Mais qui a tué Mona?

Drowning Mona is now a cult favorite of mine. The script is unusual yet amazingly funny. Every time I watch this movie, my understanding of its comedic genius grows. Especially for English language buffs, this film's edgy and blatant use of word order and delivery are what make it so hilarious. No line is extraneous or meaningless--they all add up to one hell of a funny film. I'd recommend this to serious movie goers who enjoy an intellectual thrill, a script that puts faith in the audience's ability to understand and not be told outright. If you crave a change from the typical Hollywood Blockbuster formula of drugs, sex, violence, and sentimental life lessons, watch this film. It still manages to deliver action and comedy--but are you smart enough to watch it?

Maybe Danny DeVito and Bette Midler should collaborate more often. The two times they did it was comedy gold. While this movie is not as flat out hilarious as "Ruthless People," it should still be enjoyed by the same people who love that movie. It starts with a prologue stating how Verplanck, New York was the location where they decided to launch the Yugo line of cars in America. As a result, everyone in town, including the police, drives a Yugo car, and they all have catchy license plates like UGOMONA, ELLEEE, and OH RONE.

As the title suggests, this black little whodunit concerns who opted to rid the small town of Verplanck of its nastiest inhabitant, the matriarchal hag Mona Dearly (Midler, who chews up every inch of the screen in her "Rashomon"-esque flashback scenes). Police Chief Wyatt Rash (Danny DeVito, playing against type as the straight man), is determined to find out, even if nobody else cares to help. It's come at a bad time, because he's trying to help his daughter Ellie (Neve Campbell) plan her big wedding to mild-mannered land-scaper Bobby Calzone (Casey Affleck), who has just ended up short-handed after his beer-guzzling partner Jeff Dearly (Marcus Thomas, the epitome of slackerdom) takes a leave of absence. Bobby also seems unnaturally concerned with the the death of a woman who meant only bad things for him.

The characters, while bordering on cartoons, are played tongue-in-cheek, and you know the actors had fun doing it. There's the chain-smoking waitress Rhona Mace (Jamie Lee Curtis), who's having an affair with the deceased's husband Phil (William Fichtner, who walks away with the movie as a complete scumbag), and Bobby's overbearing brother Murph (Mark Pellegrino). The cops are just as zany, with Peter Coyote as the do-gooder lieutenant, and Paul Ben-Victor and Paul Schulze (Ryan Chapelle from "24") as a couple of bumbling idiots who seem to be good for one thing, looking out for Numbers One. There's Katherine Wilhoite as Lucinda, the lesbian folk-singer mechanic, and the great Tracey Walter is on board as the local fisherman who nobody really knows much about. Add in a foul-mouthed, alcoholic priest, and a funeral director who's also an amateur pornographer (Will Ferrell before he became huge), and it's a feast for those with a twisted sense of humor.

An obnoxious woman (Bette Midler), who was despised by everyone who knew her, got murdered. Who did it?

The characters in this movie are to die for, because they are truly hilarious. Great acting, by a lot of great actors. But after a great start, the movie slowly peters out.

Funny enough for 1 watch, but when you know the plot, there isnt much else left to be enjoyed. Yes, the jokes are good, but this comedy is a bit TOO dumb and farcical at times. I can only handle that many farcical jokes in a row before I get numb.

For fans of Casey Affleck dont let this chance pass by to see him, because he is truly hilarious as a meek, blonde, dumb looser. Will Ferrel as a funeral employee is hilarious as well.

Drowning Mona is a hard movie to describe. On the one hand, I liked it because, the cast seemed to be doing the best with what the script they had to work with. On the other hand, the plot seemed choppy and the dialogue was for the most part pretty stale. Will Ferrell absolutely steals the movie with his part as the creepy funeral director who laughs inappropiately, has trouble with the right way to make eye contact, and is constantly having sexual trysts during the viewing. If you're looking for an offbeat comedy, give this a try. But don't rush out and kill yourself to see it.

Why are people so hard on Drowning Mona? I just saw it and enjoyed it a lot. In years to come I believe it will be seen as the same genre as The Good Girl - an attempt to bring very ordinary people to life without apologizing for their ordinariness. In A Good Girl, Jennifer Aniston works very hard to portray an ordinary, poorly-educated young woman in a dead-end job. She has to really work hard to suppress the natural intelligence of a very bright mind and make her ordinary girl sufficiently dumb. But she does it beautifully. In Drowning Mona - portraying Bobby Calzone, Casey `Affleck has a similar challenge. I think he creates his character brilliantly. I am so shocked to find higher up this page that Casey is ashamed of his work on this movie. Can this be true? It seems quite possible - on my DVD package he is the only major cast-member who doesn't give an interview. Casey is handsome and delightful but he manages to leave an impression of terminal dumbness. All the guy wants is to make a reasonable living fixing gardens, but his problems seem insurmountable and it's getting to him. I get the feeling that none of the cast were stirred or excited with Drowning Mona - you need to see the on-set interviews to judge this. Nevertheless it is a successful little film in its own terms and has a lot of gentle humor in it. Affleck, deVito, Midler, Lee Curtis do a very professional ensemble piece as you would expect. As a former copywriter I find the landscaping company slogan hysterically funny: J & B Landscaping - `Yeah, we can do that'. I get the impression the whole cast read through a rather 'thin' script and said exactly that.