Joe Gould's Secret

What a line that was.

Likely the best movie I've seen in ten years. Joe Mitchell's clear, lucid writing comes through so well one wonders why this hasn't been done before. Being familiar with the stories on which this film is based helped.

Ian Holm brings Gould to life, and Tucci plays the bemused, then overwhelmed journalist wonderfully well. (I could quibble about his "generic southern" rather than North Carolina accent, but that really is just a quibble.)

It made me think (always a sign of any good work of art) about the brief celebrity brought onto persons by well-meaning journalists. We see a slice of their lives, their 15 minutes of fame, but their lives continue on, following their daily routines, which may now be altered by their brush with fame.

It also brings out the dance between madness and genius. How many mumbling street people have we seen and passed, never realizing that there is a life, perhaps wisdom, lurking beneath the tattered clothes, sheltered in their cardboard boxes?

I like movies that are well-written, and this one certainly is. And the New York of the 40's and 50's is a character in the film to. To see the Village Vandguard's sign, knowing that beneath this sign passed Miles Davis, Charlie Parker, Coltrane...

Highly recommended.

This is one of those marvelous movies where almost nothing happens. Noone dies, noone gets blasted by aliens, noone get mushed by Bruce Willis or Harrison Ford. Just a quiet movie about an interesting guy (damn, Ian Holm is good) who doesn't do much. The scenography is awesome, and the details of the surroundings are pretty good. Anyone with an understanding of the pre-beat scene in NYC (or curiosity, ferchristssake) will love this quiet, interesting movie. Some of the characters could have been painted with a little more color. One becomes curious about the photographer-wife, the beat-artist (Saranden), and the sleazy publisher (Steve Martin, ferchristssake), but our questions remain questions.

If you like quiet movies, thoughtful movies, you'll thoroughly enjoy this one. Rent it.

This is a story of one very unusual and several fairly interesting characters - no more and no less. Some reviews talk about how well the film captures the look and feel of 1940 New York, but Tucci kindly does not hit you over the head with atmosphere; there are no "do you get it? You realize who that was supposed to be?" scenes. Instead he merely nails down the milieu so precisely that it becomes unobtrusive, and allows you to focus entirely on the characters and their story. Likewise he seems to ignore who in the cast is a star, in favor of who is right for each role. The result is not quite a touching story, nor an inspiring one, nor a tragic one, but a satisfyingly believable as well as intriguing one. Not a documentary, by any means - it is far more creative than that - but fine story-telling. No individual and no event is larger than life, but all are handled with respect and just enough affection. The fact that the story is true is almost incidental; from what I can tell, memorable characters such as Harold Ross (and of course Gould) are portrayed with great accuracy, but what really counts is that they work as characters.

Don't worry about what the secret is. Just get to know these people. You'll like them.

With all the garbage that's been coming out in the theaters recently, I've taken to staying home and renting movies that never made a big splash at the box office. With Joe Gould's Secret, I lucked out and enjoyed a movie that was better than I could have imagined.

All the performances, most notably Ian Holm's, are stellar. The scenes of 1940's New York will fill you with nostalgia, even if (like me) you were born well after that time. Occasional appearances by the always wonderful Susan Sarandon and Steve Martin only heighten the pleasure of a perfectly-acted, -filmed, and -directed gem of a movie.

But, in the end, it is the character of Joe Gould -- brilliant, mad, heartbreaking -- that makes Joe Gould's Secret so perfect. He is the farthest thing imaginable from the "cute homeless guy" stock character of your typical insulting Hollywood script.

Do yourself a big favor and see this movie.

It's no accident that the opening scene of "Joe Gould's Secret" is an all-American family having a normal conversation over breakfast. The head of this household, author Joseph (Joe) Mitchell (director Stanley Tucci) is about to have his world turned upside-down by a person whom he's at first merely intrigued by, but then finds himself friends with: Joe Gould, a homeless beggar who "speaks seagull." Gould (Ian Holm) is himself an author, claiming to have recorded a staggering volume recounting the conversations of strangers he calls the 'Oral History' or simply 'O.H.' One portion of the OH is his own thoughts on these conversations, which he keeps with different people he knows all over New York City. The other is the actual conversations, which he claims to have hidden away under lock and key. Gould won't let anyone read it because it's too personal to him. Over the course of the story, Mitchell starts to suspect that these writings don't even exist. He also finds that he's got a lot more in common with this mentally ill tramp than he'd care to admit.

The heart of the story is the friendship between Gould and Mitchell. Both men are well portrayed and given great depth by the actors who play them. That the script is the best of any produced this year doesn't hurt either. Mitchell treats Gould as a story he's writing, as merely an interesting character for people to read about, and not a human being. Mitchell thinks he's done Gould a great service, but finds that all he's done is take away even more of Gould's humanity. Most of his `friends' treat him in a similar fashion: they love how he entertains them with his craziness, but when it comes to helping him, the most they're willing to do is make a contribution to the "Joe Gould fund." Holm's performance is mesmerizing. Behind all of Gould's ravings is a sadness that he always manages to keep just below the surface. Holm brings across several levels of a man's personality, sometimes in no more than a glance. His work here is a perfect, once-in-a-lifetime achievement I hope he is remembered for.

There is much more to Joe Gould's Secret than a message about how we treat the homeless in America. It has so many levels, you could watch it several times and find a different story in it each time. Tucci has several points to make, but doesn't do it at the expense of storytelling. His love and understanding of the story and characters shines through, like a kid finding a stray puppy, running home with it, and announcing, "look what I found!"

Grade: A