Moonlight Mile

True, this movie is not for everyone. It is not for action junkies and it isn't that exciting as dramas go. But the excellent acting by the three main leads will hold your attention, if you let yourself get into it.

Dustin Hoffman is completely believable as the dad whose hopes and dreams have vanished with his daughter and he struggles to hold on to them in a state of denial. Susan Sarandon's character has accepted the fact and turns away from friends' sympathy. And as the fiancée in a slight state of paralysis from numbness, Jake Gyllenhaal proves he can play more than disturbed teen. The girl's parents try to hold onto him as their last hope of clinging to their daughter. Joe (Gyllenhaal) doesn't want to hurt them by leaving, but has to find his own path now.

The actors keep the movie going for longer than expected. Even though by the end you're glad it's over, it'll stick in your mind. It's the kind of movie you only see once, or else you'll get sick of it. But the one time will be enough for you to appreciate its quiet despair and hope.

I would give it a 7.5 out of 10.

There is so much not to like about this movie - Susan Sarandon overdoes the cool mom bit, they use each others' names all the time, Dustin Hoffman shuffles about like Rainman in several scenes, the love story is rather improbable, the ending too perfectly happy happy, Jake tends to have one expression through the whole movie and you don't realise it is in the 70's until they start talking about Vietnam. It also bothered me for some reason that Jake wore the same pants throughout.

BUT I loved it loved it loved it. It is funny, sad, happy and has so many great actors in it (plus animals). The soundtrack is fantastic. Jake has the funny scene at the table and the serious scene in court - must have been a dream role to play. Jake has really been good about varying his roles which must be hard when you fit the stereotypical young hunk role. I think the dancing scene and the love scene are absolutely beautiful and show affection and the need for affection more than sex which is rare - the music is perfectly matched to both these scenes. I am glad they chose a plainer, quirkier leading lady - Ellen Pompeo does it amazingly well (though watching her in Grey's she always seems to play the same character). She is 11 years older than Jake though and he seemed like a teenager in the movie so I was confused as to whether she was supposed to be so much older in the movie.

It is not the best movie I have ever seen but it was way way better than I thought it would be and I was surprised that it sank without a trace at the time.

"Moonlight Mile" is one of the most beautiful films ever to be made. Highlighted by phenomenal performances by Hoffman, Sarandon and Hunter, the film is truly inspiring, despite some overly-sentimental moments.

Brad Silberling has created an amazing piece of film. The story starts out quite shakily, but manages to quickly find its feet and, thus, saves itself from being another overly-indulgent, kitchy movie. Some might battle with "Moonlight Mile"'s pace, as the film takes its time in developing its characters. However, the film is character-driven and these developments are fundamental to the film's progression.

Holly Hunter's performance is Oscar worthy, even though her role is quite small. Judi Dench won an Oscar for her 8 minute performance in "Shakespeare in love" and I see no reason why Hunter should not have been nominated. Amongst a cast of film legends, Jake Gyllenhaal holds his ground. It is obvious that he has had less experience in the acting field, but his performance is still great. Gyllenhaal's climatic monologue near the end of the film will give you goosebumps. It is the best part of the film and in my opinion one of the best scenes in cinema history.

In a film about one of the most life-changing, traumatic experiences one can endure, subtlety rules. Little things drive the film and the characters in the film begin to appreciate the smaller things in life. And that's what makes the film so beautiful and so real. The subtlety of the comedy and romance is what makes the drama that much more bearable - which brings us back to the films central theme: coming to terms with loss and trying to move on from it. These beautiful little moments are what make the film.

One might have mistaken "Moonlight Mile" for a Cameron Crowe film as music plays a vital part. The film's music is as evocative as the action on screen and the film's epic moments are emphasised by the films perfectly fitted music.

This film has been overlooked and underrated, and should have received more credit. Silberling has crafted an outstanding piece of cinema, which is rich with emotion and evocatively inspiring. Some cynics may find the film too sentimental and will claim they predicted the entire movie, but if one is able to ignore the odd mushy moment (there's one or two), "Moonlight Mile" is a cinematic triumph. Treat yourself to this amazing film!

This movie is a highly conventional Hollywood drama, complete with carefully placed beauty shots and touchy-feely Mark Isham music. But writer/director Silberling consistently overcomes the cliches of his own picture by finding truly original moments through the subtle glances and gestures of his fine actors, and nice small touches of the world around them.

Jake Gyllenhaal is quietly brilliant, inhabiting the space of his grieving and frustrated character with an assurance and maturity that wasn't guaranteed from his earlier performances--a big step forward for him as an actor. And Susan Sarandon is sharp as hell in her best role in years--Hoffman has the most difficult task, portraying a man who is completely submerged in denial, but he serves the film well and handles the inevitable Big Moments late in the narrative with the class and skill you'd expect.

This movie has some genuinely original points of view about the reality of losing a loved one, and the complexity of human emotion: especially how that complexity is usually at odds with how we're expected to behave in such situations.

There is a tortured romance with Gyllenhaal's character that is cliched to begin with, and nearly altogether bungled by the writing. Unfortunately, this part is central to the story, so you're stuck with scenes that seem like a cross between Adrian Lyne sex-drama and an episode of The Wonder Years. This story string also leads > to an ending that will likely be far too neatly tied for many discerning filmgoers, as it was for me.

But when the movie sticks to the messy yet electric triangle of the dead girl's parents and her fiancee, it's really something. Unless you simply can't abide by a movie that's unapologetic about its mainstream Hollywood nature, excellent performances, consistently interesting touches in the writing, striking photography, and more than a few original ideas make this movie worth a look.

Waitress Diana Floss was killed by a husband who came to the diner to kill his wife. Mona Camp (Holly Hunter) is the prosecutor. Diana's fiancé Joe Nast (Jake Gyllenhaal) is staying with her parents Ben (Dustin Hoffman) and Jojo (Susan Sarandon) who still treats him as their own son. He feels obligated to stay which includes going along with Ben's plan of him being in the family commercial realty business. He falls for Bertie Knox (Ellen Pompeo) but they both have secrets of their own.

It's a movie about a lot of suffering but mostly done quietly. Everybody is getting crushed but nobody is particularly interested to admit it. It has the air of truth. However it isn't able to squeeze emotions out of the audience. We get to witness their suffering without really feeling it. Most of the performances are great. Gyllenhaal does a terrific job bringing life to the emotional dialog which could have gone another way.