Lansky

There are a lot of truly great actors in this movie. Illeana Douglas. Max Perlich. Dreyfus. Eric Roberts. Lots of them. But the dialogue in this movie is horrible. The acting is stilted because of that. And the story is just not believable. It almost seems as if the writers tried to grasp onto the "mob" madness and cut and pasted other stories to come up with this one. It is not believable. Meyer Lansky was a gangster. This movie portrays him as some kind of innocent victim of circumstance. Simply untrue. He was not a victim. When you see this film, you get the impression that he was somehow compromised by the government because he was a Jew. A real look into who he was will tell a different story. And this is not it.

I'd seen a preview for Lansky on HBO a couple of weeks ago and it looked like a fascinating movie. Too bad the film couldn't meet the expectations. Richard Dreyfuss (Mr. Holland's Opus, Night Falls on Manhattan) stars as Meyer Lansky a gangster from the early 1900's. The film deals with his character throughout the film going back and forth from different ages. Dreyfuss is not the only actor to play Lansky in the film. Dreyfuss plays him from his 30's on, Max Perlich (Beautiful Girls, Georgia) plays him in his 20's, and a child actor plays him at a younger age. The film deals with his dealings in the mob and his family life. Eric Roberts (Runaway Train, Most Wanted) plays Bugsy Siegel and Anthony LaPaglia (The Client, Commandments) plays Lucky Luciano. Both of these actors do well, especially LaPaglia, but aren't given enough screen time. Richard Dreyfuss is very good in the lead, but is out-acted by Max Perlich playing Lansky in his earlier years. I know the film probably wanted a big name (Dreyfuss) but I would have preferred to see Perlich play him the whole time instead of Dreyfuss. The film takes some good choices on how to tell the story, but the story itself is kind of boring. It's interesting at times, but nothing special.

This movie could have been alot better. Meyer Lansky was to me far more interresting then both Siegel or Luciano. David Mamet is a great writer, but his script here just isn't that good. A few simple details were changed and the editing isn't all that good either. They should have told the audience which period we were looking at during certain times of Lanskys life. The movie begins around 1972 in Israel then we go back to the early 1900's in Russia and then to like 1912 in Manhattan, but you don't see that. You also don't hear about the 400$ million dollars that Lansky had in Sviss banks at the time of his death which is a fact by now. His Florida operations were also very known and he was the one who gave orders to both Santo Trafficante Jnr. and Carlos Marcello. Despite the lack of storytelling the acting is great. Richard Dreyfuss is extremely good as Lansky and Perlich also, but Roberts and LaPaglia somehow didn't fit in there. I give this movie *1/2 stars out of four.

I saw the movie yesterday on HBO. Liked Robert Dreyfuss' performance very much. He is great! But didn't understand what happened to Lansky's first wife, Anna. She simply disappeared with no explanation and was suddenly "replaced" by Teddy. Did Anna die? Did the Lansky divorced? It seems that the producers made the movie only for the mob's admirers and/or experts, supposing that everybody would understand the story. There was a lack of some connections to make the movie understandable. Even so, I enjoyed it very much, especially because of Dreyfuss, who happens to be one of my favorite North American actors. Anthony La Paglia played well too and even Eric Roberts had a good performance.

This film succeeds in portraying Meyer Lansky as a victim in the whole procedure. This has to be rubbish - wasn't he allegedly the brains behind most of the mobster operations and died with millions of dollars of his ill-gotten gains stashed away somewhere in Switzerland? The constant leaping backwards and forwards in time, while expertly handled in "Once Upon a Time in America" was clumsily handled in this film. Dreyfuss, though a good actor, was miscast and therefore seriously out of his depth here: this only served to increase my dissatisfaction with the film. And what did happen to Anna? Why was it assumed that everyone watching the film was as au fait with the story as David Mamet? The only times the film lit up was when either Eric Roberts or Anthony Lapaglia were on the screen. It's a pity it wasn't the story of "Lucky" Luciano. Lapaglia dwarfed Dreyfuss both physically and metaphorically every time they were on screen together. All in all if you like gangster movies fact or fiction, I'd advice you to miss this one.