South of Heaven, West of Hell

While some viewers may have difficulty in unraveling this sardonic allegory, Dwight Yoakam's diehard fans will be able to recognize their star at his zenith. South of Heaven, West of Hell is filled with irony, parody, and quiet innuendo. It is a gem of a movie which is sure to attract even those not acquainted with Yoakam's intellectuality. Pervasive black humor weaves its way in and out of nearly every scene. Some may be put off by what appears to be gratuitous violence, but a further look sets up Yoakam's metaphorical statement regarding the internal conflict humans experience in their transformation from victims ambling through the ravages of hell toward survival in the most unexpected heavens, thus rescuing themselves from the morbidity of life. The film seems to be disjointed and vague in spots, and leaves the viewer seeking answers to subtle understated plot twists. Like Yoakam, himself, the mysterious, baffling, and somewhat enigmatic writing accomplishes just what he has set out to do: engage the audience just uncomfortably enough to evoke deeper thinking. South of Heaven, West of Hell embraces both the past and the future, much like Yoakam's latest song collection, Tomorrow's Sounds Today. The film tells a story of redemption and vindication, a shedding of old nightmares in search of new dreams. It is about tying up loose ends while scaling new heights. It is at once ancient ritual and oddly nouveau. Dwight Yoakam is always pushing the parameters while remaining true to who he is. He has never forsaken that identity, or given in to mediocrity. While South of Heaven, West of Hell may be Yoakam's first attempt in breaking through the barriers into film production, one can only hope this will not be his last endeavor in this genre. He is a quintessential artist who deserves more recognition than he seems to get. If Hollywood is smart, they will sit up and take notice of the rare gem quietly walking among them. True talent is true talent, no matter how different the package. Dwight Yoakam may be just becoming the brightest diamond around.

South of Heaven, West of Hell is a dimension of David Lynch proportions. The story takes place in a purgatory of sorts between life and death. Amazingly, however, this Western setting is extremely accurate, capturing the complete mood of that time. The film is very fresh on several other levels as well. The black humor and ghost like characters are very new to such a well done Western scene. South of Heaven is definitely genre bending and creative.

The acting throughout the film is superb from beginning to end. Every actor gives a world class performance. Vince Vaughn and Bud Cort had to have been in mind during the writing. Dwight does a great job himself, especially considering he wrote, directed, stared, and did the music for the movie.

The movie works on so many different levels that if you have a chance, see it. Do yourself a favor and stick around till the end. This movie is by no means conventional. It wanders through a story with seemingly no structure. It can be hard to watch when you can not figure out why the leading man is MIA for 30 minutes. There is quite a bit to think about. Watch it with an open mind and an open ear for Dwight's jazzy score, and notice the Gray production value. Superb.

It was surprising to me to see that 1/3 of the people who had voted for this movie gave it a 1! I thought this was one of the best Westerns to come out of Hollywood for a LONG time. The story and acting is superb, and so is the cinematography. These three things are what make a great movie. You could argue the forth being controversy/making you think, but it is not absolutely necessary. This is a great film. So don't listen to the others because they have no sense of taste. If you like Westerns and Independent films, check this one out. It is obviously an overlooked gem.

I'll grant you, this isn't for everyone. But there is a lot to recommend this film, fine acting, fun characters, great photography, and a haunting score (by Director Yokum). Also I thought that the use of the Western metaphor was interesting, as it is often used as the stage for American morality tales. What it lacks is a consistency - it would have been a much better film if this cinematic purgatory had some rules that were understandable.

Everyone seems to be dead and fighting out their last battles before going to heaven, but what does it mean that some characters get shot and "die" and others continue on with similar injuries? Is this one characters' purgatory and the rest are actors? Or is this a shared purgatory - and if so, what does it mean to die? When "dead" are they dispatched to Hell? Do the ones that survive get to go to San Francisco with Bridget Fonda (sounds like heaven to me <g>)? And what did the government agent do to be included in this anyway (the funniest performance in the film by Bud Cort - though Jeter comes in second as the emasculated rapist)? That said, it was engaging to think of justice and the afterlife in the American West circa 1900, especially with a little humor.

This piece has intelligence and a sense of fun and experimentation which is pleasing to see once in a while - I just wish the writers had gone the extra mile to tie it all together a little more. I'm not saying they had to be obvious, but the lack of consistency held it back from being a great effort to merely an interesting one.

Anyway, I enjoyed it - it was a breath of fresh air in an art form which is too often predictable and simplistic. Don't let the ratings fool you; some people get mad when they don't get their regular meat and potatoes served, even when they get a delightful piece of sushi.

Strange, different and very entertaining! A breath of fresh air, compared to the mindless marketed films of today. Be open and don't expect too much then you'll be VERY entertained! The cast has good chemistry and I believe it was well directed. The only fault I found was it left me wanting more and with some questions. I hoped the DVD would have more deleted scenes that would fill in some gaps. However the commentary with Dwight Yokam is great. You could say this movie is odd, however in an entertaining way. There was also a great deal of obscure comedy that I greatly enjoyed.