The Monkey's Paw

Minor British chiller about a monkeys' paw talisman that can grant three wishes but comes with a heavy price. Just watched it on the channel Talking Pictures. It is very crackly and the print looks older than 1948 but that does add a certain element of charm. Despite it's short running time the first 30 minutes do drag somewhat, however it does build to a quite impressively eerie climax. I recognized Meg Jenkins, who starred in the fantastic Wurzel Gummidge kid's TV series some 30 or so years later. Also filmed in 2013, which wasn't a bad effort either.

IMDb lists no less than 12 versions of this tale.This is a British quota film made in 1948.It is rather disappointing.It just meanders along for the first half an hour and really squeezes the plot developments into the last half hour.Being a rather cheaply produced film the ending is done in a way that leaves more to the imagination.To bring off that style you need to have the inspiration of someone like Val Lewton.Needless to say this is not an attribute of this production.There is an appearance by a young ish Sydney Tafler shown with 2 fs in his surname.All told rather disappointing.At least i have reviewed the film unlike 2 of the reviews on this page.

Based on the classic short story, THE MONKEY'S PAW concerns the Trelawne family, their need of money, and the result of the paw's entry into their lives. As the story goes, it's supposed to grant three wishes to anyone who simply holds it and asks. Of course, the devil truly is in the details!

After the first wish, we're already dreading the second!

True to the original tale, "Be careful what you wish for", "Don't tempt fate", and "Be satisfied with what you have" are the main ideas.

Though there is some padding, the added story line actually reinforces the idea of the paw's alleged occult powers, as well as the Trelawne's desperate situation. The sparse production takes nothing away from the horror that unfolds.

The short story scared the hell out of generations. This movie does it justice...

A man comes to the Trelawne shop to obtain a painting and one of the items he offers in the trade is a severed monkey's paw. One worker, a dishonest sort named Kelly, at the shop knows the secret of the monkey's paw, that it will grant three wishes for its owner, but the wishes will only bring tragedy for the owner. Trelawne later trades the painting for the paw. He later finds out that he owns 200 pounds to his bookmaker and as a last resort uses the paw to wish for the money. He gets the money but at cost of his son's life when he was killed in a motorcycle race and was given the 200 pounds, the purse for the race. The Trelawnes feel the guilt over the loss of their son, but Mrs. Trelawne knows there are two wishes left, and uses one to wish they here son returns from his grave. Despite the obvious low budget, this film succeeds in telling the story with excellent atmosphere, cinematography, acting, & directing. It does start off slow with establishing characters and settings, but after Kelly tells the story of the paw, it is able to flow better in its story telling. The ending of the film where Mrs. Trelawne uses her wish is amazing to look at despite sounding stagey. Thankfully the film doesn't settle into the obvious generic answer to the story. Rating, 7 out of 10.

Norman Lee takes W. W. Jacobs' classic short story and transforms it into a second feature.

One of the strengths of the short story is that it is a short story; there is no fat on it, leaving the reader to put the real horror into the story: the failure of the first wish; the hint at what it is knocking, unseen, at the door; the tragic necessity of the third wish. It all takes place in the reader's imagination, the elaborations of what the reader thinks is terrifying. Instead, in order to bring this to an hour's length, there is effectively, a forty-minute prologue; first we are introduced to a seller of curios. Then we see various wares; then the monkey's paw, and finally, the story. Lee paces it very well, and adds a platitudinous epilogue, but the story, although still interesting, is weakened. With Milton Rosmer, Megs Jenkins, and a lot of art direction by Victor Hembrow and George Ward.