, or even a thriller- serious in tone, about serious stuff. I rented it because I liked the cast and was very pleasantly surprised to find that it was in fact a very funny and touching comedy-drama, about a bizarre but very likable family, that gathers in Texas to mourn the passing of its patriarch (Martin Sheen). The characters could have been made into caricatures to be laughed at, but instead are drawn with a gentle, touching hand that makes them feel like real people, likable in their own way. Give this one a look. It's extremely watchable and very funny, and filled with warm, wonderful performances.

The performances are excellent. I did not even recognize Olivia D'Abo.

It would be impossible to explain the plot of this film, and that is one of the reasons why I like it so much.

The film touches on the importance of family ties, without being sappy. It touches on the the importance of forgiveness, without being preachy.

It has plenty of "quirky" characters and situations, but not so much as to make them ridiculous. That is not to say that they are not absurd, and that is a good thing.

It is not a ghost story as some synopses might cause one to believe. (Albeit, I might not have watched it if it were not for my being given that idea from a Comcast blurb.)

I recommend A Texas Funeral to anybody who likes films that have plots that are difficult to detect in which direction they are going to go, but are a joy to follow.

An entertaining but overwrought exercise in American Baroque, the best way to describe this film is to say that it begins in David Lynch territory, rambles through Tennessee Williams country, and was last seen heading dangerously close to Waltons Mountain. Set in Texas in the late 1960s, the plot - dark secrets emerge when a family gathers for a family funeral - is hardly original, and while the Texan self-image comes in for some welcome satire, the cosy self-satisfied way in which the whole thing is tied up at the end would have a serious dramatist like Tennessee Williams spinning in his grave. Martin Sheen is much too decent to play the wicked old patriarch, and while any film that includes Joanne Whalley, ear-sucking, and camels can't be entirely bad, this is not a good advertisement for any of them.

Given how long this film took to get from filming to any sort of release (and I'm still not sure how widely it was ever released in theaters) I had feared that it would be a stinker. I followed it because one of my vintage cars was used in filming, and I'd just about given up on ever actually seeing the finished product. My car never made it on screen, having been barely out of frame in a scene set at a hospital, but the movie turned out to be quite, quite good. I wonder how well it might play outside of Texas, and seriously doubt it would have much international attraction, but for me it was a breath of fresh air. Characters full of enough eccentricities to be actual Texans like me, but not the typical overblown 'Hollywierd' caricatures of Texans that make me sick. Somewhere in the production crew, there was obviously someone with at least a fair understanding of Texas folklore and culture. Not quite the skill and depth of Tim McCanlies' Texas-based movies ('Seconhand Lions' and 'Dancer Texas' which for me set the standard by which all Texas-based films should be judged) but still with a similar feel.