Mais qui a tué Mona?

I believe that this movie was panned when it first came out, and I don't know why. It is truly an underrated comedic gem that deserves more recognition. The performances are perfect (with the exception of Campbell) and the dialogue is hysterical.

William Fichtner steals the show as the sleazy "battered husband." His performance is tops in a stellar cast. Marcus Thomas is excellent as his son and lazy landscaping partner to Affleck, who is marvelous as the nervous and long-suffering lead. Will Ferrell puts in a great cameo as a creepy mortician.

Are there flaws? Of course. As another comment mentioned, Tracy Walter's character, Clarence, could have been developed more. Also, some the other characters' run-ins with Mona probably could've been better detailed as well, and the resolution isn't the most satisfying. But this movie is less about the plot and more great characterizations and riotous dialogue.

I own the DVD and I roll with laughter every time I see it, even though I practically have it memorized. This movie should be remembered as

Drowning Mona is a hard movie to describe. On the one hand, I liked it because, the cast seemed to be doing the best with what the script they had to work with. On the other hand, the plot seemed choppy and the dialogue was for the most part pretty stale. Will Ferrell absolutely steals the movie with his part as the creepy funeral director who laughs inappropiately, has trouble with the right way to make eye contact, and is constantly having sexual trysts during the viewing. If you're looking for an offbeat comedy, give this a try. But don't rush out and kill yourself to see it.

"Drowning Mona" is a frustrating comedy. It has interesting characters and situations and I found myself really enjoying the film--only to have it all fizzle at the end. And, with such an unsatisfying ending and its inability to capitalize on a potentially funny situation, it's a film that you probably shouldn't rush to see on DVD.

This film is very unusual in that one of the main characters of the film, Mona (Bette Midler) is killed in the first few minutes of the movie. The car she's driving has been sabotaged and the vehicle goes careening into the river. The head of the local police, Chief Rash (Danny DeVito), investigates the case and soon learns that the brakes were tampered with in multiple ways--as if someone REALLY wanted to make sure she was dead. And so, through a series of interviews and flashbacks, you learn who did this as well as what a thoroughly awful and hateful person Mona was.

The film gets high marks for setting the right stage for a comedy. Mona is so awful I kept thinking that EVERYONE in town was in on the murder---sort of like in "Murder on the Orient Express". But t just didn't capitalize on the comedy gold that seemed to be awaiting the viewer. Funny people, a funny idea and then...nothing.

By the way, I noticed that a lot of reviewers didn't like how dark the tone was of the film. I actually liked that a lot--I just didn't think they were able to capitalize on this properly--hence my score of 6--which indicates it's mildly amusing and watchable but nothing more.

... even the police.

Bette Midler, even though she is the title character, gets second billing to Danny DeVito.

In the recently released "Isn't She Great" she gets to play both sides of the ugly/beautiful coin and she does it here again brilliantly.

Sherriff Wyatt Rash (DeVito) has too many suspects in the death of Mona. Everyone would like to see her dead.

Neve Campbell as his daughter (Ellen) turns in a fine performance. Her breakdown and ultimate (short-lived) lesbian experience with the town's mechanic is either over-the-top -- or just short of being brilliant; hard to tell.

Casey Affleck (Ben's little brother) is very one-note -- I want to believe that it was written that way and that Bobby is not as shallow as the script would have us believe.

This is not a film that will appeal to everyone -- but hang in -- it only gets better as it goes along.

I enjoyed it -- and as I reflect on it -- it only gets better.

Why are people so hard on Drowning Mona? I just saw it and enjoyed it a lot. In years to come I believe it will be seen as the same genre as The Good Girl - an attempt to bring very ordinary people to life without apologizing for their ordinariness. In A Good Girl, Jennifer Aniston works very hard to portray an ordinary, poorly-educated young woman in a dead-end job. She has to really work hard to suppress the natural intelligence of a very bright mind and make her ordinary girl sufficiently dumb. But she does it beautifully. In Drowning Mona - portraying Bobby Calzone, Casey `Affleck has a similar challenge. I think he creates his character brilliantly. I am so shocked to find higher up this page that Casey is ashamed of his work on this movie. Can this be true? It seems quite possible - on my DVD package he is the only major cast-member who doesn't give an interview. Casey is handsome and delightful but he manages to leave an impression of terminal dumbness. All the guy wants is to make a reasonable living fixing gardens, but his problems seem insurmountable and it's getting to him. I get the feeling that none of the cast were stirred or excited with Drowning Mona - you need to see the on-set interviews to judge this. Nevertheless it is a successful little film in its own terms and has a lot of gentle humor in it. Affleck, deVito, Midler, Lee Curtis do a very professional ensemble piece as you would expect. As a former copywriter I find the landscaping company slogan hysterically funny: J & B Landscaping - `Yeah, we can do that'. I get the impression the whole cast read through a rather 'thin' script and said exactly that.