IMDb RATING
6.0/10
27K
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A thirtysomething bank clerk from St Albans has his small-town life exploded by the arrival of his Russian mail-order bride.A thirtysomething bank clerk from St Albans has his small-town life exploded by the arrival of his Russian mail-order bride.A thirtysomething bank clerk from St Albans has his small-town life exploded by the arrival of his Russian mail-order bride.
- Director
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- 1 win total
Kate Lynn Evans
- Clare
- (as Kate Evans)
Alexander Armstrong
- Robert Moseley
- (as Xander Armstrong)
Rebecca Norton
- Bank Colleague
- (as Rebecca Clarke)
- Director
- Writers
- All cast & crew
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Featured reviews
This film would have played better as a romantic comedy. Instead it was neither one thing nor another. All the performances were good, but somehow it missed the mark. More like a satire of an Alfred Hitchcock thriller. The plot was too silly for a thriller, the characters were caricatures and the uptight bank clerk would have gone to the police immediately they demanded cash. As a comedy, they could have got away with a preposterous plot and the equally preposterous ending, but as a thriller, it simply fell flat.
Nicole Kidman can successfully play the sort of girl who could be a real head turner if she didn't dress like trash, combed her hair, got washed, and stopped lighting one cigarette from another. The scenes of her puffing away on a cigarette casually hanging from the side of her mouth were hilarious. She probably substituted flea market perfume for deodorant. The two Russian accomplices were also good, and Ben Chaplin was suitably uptight as the "victim". At first I thought he was too handsome to get a mail order bride, but to have made him a geek would have been too predictable. There are many handsome and successful men who just seem to strike out with the ladies.
Overall, I would rate this OK if you have absolutely nothing better to do.
Nicole Kidman can successfully play the sort of girl who could be a real head turner if she didn't dress like trash, combed her hair, got washed, and stopped lighting one cigarette from another. The scenes of her puffing away on a cigarette casually hanging from the side of her mouth were hilarious. She probably substituted flea market perfume for deodorant. The two Russian accomplices were also good, and Ben Chaplin was suitably uptight as the "victim". At first I thought he was too handsome to get a mail order bride, but to have made him a geek would have been too predictable. There are many handsome and successful men who just seem to strike out with the ladies.
Overall, I would rate this OK if you have absolutely nothing better to do.
Birthday Girl has a not too bad premise- good old English chum decides out of lonliness and maybe something else to order a mail order bride from Russia. It turns out, his order is not quite what he wanted, but she (Nicole Kidman) seems like a nice enough wife, until not what was planned happens in a series of events getting the english chum and his russian bride on the run. Sometimes amusing, but it is not good enough as a movie since it can never really get into its characters and seems to float for part of the 2nd act and 3rd act. Kidman is still sexy though. C+
Roughly one part crime drama to two parts offbeat love story, `Birthday Girl' is a nifty little British film that gives Nicole Kidman a chance to strut her stuff as an actress. Here she gets to play a Russian `mail order bride' (though, of course, in the modern world she is actually ordered off the internet) who's come to England to start a new life with John, a mild-mannered banker unsuccessful in the ways of love. John is one of those bland, utterly undistinguished `good guys' who everyone seems to like but no one seems to notice. Even his boss at the bank gives him one of those noncommittal job evaluations (saying what a swell guy he is and what a great way he has with people) used to fob people off when they are not good enough to merit a raise or a more prestigious position in the corporation. Forced to go the unconventional route in finding himself a wife, John hooks up with the lovely but inscrutable Nadia, a Russian woman who, John is appalled to learn, does not understand a word of English. Then just as John and Nadia seem to be forming a close relationship (literally bonding over bondage), complications arise when two of Nadia's bizarre `friends' from Russia suddenly arrive on the scene.
To reveal more of the plot would be unfair to both the viewer and the makers of this film, since much of the movie's intrigue arises from the frequent turnabouts in the plot itself. Although there is always the threat of violence hammering at the film's edges, writers Tom and Jez Butterworth (the latter serving as the film's director as well), manage to keep the film fairly havoc free while they focus on the developing relationship between the two main characters. Kidman, who speaks nary a word of English in the first half of the film (and only with a heavy accent thereafter), does a beautiful job conveying both the toughness and the vulnerability inherent in this woman. Though innately compassionate, Nadia has had to learn how to survive in a brutal world - even if that means having to exploit naïve, good-natured shmucks like John. As John, Ben Chaplin conveys just the right mixture of shyness, befuddlement and ultimate self-assuredness to make us root for the character. Because of his Everyman characteristics, we want to see John triumph in the end.
`Birthday Girl' doesn't try to push the envelope by indulging in elaborate action scenes or patently theatrical heroics. Its events seem to unravel in a spontaneous, naturalistic manner, which helps the film to remain relatively true to life most of the time. It tells an unusual story, one filled with wry humor, understated suspense and a compassionate recognition of human frailty. Well written and well acted, `Birthday Girl' is an unheralded film that deserves to be seen.
To reveal more of the plot would be unfair to both the viewer and the makers of this film, since much of the movie's intrigue arises from the frequent turnabouts in the plot itself. Although there is always the threat of violence hammering at the film's edges, writers Tom and Jez Butterworth (the latter serving as the film's director as well), manage to keep the film fairly havoc free while they focus on the developing relationship between the two main characters. Kidman, who speaks nary a word of English in the first half of the film (and only with a heavy accent thereafter), does a beautiful job conveying both the toughness and the vulnerability inherent in this woman. Though innately compassionate, Nadia has had to learn how to survive in a brutal world - even if that means having to exploit naïve, good-natured shmucks like John. As John, Ben Chaplin conveys just the right mixture of shyness, befuddlement and ultimate self-assuredness to make us root for the character. Because of his Everyman characteristics, we want to see John triumph in the end.
`Birthday Girl' doesn't try to push the envelope by indulging in elaborate action scenes or patently theatrical heroics. Its events seem to unravel in a spontaneous, naturalistic manner, which helps the film to remain relatively true to life most of the time. It tells an unusual story, one filled with wry humor, understated suspense and a compassionate recognition of human frailty. Well written and well acted, `Birthday Girl' is an unheralded film that deserves to be seen.
This is a clever, funny, sexy movie that starts as a romantic comedy and then becomes an edgy thriller.
Nerdy bank clerk, John Buckingham (Ben Chaplin) lives in a semi-rural town not far from London. When he orders a Russian mail order bride over the Internet, she duly self-delivers herself to the airport in the form of Nadia (Nicole Kidman). One of his main requirements in the arrangement was, "Someone you can really talk to. I think communication is key". But as John drives her home, he realises that Nadia can't speak English - or seems not to.
Although John at first desperately tries to contact the aptly named 'From Russia with Love' marriage agency to cancel the deal, the language barrier becomes far less important when he discovers that Nadia is sexually adventurous and encourages him to indulge his every fantasy with her.
Everything seems to be going perfectly for John until Nadia's Russian cousin, Yuri (Mathieu Kassovitz), and his friend Alexei (Vincent Cassel) turn up and overwhelm his life. Effusively friendly at first, they soon prove disturbingly dangerous, and John realises that all is not as it seems.
The plot heads into unpredictable territory and although the ending is pretty crazy it is also satisfying in light of all the revelations that take place along the way.
The film has a lightness of touch, but also a dark side. If I could compare it with any other film it might be Jonathan Demme's "Something Wild" - the sexually aggressive girl, the nerdy guy, the slowly blossoming relationship and the intrusion of a psychotic and dangerous boyfriend. The basic ingredients work in both movies.
Ben Chaplin hits just the right note as the colourless bank clerk who actually has a repressed wild side, he just needs the right person to unlock it and set it loose. His performance is both funny and engaging.
Pretty, sexy, and slim almost to the point of fragility, Nicole Kidman's Nadia looks vulnerable, but as we discover as the story unfolds, looks are deceiving. This is a captivating performance; she has little dialogue - and half of that is in Russian.
The amazing Vincent Cassel plays Alexei. No one can play dangerous like this guy. I didn't realise that he made "Birthday Girl" before "Irreversible". His role here was a good warm up, he exudes unpredictability - look at that martial arts kick he does when he is jogging with John. It is an indication of John's growth of character when he actually takes him on.
A lot of reviewers regard this as a flawed work, but I'm not so sure I can see the flaws. I enjoyed it from start to finish - I couldn't see how it was actually going to end, but it felt about right when it did.
Nerdy bank clerk, John Buckingham (Ben Chaplin) lives in a semi-rural town not far from London. When he orders a Russian mail order bride over the Internet, she duly self-delivers herself to the airport in the form of Nadia (Nicole Kidman). One of his main requirements in the arrangement was, "Someone you can really talk to. I think communication is key". But as John drives her home, he realises that Nadia can't speak English - or seems not to.
Although John at first desperately tries to contact the aptly named 'From Russia with Love' marriage agency to cancel the deal, the language barrier becomes far less important when he discovers that Nadia is sexually adventurous and encourages him to indulge his every fantasy with her.
Everything seems to be going perfectly for John until Nadia's Russian cousin, Yuri (Mathieu Kassovitz), and his friend Alexei (Vincent Cassel) turn up and overwhelm his life. Effusively friendly at first, they soon prove disturbingly dangerous, and John realises that all is not as it seems.
The plot heads into unpredictable territory and although the ending is pretty crazy it is also satisfying in light of all the revelations that take place along the way.
The film has a lightness of touch, but also a dark side. If I could compare it with any other film it might be Jonathan Demme's "Something Wild" - the sexually aggressive girl, the nerdy guy, the slowly blossoming relationship and the intrusion of a psychotic and dangerous boyfriend. The basic ingredients work in both movies.
Ben Chaplin hits just the right note as the colourless bank clerk who actually has a repressed wild side, he just needs the right person to unlock it and set it loose. His performance is both funny and engaging.
Pretty, sexy, and slim almost to the point of fragility, Nicole Kidman's Nadia looks vulnerable, but as we discover as the story unfolds, looks are deceiving. This is a captivating performance; she has little dialogue - and half of that is in Russian.
The amazing Vincent Cassel plays Alexei. No one can play dangerous like this guy. I didn't realise that he made "Birthday Girl" before "Irreversible". His role here was a good warm up, he exudes unpredictability - look at that martial arts kick he does when he is jogging with John. It is an indication of John's growth of character when he actually takes him on.
A lot of reviewers regard this as a flawed work, but I'm not so sure I can see the flaws. I enjoyed it from start to finish - I couldn't see how it was actually going to end, but it felt about right when it did.
This is a good example a film that in spite of the low rating is more than worth watching. The story is engaging and it doesn't take long before the chemistry between Nicole Kidman and Ben Chaplin grabs your attention. The acting is first class and the characters are represented well. Sometimes it feels like the director couldn't decide himself between drama and romantic comedy. Ben Chiller's portrayal of the law abiding and shy Englishman with porn S.M. magazines hidden in the bedroom creates plenty of moments for laughs! As does the look in Nicole Kidman's eyes when she is offering John his first taste of intimacy in a long time... Other times the actors and especially Nicole Kidman give this comedy quite expertly a dramatic slant.
Did you know
- TriviaNicole Kidman went to the Russian Embassy in Australia for help in speaking Russian. She didn't work with any other coach on the set except the woman from the embassy.
- GoofsBetween the time that John leaves the airport and arrives at the hotel after chasing the taxi, he has shaved.
- ConnectionsFeatured in Nicole Kidman: An American Cinematheque Tribute (2003)
- SoundtracksThe Most Beautiful Girl in the World
Composed by Richard Rodgers and Lorenz Hart
Published by Williamson Music / Warner Chappel Music Ltd.
PolyGram International Publishing Inc.
Performed by Bob Sakek
- How long is Birthday Girl?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Birthday Girl
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $5,142,576
- Opening weekend US & Canada
- $2,370,809
- Feb 3, 2002
- Gross worldwide
- $16,171,098
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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