A chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.
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- 1 win & 3 nominations total
Richard Alliger
- Blackjack Skeptic
- (as Rich T. Alliger)
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Scrape together a few thousand dollars, call in a few personal favors, enlist your friends and family to work nights and weekends, and the result might be a movie like this: too small and personal for widespread theatrical release, but ideal for any discriminating cable TV network devoted to showcasing true independent cinema.
The film is set (for the most part) in an upstate New York small town bus station, where every glancing encounter has a story behind it. Private narratives of this sort are what define us to ourselves, and because the screenplay was adapted from the writings of Joyce Carol Oates these particular stories describe a series of downbeat, dysfunctional family dramas.
At some point in its evolution the project might have been intended as a stage play, with the wordy, meaningful script and one-act location (opened up by flashbacks and speculative digressions into the overheard lives of passing strangers) suggesting a small theater piece. Sympathetic characters, natural performances, and a welcome lack of hyperbolic direction make it a quietly devastating experience, but with at least a token glimmer of hope in the final scene to help relieve the often oppressive details. Michael Brook's delicate guitar études add just the right touch of atmosphere.
The film is set (for the most part) in an upstate New York small town bus station, where every glancing encounter has a story behind it. Private narratives of this sort are what define us to ourselves, and because the screenplay was adapted from the writings of Joyce Carol Oates these particular stories describe a series of downbeat, dysfunctional family dramas.
At some point in its evolution the project might have been intended as a stage play, with the wordy, meaningful script and one-act location (opened up by flashbacks and speculative digressions into the overheard lives of passing strangers) suggesting a small theater piece. Sympathetic characters, natural performances, and a welcome lack of hyperbolic direction make it a quietly devastating experience, but with at least a token glimmer of hope in the final scene to help relieve the often oppressive details. Michael Brook's delicate guitar études add just the right touch of atmosphere.
I saw this film at the Gen Art Film Festival in NYC 1999 and looking back over the last year's films think it's one of the year's best. An especially satisfying story with fresh, unconventional performances and brilliant cinematography and scenic design. I was especially struck by the look of the movie.
The blue and green tones throughout the film were haunting.
The blue and green tones throughout the film were haunting.
10JP-43
One of the smartest adaptations of previously published material, "Getting to Know You" is a powerful look at family dysfunction, and perserverence in the face of abject personal adversity. Director Lisanne Skyler and sister Tristine (who also appears in the film) not only get the essence of Joyce Carol Oates' stories, but in fact improve upon their emotional resonance. Beautifully shot, beautifully acted (Michael Weston is a revelation in his film)... just a gorgeous and stirring film.
10a.v. boy
This is a film drawn from the literature of Joyce Carol Oates, a synthesis of several short stories written into a powerful script which really highlights the talents and abilities of this cast. Well-acted, well-directed, and technically excellent, this film has superior production values in every way.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
this is now one of my favorite films of all time. the way everything played out was amazing. not to mention, the movie kept my interest the entire time. this was, without a doubt, heather matarozzo's best work.
Did you know
- TriviaThe movie Dreamland, also directed by Lisanne Skyler, appears on a cinema marquee.
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