Jeanne d'Arc

Joan is perhaps the most female difficult role to cast. The actress must be attractive but not conventionally alluring; magnetic but not intellectual; a towering figure but physically slight. You must understand why people would die for her. Above all, the performer must convey an authentic sense of religious piety, a virtual impossibility for young actors today. Sandrine Bonnaire--a wonderful star in every other respect--tried her hand in the recent French version but was too sexy for the part.

As Joan, Sobieski juggles the disparate requirements astonishingly well. This is emphatically not the kind of movie in which the actress can merely show up and look decorative; you have to work at it, but as Sobieski revealed in Uprising, she has the capacity for challenging period roles. And that also means that in contrast to her female peers in the business, she has a long professional future.

Watch out for O'Toole in an astonishing performance as a Cardinal who gradually realizes that Joan is the real thing.

The culminating scene--no details provided, you must see it yourself--is curiously uplifting and properly theological rather than merely unpleasant.

It's not often that television movies compete with big screen productions, but this one does.

Leelee Sobieski's performance is one of the best I've seen by a young actress. She really looked like someone who had seen a vision of divine power, and yet she also looked like a young girl, driven beyond her personal strength by the force of the visions. Many of the other performances were good also, but hers was so outstanding that the others paled next to hers.

The script writers took some creative license with the history. In some cases they did it for length and clarity, improving the storytelling at the expense of the history. In other cases, I didn't see how the story as written improved on the story as understood by history (although they didn't weaken the story either). But overall, the story was excellent storytelling and still good history. And since Leelee's performance was so spectacular, it was good that the script kept her on screen through most of the story.

The battle scenes show how medieval warfare was often more a matter of morale than casualties or tactics. They manage to capture the mood and chaos of battle, without the unnecessary gore that would make the movie inappropriate for children (or television). Most important, the battles feel like they're decided by the morale of the soldiers, and that those soldiers' morale depends on the presence of Joan.

This movie far outclasses almost all television movie-making. Even by the tougher standards of big screen movies, it's still an excellent movie. It makes me want to see more about the Joan of Arc story.

Yes. It wouldn't happen today, that's for sure, but it really did happen once upon a time in France, some 580 years ago. A nation managed to unite against an occupying power, inspired and led by a girl who responded to the request of her mysterious "voices" to do something about it when she was about seventeen years of age. Growing up in Domremy in what was then Lorraine, this girl clearly ended up quite the tomboy, typically dressed in jerkin, doublet and hose, her hair cropped short, ready upon instruction from her voices to don armour and wield the sword if necessary to raise France like a phoenix from the ashes. The film doesn't show this, but in Domremy she was called "Jeanette," when she arrived in France she was called "Joan," and in the actual transcripts of her trial she states, "as for my surname, I know of none," unlike the title of this film which borrows the popular English version of the name by which she is known today.

The story of Joan makes for a daring plot, and were it not for the fact that the transcripts of Joan's trial still indeed exist today -- making her one of the best known persons in history -- and attest to the events described as being most certain in fact, we might otherwise think such a story line to be quite incredible, if not simply ridiculous.

So let's make no mistake about it: Leelee Sobieski had the nerve to play one of the most riveting characters in history, a risky role that many a great actor has already played with determined success. Yet, like the powerful personage she portrays, Ms. Sobieski achieves a major victory in the final scheme of things. Not that Peter O'Toole didn't turn in his usual stunning performance, or that Ms. Sobieski wasn't also well-supported by Neil Patrick Harris, Maury Chaykin, Maximilian Schell, Shirley MacLaine, Chad Willet, and all under the fine direction of Christian Duguay, but let's face it -- it really boils down to being pretty much a one-kid show.

For a change, Hollywood really did this one right. Joan was a teenager, Joan should obviously be played by a teenager, and Leelee Sobieski was clearly the right kid for the job. Ms. Sobieski captured Joan's many contradictions brilliantly. With Joan, pious spirituality took its place along with a frisky charm, a sense of things serious and urgent often relaxed to humor and a sharp wit, the relentless pain of arrows that pierced her body was surely dulled by her thriving desire to live and her unfailing commitment to lead France to its place in a free world that she herself would sadly never see. Leelee Sobieski wove all of these into the highly textured character of Joan, not leaving a single aspect untouched, even though Joan's personality could occasionally disturb those of us who are far less saintly. Ms. Sobieski captured the spirit of a teenaged girl who actually led France to war in the 15th Century, and managed to create a crystalline character that convincingly showed us how that just might happen.

This film borrows freely from history but, to its credit, it thankfully doesn't borrow much of anything from the many previous films about Joan. Leelee Sobieski goes beyond being the best "Joan" in film so far. She so superbly plays the role that one could rightly say that she is the only Joan so far. For this reason alone, don't miss this film.

We don't know much about what Joan looked like, as no portraits or detailed descriptions of her were made from anyone who actually saw her during her short life. We don't know if Leelee Sobieski physically resembles the historical Joan or not and, since it seems we'll never know, it also doesn't matter. Joan was in her teens at her finest hour, Leelee is a teenager, and that's close enough. Furthermore, there are so many interesting facts pertaining to Joan's life, her character, her family, her friends, her enemies, the logistics of the battles, and so forth and so on, that a film would need to go on for hours to even begin to capture most of it, so I think it's quite fair to forgive the film's several omissions. If viewers are inspired to know more about Joan (and after seeing this film they certainly should be), then I'd recommend perusing Regine Pernoud's book entitled, "Joan of Arc by Herself and Her Witnesses," (Scarborough House; Lanham, Maryland; 1994), still considered by many to be the best written work on the subject.

One final and perplexing thought: the mini-series "Joan of Arc" is but one of several films on this character that are being produced within the span of only a couple of years. It almost seems as though Joan (after several hundreds of years have gone by) has somehow caught our imagination as we approach the end of the millenium. Perhaps in our uncertain times when heros seem to be in short supply, we somehow hope that the spirit of a young teenage girl from 15th Century France will guide us and lead us to freedom as we enter upon a new age in history. At any rate, aside from mere coincidence, I just don't know quite how else to explain this phenomenon.

A lot of films have been made about this person, but none of them seems to be as powerful as this one. The reason is not only the fact that few films of such topics include such a great cast (most of the characters are played by great stars of cinema). It is, I think, the way that Mr Duguay portrayed Joan of Arc, really as she most probably was like: a young, sweet maiden who dared say the British: "I will lead my nation to victory through God's help!" She turns out to be a saint rather than, like in some other movies, a religious fanatic.

The portrayal of Joan is created perfectly by a young, beautiful actress, with Polish ancestry, Leelee Sobieski. Throughout the movie, she beautifully stresses her innocence and gentleness going in pairs with the capability of leadership. In my opinion, no matter if Leelee will appear in other 50 films in her life career, this role will always be UNFORGETTABLE!

Others who shine in their roles are, of course, Peter O'Toole as bishop Cauchon. On the one hand, he judges Joan and accuses her of pride and vanity; but on the other hand, fights for her "eternal soul". Maximilian Schell also gives a fine performance as a cruel and double faced representative of inquisition. But I particularly like Peter Strauss as La Hire, a commander of the French army. This role is typical for him: someone hesitating and doubting, but in the long run, opening his eyes and totally setting his heart on the values.

"I stopped to believe in others and started to believe myself only. At Orleans, I stopped to believe myself, I started to believe in you," as he says once to Joan - REALLY POWERFUL!

The mini series about Joan of Arc is a must in my film gallery. Without hesitation, I give it 9/10. GREAT STORY, WONDERFUL CAST, EXCELLENT MUSIC, MEMORABLE QUOTES, GREAT LOCATIONS (old castles in the Czech Republic)! This movie is really visually stunning. Do see it! Having seen once, you will feel a need to see this at least for the second time.

This is great stuff. Like everyone else, I loved Leelee as Joan. She is a very good young actor. The story is well done, much better than most big budget movies (that usually end up as just dreck aimed at idiots). The acting is good, the script is great, etc, etc--what I really loved about it was the period detail. Awesome. These guys have full plate armor that makes the guys in 'Excalibur' seem underdressed! Gotta love that. If only for the battle of Orleans, this movie is worth a look. Such intensity in a battle is so rarely matched, and they did it without overexcessive gore and blood, so I can let my kids watch it without flinching (too much). This is good, because a story like this, tragic as it is, is important for everyone to hear. Not only that, the story is TRUE. I'm sure some liberties were taken in this version, but it doesn't matter, the heart of the story is about idealism in the face of bitter cynicism. Joan brings hope and victory with her vision, and for her effort is betrayed and murdered in a gruesome fashion. But she never backed down, never withdrew her convictions, and never succumbed to doubt or self pity. We should all think about that--especially in today's world of sarcasm and scorn. I'm not very religious, but this story inspires me nonetheless. And...I love midieval battle scenes with plate armor and huge swords :)