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A couple of perverted and maniac killers get loose on a Greek island.A couple of perverted and maniac killers get loose on a Greek island.A couple of perverted and maniac killers get loose on a Greek island.
Bob Behling
- Christopher Lambert
- (as Bob Belling)
Jane Lyle
- Celia Lambert
- (as Jane Ryall)
Jannice McConnell
- Leslie
- (as Janice McConnel)
Nico Mastorakis
- Dimitris Spatos
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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This is one of the original 'video nasties', and still only available in a heavily cut version in the UK (although easily available in uncut R1 format). Apparently made quickly to make cash for its first time director Nico Mistorakis, it is the story of a young tourist couple, Christopher and Celia who arrive on the picturesque island of Mykonos. At first we think them innocents, entering a world of terror. Soon it turns out that in fact they are the monsters, Christopher in particular being concerned to rid the word of 'perverts', photographing the mayhem as they go through local acquaintances - at first for kicks, then to cover their tracks. Much of the film is just a pretext for a catalogue of imaginative slaughter. The acting is variable at best (Jayne Ryall, playing Celia looking particularly bemused at the whole business, and this was her only film). The film includes sex and rape, both human and animal but, like so much of its ilk, is ironically coy about these physical acts, showing only such nudity and rare bursts of pubes as would sit easily in a softcore sex comedy. The exception is perhaps the urination scene which, because it is so unexpected and rare away from porno cinema, does at least raise eyebrows. The much vaunted 'goat rape' is patently faked and unconvincing but, as it takes place very early on at least alerts viewers to the real nature of the psychopathic Chris.
Surprisingly for a film with such a strong reputation, none of the violence really shocks today, although the range of deaths (by crucifixion and paint poisoning, hanging from a plane wing, heroin overdose, sword and scythe, bulldozer, etc) have an ingenious variety - a testimony to the director's plan to outdo competing exploitation films in range. Celia's bathtub rape is loud and threatening, but that of Susan George in the newly uncut UK issue of Straw Dogs is much more disturbing as well as actually being 'concluded' in the scene. It's another case, I would suggest, of sensibilities having moved on, leaving the BBFC unduly squeamish in cutting so much. Victims of the homicidal holidaymakers include homosexuals, lesbians, a middle aged nymphomaniac, 2 hippies, a Frenchman, a policeman (sent to track the notorious duo down) and so on.
More of interest is the way in which the film provides continuous ironic inversion on a normal holiday narrative. The attractive island, full of native white buildings, blue skies and sunshine, looks to be straight out of a travel brochure, and our sense of place is aided by some reasonable good cinematography. Chris and Celia are the 'tourists' who are visiting, relaxing, and taking plenty of pictures. The difference being of course that they are snapping the humiliated, dead and dying rather than the serene landscape around them, making themselves a different sort of vacation altogether. `We do everything vice versa' as she says, and the film gains most of its power from the stream of atrocity-attractions visited upon the community in this peculiar context. It's their casual return to traditional holiday locales (the local taverna, romantic beach walks or cosy white washed rooms) between murders which is ultimately more disturbing than anything done in the meantime. Island of Death still bears watching, and is considerably better worked than some of the other 'nasties'. If you take this as a recommendation of course, that's up to you.
Surprisingly for a film with such a strong reputation, none of the violence really shocks today, although the range of deaths (by crucifixion and paint poisoning, hanging from a plane wing, heroin overdose, sword and scythe, bulldozer, etc) have an ingenious variety - a testimony to the director's plan to outdo competing exploitation films in range. Celia's bathtub rape is loud and threatening, but that of Susan George in the newly uncut UK issue of Straw Dogs is much more disturbing as well as actually being 'concluded' in the scene. It's another case, I would suggest, of sensibilities having moved on, leaving the BBFC unduly squeamish in cutting so much. Victims of the homicidal holidaymakers include homosexuals, lesbians, a middle aged nymphomaniac, 2 hippies, a Frenchman, a policeman (sent to track the notorious duo down) and so on.
More of interest is the way in which the film provides continuous ironic inversion on a normal holiday narrative. The attractive island, full of native white buildings, blue skies and sunshine, looks to be straight out of a travel brochure, and our sense of place is aided by some reasonable good cinematography. Chris and Celia are the 'tourists' who are visiting, relaxing, and taking plenty of pictures. The difference being of course that they are snapping the humiliated, dead and dying rather than the serene landscape around them, making themselves a different sort of vacation altogether. `We do everything vice versa' as she says, and the film gains most of its power from the stream of atrocity-attractions visited upon the community in this peculiar context. It's their casual return to traditional holiday locales (the local taverna, romantic beach walks or cosy white washed rooms) between murders which is ultimately more disturbing than anything done in the meantime. Island of Death still bears watching, and is considerably better worked than some of the other 'nasties'. If you take this as a recommendation of course, that's up to you.
Island of Death is a true ungodly video nasty coming to you straight from the best euro-exploitation period. This year 2003, the movie received a complete digital remastering and it finally got released on special edition DVD. The box showed nothing but a red background with the explicit words : "The one movie that the censors didn't want you to see" and "sorry but we can't display images of the film on the cover since they're too gruesome". A bit exaggerated of course, this movie is far from being the goriest or most shocking film I've ever seen. Nevertheless it's mean-spirited, raw, brutal and pretty disturbing from time to time. "Island of Death" doesn't take the rules of humanity too strict and it isn't exactly what they call "politically correct". The movie seems to start like a lovely romantic comedy when a young couple arrives on a Greek Island. They look average but in fact they put other famous cinema couples like Bonnie & Clyde and Mickey & Mallory to shame. They brutally slaughter every person they come into contact with (mostly right after sexual intercourse which give the killings a nasty effect) and they have a few bizarre fetishes.
Island of Death doesn't contain much humor unless you see the irony in many things. For example: the guy kills homosexuals because he thinks it's pervert and against the will of God, while he himself has sex with a young goat! I thought that was pretty ironic, and there are lots of similar "jokes" to discover in "Island of Death". Even though there are a lot of horrible scenes, the movie itself is pretty light and not at all difficult too watch. Excellent stuff for exploitation fans. The leading actress (Jane Ryall) is a beauty but she never played in movies again.
Island of Death doesn't contain much humor unless you see the irony in many things. For example: the guy kills homosexuals because he thinks it's pervert and against the will of God, while he himself has sex with a young goat! I thought that was pretty ironic, and there are lots of similar "jokes" to discover in "Island of Death". Even though there are a lot of horrible scenes, the movie itself is pretty light and not at all difficult too watch. Excellent stuff for exploitation fans. The leading actress (Jane Ryall) is a beauty but she never played in movies again.
This movie is really twisted, I loved it! If you're easily offended by extreme sexual and violent content, don't see it! Death scenes are numerous and sometimes very original. The lead female is never dressed for more than 3 minutes (she's a beauty) and when she takes it off prepare to see something pretty BAD happening. She and her "husband" hate deviant people, they want them all dead. The only problem they have is that they ended up on an island where almost no one is "normal", it's like a perverts heaven so the job is never finished... Acting isn't so bad and the landscapes are so beautiful they made me want to see the island of Mykonos with my own eyes. The ending is a must see, I can't even find the words to explain it but its some kind of a sweet revenge for the goat that we see in the beginning of the movie...
Director Nico Mastorakis has made a cynical cash-grabber (by his own admission) that is too cynical to impress anybody but a sophomore genre fan.
The most extreme, confronting genre pics, to paraphrase a character in VIDEODROME, "have a philosophy"; that is what makes them dangerous.
ISLAND OF DEATH's philosophy is to throw many "shocking" elements into a cinematic mix and stir slowly. The result is a dish with no taste but an ugly appearance.
Not to be confused with Serrador's brilliant WHO COULD KILL A CHILD? (sometimes called ISLAND OF DEATH), Mastorakis's effort is set on a Greek island which is a stage for various forms of slaughter, a little bestiality and some wholesale perversion.
Everything moves at a snailish pace and the violent set pieces are poorly directed.
Touted as "The movie that the censors didn't want you to see", I'd hazard a guess that the censors never saw it, they simply read the presskit until their knees jerked upwards.
The most extreme, confronting genre pics, to paraphrase a character in VIDEODROME, "have a philosophy"; that is what makes them dangerous.
ISLAND OF DEATH's philosophy is to throw many "shocking" elements into a cinematic mix and stir slowly. The result is a dish with no taste but an ugly appearance.
Not to be confused with Serrador's brilliant WHO COULD KILL A CHILD? (sometimes called ISLAND OF DEATH), Mastorakis's effort is set on a Greek island which is a stage for various forms of slaughter, a little bestiality and some wholesale perversion.
Everything moves at a snailish pace and the violent set pieces are poorly directed.
Touted as "The movie that the censors didn't want you to see", I'd hazard a guess that the censors never saw it, they simply read the presskit until their knees jerked upwards.
Island of Death (1978)
** (out of 4)
Christpher (Robert Behling) and Celia (Jane Lyle) arrive on a small Greek Island where their lust for rape and violence soon terrorizes the entire community.
Nico Mastorakis' ISLAND OF DEATH is one of those notorious films that you often read about yet no matter what you read it really can't prepare you for the madness that you're walking into. This film was obviously trying to be another Texas CHAIN SAW MASSACRE and I'd also think that something like THE WICKER MAN had an influence. Does the film live up to its notorious reputation? You bet it does and I'd argue it's even crazier than its reputation. Is the film any good? Umm...not really.
If you're a fan of the ultra bizarre then there's no question that you'll want to watch this but at the same time there are all sorts of problems with it. For starters, this here clocks in at 106-minutes, which is at least twenty-minutes too long. The pacing is incredibly slow throughout but the biggest issue is the fact that there's really not much of a story. The entire film is just a set-up for one shock after another and the lack of any real story helps it drag at times. In fact, all of these people are being raped and butchered yet no one on this small island starts to get concerned.
As I said, there's a lot to recommend here and especially if you're a fan of exploitation. I lost count of how many rape scenes there were. You had straight rape. Gay rape. Lesbian rape. Hippie rape. Hell, there was even goat rape! You've got a wide range of bizarre killings with plenty of blood flowing. Obviously there's a ton of nudity scattered throughout the film as well. It really did seem that Nico Mastorakis just wanted to shock viewers by throwing one bizarre scene out there after another and on that level the film is a success.
ISLAND OF DEATH is certainly a nutty little film that has several good things but also plenty of bad things. I would add that I enjoyed both Behling and Lyle in their roles.
** (out of 4)
Christpher (Robert Behling) and Celia (Jane Lyle) arrive on a small Greek Island where their lust for rape and violence soon terrorizes the entire community.
Nico Mastorakis' ISLAND OF DEATH is one of those notorious films that you often read about yet no matter what you read it really can't prepare you for the madness that you're walking into. This film was obviously trying to be another Texas CHAIN SAW MASSACRE and I'd also think that something like THE WICKER MAN had an influence. Does the film live up to its notorious reputation? You bet it does and I'd argue it's even crazier than its reputation. Is the film any good? Umm...not really.
If you're a fan of the ultra bizarre then there's no question that you'll want to watch this but at the same time there are all sorts of problems with it. For starters, this here clocks in at 106-minutes, which is at least twenty-minutes too long. The pacing is incredibly slow throughout but the biggest issue is the fact that there's really not much of a story. The entire film is just a set-up for one shock after another and the lack of any real story helps it drag at times. In fact, all of these people are being raped and butchered yet no one on this small island starts to get concerned.
As I said, there's a lot to recommend here and especially if you're a fan of exploitation. I lost count of how many rape scenes there were. You had straight rape. Gay rape. Lesbian rape. Hippie rape. Hell, there was even goat rape! You've got a wide range of bizarre killings with plenty of blood flowing. Obviously there's a ton of nudity scattered throughout the film as well. It really did seem that Nico Mastorakis just wanted to shock viewers by throwing one bizarre scene out there after another and on that level the film is a success.
ISLAND OF DEATH is certainly a nutty little film that has several good things but also plenty of bad things. I would add that I enjoyed both Behling and Lyle in their roles.
Did you know
- TriviaNico Mastorakis was inspired to make this film after seeing Massacre à la tronçonneuse (1974). He noticed how much money that film made, and decided to make a more violent and perverse film in order to make even more money.
- GoofsWhen they are in the phone box you can see a cameraman in the reflection of the glass door.
- Quotes
Christopher: No one wants to be brought up with perversion. Children must be brought up in a proper way. Nature is strong.
- Alternate versionsThe original UK cinema version (released as "A Craving For Lust") was heavily cut by 13 minutes by the BBFC and the film later ended up on the DPP 74 list of video nasties. The initial 1987 video release (now retitled "Psychic Killer II" despite having no connection with the previous film of that title) had been edited by the distributors before submission to remove the original UK cinema cuts but was rejected by the BBFC. The 2002 DVD release by Vipco was cut by 4 minutes 9 secs to edit the rape scenes, a woman's face being burned with a lit aerosol, a repeated kicking, a urination scene, and shots of a sickle blade in a woman's bare breast. The director's interview extra on the DVD was also cut by 54 secs by the BBFC with the same edits to the sickle, aerosol and kicking scenes. All the cuts were fully waived in 2010 for the 2011 Arrow DVD.
- ConnectionsFeatured in The Cinema Snob: Island of Death (2010)
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- Country of origin
- Official site
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- Also known as
- Island of Death
- Filming locations
- Mykonos, Greece(The Island of Death Location)
- Production company
- See more company credits at IMDbPro
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