Rien sur Robert
- 1999
- Tous publics
- 1h 47m
IMDb RATING
6.3/10
1.1K
YOUR RATING
Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.Didier never knew that a wrong film review of a film which he did not bother to watch would land him in numerous troubles.
- Awards
- 1 win & 1 nomination total
Photos
Marilú Marini
- Ana
- (as Marilu Marini)
Pascal Bonitzer
- L'homme dans la librairie
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I don't even want to waste my time describing how bad this movies is. Avoid it at all cost, you'll thank me. But anyway, here goes:
A very good example of french movie crap. Plotless, pointless, depressing, just plainly bad. A waste of talent, time and money.
A very good example of french movie crap. Plotless, pointless, depressing, just plainly bad. A waste of talent, time and money.
Initially, I stopped watching a copy of this film because I found myself feeling disgusted with the protagonists. Later, I decided to watch the film again as an impartial observer. To me, it became an interesting black comedy of frailties and morals.
This is a story of middle-class immorality and a pathetic obsession reminiscent of Maugham's Of Human Bondage. Morally-weak Didier (Fabrice Luchini) tries vainly to break his ties with brazen/ promiscuous Juliette (Sandrine Kiberlain). She has no need to be reasonable/considerate as long as she has the upper hand. Didier vacillates in a promising affair with insatiable Aurélie (Valentine Cervi) which would free him from Juliette. Others involved with Didier and Juliette are womanizer Jérome (Laurent Lucas) and his fiancée Violaine (Nathalie Beautefeu). Unfortunately talented Michel Piccoli is wasted in his role as Ariel, Lucien's smug/outspoken critic.
As in this film, Luchini seems to specialize in far less than ideal `heros'. In the '96 Beaumarchais the Scoundrel, Luchini was a brilliant-but-roguish delight and Kiberlain played his confidante/ mistress-and-later-wife. In '90 La Discrete, he played an egotistical womanizer who gets his come-uppance.
This is a story of middle-class immorality and a pathetic obsession reminiscent of Maugham's Of Human Bondage. Morally-weak Didier (Fabrice Luchini) tries vainly to break his ties with brazen/ promiscuous Juliette (Sandrine Kiberlain). She has no need to be reasonable/considerate as long as she has the upper hand. Didier vacillates in a promising affair with insatiable Aurélie (Valentine Cervi) which would free him from Juliette. Others involved with Didier and Juliette are womanizer Jérome (Laurent Lucas) and his fiancée Violaine (Nathalie Beautefeu). Unfortunately talented Michel Piccoli is wasted in his role as Ariel, Lucien's smug/outspoken critic.
As in this film, Luchini seems to specialize in far less than ideal `heros'. In the '96 Beaumarchais the Scoundrel, Luchini was a brilliant-but-roguish delight and Kiberlain played his confidante/ mistress-and-later-wife. In '90 La Discrete, he played an egotistical womanizer who gets his come-uppance.
I just saw it again after many years and I must say that Rien sur Robert is very enjoyable film, very clever comedy about emotions and our expectations about habits and feelings.
Robert, before the story begins, has done something that he shouldn't (and MeisterK too!), and he continues making wrong choices, all the time, to the end of the film, and this is what makes the plot so different from the Hollywood-plots.
But the best part is dialog of the characters, who are so amazing types with their way of behave.
And the actors make excellent work.
Robert, before the story begins, has done something that he shouldn't (and MeisterK too!), and he continues making wrong choices, all the time, to the end of the film, and this is what makes the plot so different from the Hollywood-plots.
But the best part is dialog of the characters, who are so amazing types with their way of behave.
And the actors make excellent work.
1soyt
I agree with MeisterK this movie was really bad. I think they wanted to make a kind of trendy intellectual movie but they totally missed the point. I find the overall stuff ridiculous, the characters are not credible at all, dialogs are nonsense,... and Luchini is playing Luchini...
It's not a typical french movie as MeisterK said. This one is just bad.
It's not a typical french movie as MeisterK said. This one is just bad.
I disagree with MeisterK's comment that this is a "plotless, pointless, depressing, just plainly bad" film. (In any case, depressing just doesn't fit with the rest of the epithets. It takes a *good*, dark film to affect today's jaded audience to/near the point of depression.)
This film is certainly not one made to please the masses, but genuine works of art are rarely created with that intention. This is a very rich and intelligent film. The writing is impeccable and the directing just as good.
Michel Piccoli gives a great performance, as do Luchini, Cervi and Kiberlain.
This film is certainly not one made to please the masses, but genuine works of art are rarely created with that intention. This is a very rich and intelligent film. The writing is impeccable and the directing just as good.
Michel Piccoli gives a great performance, as do Luchini, Cervi and Kiberlain.
Did you know
- TriviaDirector Pascal Bonitzer appears as a bookshop client looking for Robert Desnos' books.
- ConnectionsReferenced in "Conversations avec ...": Catherine Corsini (2024)
- SoundtracksRay of Light
Written & Performed by Leon Parker
Details
Box office
- Budget
- $4 (estimated)
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