The Simian Line

The New York papers hacked this poor film to bits this week. A friend dragged me in, and I expected it to be terrible.

Wrong! This is a beautiful, funny, romantic film. "Ghost" for grown-ups who watched the WTC towers crumble to dust.

WHO WOULD LIKE THIS: People on a date who are mature enough to like "Ghost"; adults in their 40s and up who want to see a film that's intelligent without being grim. Probably not for kids under 16 (unless they really like the Turner Movie Classics channel.) Has an R rating, but suitable for most people who aren't too sensitive, because most of the cussing takes place in one short scene. The only other R-type material is a few tasteful shots of couples in bed together.

THE FILM: The main characters are three couples, two roommates, and a fortuneteller who talks to her dead husband who live in Weehawken, New Jersey. The film follows the struggle of the couples to stay together; the roommates to avoid coming together; and the fortune-teller to hold to her belief that she can talk to her dead husband.

THE SCRIPT: The script is a little loose, but there is actually a plot, the characters all have real jobs (no professors, detectives, prostitutes or starship captains) and the dialogue is subtle. Moreover, all the main characters have excellent parts. The writers also got the Weehawken details right.

THE CAST: The cast includes William Hurt, Tyne Daly, Lynn Redgrave, Harry Connick Jr., Eric Stoltz and Cindy Crawford. Cameos? No. They all have real parts, and they all do a great job. (Yes, even Cindy Crawford. )

THE REAL HEROES:

• Patrick Seymour wrote a gentle, moving score, and he or someone else worked it into the film at the right moments without letting it overpower the other elements.

• The cinematographer, David Bridges, made the people and houses look haunting. He also made excellent use of the fact that Weehawken sits on a cliff across the Hudson River from Manhattan. Bridges took a lot of shots of the characters walking in front of the Manhattan skyline -- including eerie glimpses of the WTC towers. He also took lots of shots of the New York Waterway ferry boats -- the boats that spent Sept. 11 ferrying thousands of people to safety -- and corpses to morgues -- in places like Weehawken and Jersey City.

Of course, a lot of the people who died lived in houses just like the ones in this film.

The Simian Line is a sweet, peaceful film. But, without knowing what would happen to the WTC towers, the filmmakers made the first film released after the tragedy that cherishes the spirit of what was lost.

I saw this movie at the Hamptons International Film Festival. It was definitely my festival favorite. It was also a treat to see Harry Connick Jr., Samantha Mathis, the director, Linda Yellen, and the child star there. They gave a great interview. It was a lot of fun.

The Simian Line tells the story of three couples who get together for a Halloween party. They bring in a psychic (played by a VERY funny Tyne Daly), who finds that there are ghosts in the house (William Hurt and Samantha Mathis). Hurt plays a Southern Gentleman and Mathis a whimsical 1920's flapper. When no one belives her, Daly angrily reveals that one of the couples will be forever broken up by New Years.

From here, the audience watches the relationships mingle and shift shape while the couples try to remain together. One of the couples is Harry Connick Jr and Lynn Redgrave. They maintian a May/December romance. Redgrave plays her part with such power, I wouldn't be surprised to see an Oscar award next year. Cindy Crawford and Jamie Sheridan are another couple. Sheridan is the wall street exec. working endlessly on a merger, while Crawford is the patient wife trying to start a party planning business. Crawford is surprisingly good in this "glamour"-less role. The third couple are Monica Keena and Dylan Bruno who play two 20-somethings trying to make it as rock stars. (Keena belts out a great song entitled "Kiss My Ass.")

All in all, I really liked this movie because it had several funny moments which got me laughing out loud, as well as some deeply moving emotional scenes. I would recommend this movie to anyone, but I would say it's an especially good "date movie".

It's not surprising that my expectations were a bit inflated with such a terrific cast of actors assembled, regardless of the story. I would say that the movie has some good moments, but overall, missed an opportunity and really should have been much better. There's some interesting themes introduced in the FIVE story lines/relationships that go mostly unexplored, and things are tied up quite neatly and abruptly at the end, which I found unsatisfying and frustrating. This film isn't a waste of time, but is likely to be enjoyed only if you approach it as the light fairytale that it is, and don't expect anything more.

THE SIMIAN LINE kinda intrigued me for a while. It has a cast full of known names and yet so few reviews, so for me it could have been some sort of must-see. Well, I was wrong and after I finished it I could see why it has been forgotten.

It begins during an Halloween party thrown by Katherine (Lynn Redgrave) when a psychic named Arnita (Tyne Daly) predicts that one of the couples at the party will break up by the end of the year, but nobody believes her. Arnita doesn't tell her that she can see a fourth couple, the ghosts of Mae and Edward (the late William Hurt). Days pass and Katherine becomes jealous of her lover's flirting with gorgeous neighbour Sandra (Cindy Crawford), and the lives of the other two couples are shown but at this point, who cares?

In the beginning it looked ok, but as it progressed it took a detour to Stupidville and never went back. The acting was lazy, and only William Hurt and Eric Stoltz looked like they were trying, but all the others? They just went through the motions. Most of the characters were bland or annoying, and this is a major strike for any movie (not just this). The plot looked boring and I am amazed I didn't feel asleep during the viewing.

Not a really bad movie but something close thanks to sloppy direction, lazy editing and hard to believe situations. Only of interest if you love to see beloved actors in low points of their careers.

"The Simian Line" was filmed in 1999 and spent two years on the shelf before getting a limited American commercial release; here in Britain it bypassed cinemas completely and premiered, appropriately enough, on the Sky Premier cable channel (on the Tuesday of the week it opened in New York and Los Angeles, in fact). In all cases it's not hard to see why, and not just because like the opening credits of "The Sopranos," the presence of the World Trade Center here has a definite resonance in these post-September 11 days.

Director/co-writer Linda Yellen shot the movie on a low budget and in very little time, and unfortunately it shows all the way through; technical blotches aside, the would-be whimsical and romantic story of four couples told by a psychic that one of them will be history at midnight on New Year's Eve intertwines its various storylines (all too insubstantial for their own good) far less effectively than your average episode of "The Love Boat," with scenes ending abruptly, some poor dialogue and situations, and no narrative flow to speak of. Throw in excessive use of pointless voiceovers and the inexplicable presence of a pair of ghosts (William Hurt and Samantha Mathis) and it should be a disaster... but it's just a mixed bag instead.

The film has a number of good points; several scenes do hit home, although a bit less time devoted to Lynn Redgrave worrying about losing her devoted younger lover Harry Connick Jr and a bit more development of the other strands would have given the movie more balance. But it's biggest plus is its ensemble cast, most of whom play a big part in making this slight tale watchable. Only one of the team - apart from an irritatingly accented Hurt - lets the side down; it's not who you think it is, either. Instead it's Tyne Daly's embarrassing psychic, about whom the less said the better.

This is, on the other hand, a good deal for Redgrave, for Connick, for Monica Keena, for Jamey Sheridan... and especially for Cindy Crawford, who although stuck in the least dramatic plotline does deliver a good, genuine performance as Sheridan's equally business-minded but not quite as relentlessly driven wife. This is to her what "Coming to America" and "The Nutty Professor" were to Eddie Murphy - the film may not be all that good, but the work is another matter entirely. (Note from one of Cindy's male fans to the rest of them: Watch for the bathing scene.) Time to give her a break for "Fair Game," methinks. As for Yellen, better luck next time.