H.M.S. Pinafore

This version of Gilbert and Sullivan's operetta is a fabulously comedic and musical show! Essgee Entertainment performed H.M.S Pinafore, The Pirates of Penzance and The Mikado as a trilogy starring Jon English.

The live show was performed throughout Australia and New Zealand in 1997, and whilst people from other countries will enjoy watching this, the recognizable Australian and New Zealand stars will entertain their home audiences on a higher level.

I saw all 3 shows live in Australia when I was seven years old, and have since become a die-hard fan of all GnS operas. I bought the videos shortly after, and having a permanent recording of this fantastic show means I can enjoy these musicals for a long time to come.

I have to disagree strongly with negative comments on this production. I have adored G&S since I was in my early tens (I'm 60 this year) and EssGee have done a wonderful job with HMS Pinafore. Purists would, of course, disagree, but I have to say that so much of Gilbert's comedy has been brought out in these productions, and the fact that some members of the cast are not 'opera singers' does not matter a jot. The humour is delightful, the extra content fits in extremely well and the 'electronic orchestra' is a delight compared to some out-of-tune so-called 'professional' orchestras I have heard over the years. Bravo EssGee!!

The principles and Ensemble make this one of the truly memorable versions of HMS Pinafore I have ever seen. It is hilarious as a performance, and all credit for making this one version that I personally, as well as all my friends enjoy most.

It is the type of production that makes the audience appreciate G&S.

G&S wrote in order to poke humour at the government of the day and the people, sailing close to the wind with their humor.

How sad it is that when a show such as this, that has the opportunity to make people laugh almost all the way through is condemmed by a minority for not being a fully authentic version faithful to the exact letter of the original.

I've rarely seen any kinds of theater-plays, operettas and the like, most because it doesn't really appeal to me. But I must say I truly enjoyed this one.

I became aware of this play (HMS Pinafore) while re-watching Star Trek: Insurrection, where an android goes crazy after been by a weapon and it's (his) captain tries to catch it (him). To do so, the captain distracts the android by singing "A British Tar" from HMS Pinafore, which the android has prepared a performance of. The song appealed to me, and I found a version on it on YouTube, from the Esgee production.

I have not seen any other performances of the play before or after, but I have done some research. This helped me notice, that there ARE minor differences between this version and the original, mostly in the music. And while some may call such changes "blasphemy" or close to it, it is my opinion that it have been integrated quite nice.

The actors for the different roles have been well-chosen, each giving a fine performance as their respective characters. Additionally, the different actors who perform the duets compliment each other perfectly; especially where the Captain and Little Buttercup sing "fair moon" and "things are seldom what they seem".

Other reviewers have stated that the Little Buttercup in this play, especially when played by Rima Te Wiata, is not the "plumb" type as she was supposed to be. Instead, she is rather slim and fit, and rather saucy/sexy at times. I'm especially impressed by how she manages to vary her tone of voice, from almost "squeaky" at times, to a more "normal" tone and at some points rather "deep"; and how she performs those changes quite nice. As I wrote above, she (Buttercup, that is) and the Captain really complement each other when performing "fair moon" and "things are seldom what they seem"; with Buttercup's varied tones of voice and the Captain's deep, dark voice, absolutely beautiful.

All in all a great performance, and well worth watching more than once.

As a fan of Gilbert and Sullivan, I watched this live performance and found it very refreshingly entertaining. It is not for "purists" however, there is a lot of added dialogue some of which is very smutty, the characters' personalities are changed Sir Joseph in particular and the orchestra is more a synthesised small band.

I did love this production's energy, it is never dull and notice how the chorus never stop moving, I loved the refreshingly camp choreography(such as Dick and the Captain under the cloak and especially Sir Jospeh's leg movements), I did like how different and nifty the arrangements were and I loved the hilarious dialogue especially the Return of the Dead-eye quote, Dick's digs at the orchestra and conductor and Sir Joseph's interaction with Dick about his name.

The story may be standard perhaps, but as always with G&S the music is amazing, with memorable melodies and witty and droll lyrics. Costumes and sets wise, this production also scores highly, the idea of the revolving ship set was very clever and apart from Dick's the costumes look great and stick to the time they were set in.

The performers do give it their all, the male chorus and the three ladies who strongly reminded me of the Andrews sisters are superb, and David Gould has a dashing presence and a very mellow bass baritone voice. Helen Donaldson and Simon Gallagher sing wonderfully too, and Jon English has superb comic timing. The scene stealers are Drew Forsythe as a Sir Joseph that is a criss-cross between Toad, Mr Bean and Nosferatu and how he sang all those words AND did those very funny leg movements as well amazes me, and Rita Te Wiata, trust me after seeing this production you will never find a Buttercup this raunchy.

Overall, maybe not for all, but I thought it was a lot of fun. 10/10 Bethany Cox