Shooting the Past

This gem from writer-director Stephen Poliakoff aired on the BBC to popular and critical acclaim, and was a surprise hit of a drama-lite year. Using the setting of a photograph library, and the plot that the collection needs to broken up and sold off to satisfy the greed of an American property developer, it says a lot about the associative process of memory, the sequencial nature of small details, and about ourselves as viewers of the drama within a drama.

Of the excellent cast, four stand out - Lindsay Duncan, Timothy Spall, Billie Whitelaw, and Liam Cunningham. The images really provide the crux of the series though, as we see a path through time and follow one character through from one reality to the next. The fabulous music also helps the process, and all things combined make this a really superior piece of small-screen drama.

I am not a film buff, nor artistic to any degree, and I like action adventures just as much as the next brainless idiot. But this film is so generally superb that it even enticed me to make comment on this database. I am old, and British, and therefore have an affinity with the surroundings and the characters portrayed, as over my lifetime I have met similar similar doing all sorts of differing jobs. The type of eccentric played by Timothy Spall (superbly, but then we British would not have expected anything less of him) occurs more often than one would think. The diffident librarian captured perfectly by Billy Holiday. The Lady boss whom over time has lost nearly all of her self-consciousness at being put in charge of people whom display more knowledge and intelligence than she first gave them credit for, was played by Lindsay Duncan and was Brilliant. The unfortunate tycoon who found himself as the unwilling villain of the piece, is most sensitively played by Liam Cunninham. All the supporting cast played their characters extremely well. I recognised even the junior tea lady from the stance I remember from the past. There is just no criticism I can make of this production the direction , photography, music all blends into a seamless story of the fairly recent past.

I am not given to undue praise, but this film you may show to any member of family without offence. Although the Americans get slightly cast as villains, I can assure them all that Big business in Britain could equally be so cast, but would unlikely to have come out so well thought of.

Get this film and loose yourself in 2/3 hours of unadulterated thought provoking entertainment

I will unreservedly add my name to the unanimous chorus of approval this TV mini-series has received below. It more than deserves. It is up to that very highest standard of authorial British TV drama penned by the likes of Alan Bleasdale, Dennis Potter, Mike Leigh, Troy Kennedy Martin and numerous others. This is the first Poliakoff show I have seen, and I must say it's great to discover a great TV writing talent *current* to these times (Bleasdale seemingly having peaked with "GBH", Leigh being a national treasure in film, most recently shown by the delightful "Topsy-Turvy"), and I will check out "Perfect Strangers" soon.

Poliakoff indeed directs as well, and does a better job (albeit with much more cohesive, fully-formed script material) with his own script than Dennis Potter did with his direction of his own "Blackeyes". Whereas "Blackeyes" had some beautiful dialogue and usual use of music to great emotional effect, it is a threadbare, over-stretched series in comparison to "Shooting the Past", which has economy (though I could have happily watched hours more), precision and great emotion and humanism in its writing.

Suffice to say, performances are top notch. Timothy Spall magnificent in bringing to life this oddball, yet formidable, unpredictable *and* very endearing character of Oswald. Lindsay Duncan is astonishing really, thoroughly convincing and wonderfully expressive physically and vocally. Liam Cunningham is marvelous also as the American magnate type figure, who turns out not to be quite the archetype we suspect him to be. Billie Whitelaw I liked in a more minor role, this other worker in the museum who can only "beaver away" in her words...! My, Emilia Fox was enchanting as the modish, but inscrutable and otherworldly Spig... The video I have of this series has these two monologues at the end which are a very nice bonus, showing just how much can be done with photographs and storytelling.

Of course, the aural and visual still set pieces, composed of stills and Lindsay Duncan's narrations are absolutely engaging and enchanting. Liam Cunningham's acting all the way through these, is superlative. Overall, I don't think a mere precis of mine can truly be adequate; suffice it to say, a labour of love, an encapsulation of the saddest and finest emotions and an argument for eccentricity and intelligence and even hope in humanity...

Rating:- *****/*****

Shooting the Past is a fine piece of work. It entertains, it makes you think, it deals with issues and you end up discussing it and thinking about it at length afterwards.

The scenario is somewhat far-fetched - it is inconceivable that most of the staff at the archive would be unaware of the plans to chuck them out of a listed building - the place would have been swarming with bureaucrats for months before the bulldozers arrived, if indeed anything that requires bulldozers would have been permitted. Further, it also seems inconceivable that a man with a passion for his new business school and with mission-critical deadlines would visit the place for the first time without having verified that the archivists were moving out.

But we forgive Poliakoff his fanciful scenario because it sets up a terrific and taught drama.

Lindsay Duncan is simply superb, as is Timothy Spall as the "borderline autistic, photo-savant" Oswald.

Some of the cinematography (if you call it that in made for TV films) is superb - in particular the long shots of Liam Cunningham walking through the archive and the film shots of still photos.

This is fine stuff and highly recommended.

For all the talk these days that the BBC isn't what it used to be, it would be hard to prove by this exceptional film. A brilliant examination of the power of photographs to chronicle, the mysteries and stories captured within their still frames, and the mystical and evocative powers moments frozen in time can manifest.

A superb creation from a writer-director whom I shall certainly seek out in the future. The entire ensemble is letter perfect, and the film does a wonderful job of alternately moving one to tears, then later creating tension that will have you sitting on the edge of your seat. Is it any wonder that US television films come off as hackneyed when compared to superlative efforts such as this. One of the best films I have seen this year in any medium.