Joseph and the Amazing Technicolor Dreamcoat

I was very impressed about how everything flowed in this production. I have to admit I was very skeptical about how film captures biblical stories, and if you've had the misfortune of seeing NBC's atrocious waste of time "Noah's Ark", it's not hard to be skeptical. However, I was VERY impressed with not only the main principals (Donny Osmond, Maria Friedman) but also with the supporting cast. Any production that can make A-list stars like Lord Richard Attenborough, Joan Collins, and Ian MacNiece take such small roles you know has to be good. I was particularly impressed by the brothers. Among the best of the group were Simeon, Benjamin, Ruben and Judah. I wanted to not like them because, after all, they are the bad guys. But they made me laugh more than anything else, which I believe was the whole point. A splendid variety of music and choreography make this one a keeper. (P.S. My absolute favorite character was Pharoh played by Richard Torti. "Pharoh is in the building!"... classic!

This was much better than I thought it might be, and I give it a high grade in a number of areas, beginning with production. This looked good, sounded good and simply was good! For some reason, I didn't expect much from Donny Osmond. I guess the Osmond is a lot more talented than people give them credit for, and I won't make that mistake again. I'd say the same for Joan Collins, who I could not picture in a "biblical film," but she did just fine. Then again, she played the villainous "Potiphar," so it wasn't like she was playing against type!

Normally I wouldn't care for something that was akin to an opera (all the lyrics being sung) and would skeptical about any Hollywood did regarding the Bible (figuring it would be distorted) but - once again - I was surprised. The story stayed true to the Bible and the presentation was so well done - and so incredibly colorful on this DVD - that is was a very satisfying and entertaining adaptation..

What most people who liked this DVD would cite the acting, the singing, the songs and/or the story as what impressed them most but, to me, it was the brilliant, stunning color in this play. Besides being a classic Old Testament story, this is a real visual treat.

I have not seen the stage performance, but the video production was a REAL TREAT. Full of energy, color, and talent, I have treated myself to this pleasure MANY times already. Donny Osmond seemed an odd choice until I saw his talent, then I too was convinced that no one else could have done any better. Maria Freidman was absolutly charming in the role as the narrator. Each of the brothers made a standout performance and the "King of Egypt" Pharo was iceing on the cake. The music is catchy and full of emotion. My personal favorite was "Close Every Door." Donny sings it with such passion, it really spoke to my heart. This video will be a favorite among my collection, I just hope nobody asks to borrow it.

This filmed version of the popular stage play stars Donny Osmond, who is very funny in the role that made him even more adored than he was as youngest of the singing Osmond Brothers. Cleverly filmed as a classroom presentation with the students as the chorus, the biblically based story of attempted fratricide and the importance of hope and forgiveness is told entirely in music, with Maria Friedman as the narrator and Joan Collins as the greedy wife of of the Potiphar, captain of the Egyptian palace guard. This is not the benign show it might appear to be at first, and it mixes up time and cultural references in dreamlike fashion. This Tim Rice and Andrew Lloyd Weber creation is not aimed at the wee ones; children are probably ready to see it about the time they are ready to learn how much violence and sex there really is in the Bible.

Nearly thirty years ago, the church choir I was a member of staged an entertainment evening, the first half of which was a 45-minute 'sung story' called Joseph and His Amazing Technicolour Dreamcoat. Nearly thirty years on, and I have a chance to show my own children what a wondrous musical this was and continues to be.

I also have to confess that, when I first heard of this release, I was one of those people who went 'Donny Osmond???!!??'. Again, this was coloured by memories of 30-odd years of knowing him as a 70's teenybopper, but I have to admit that I was very pleasently surprised by his performance here. The years he spent playing Joseph on stage show in his performance, and it also made me forget Jason Donovan or Philip Schofield in the part.

The film succeeds both by acknowledging the most recent stage productions, and returning to its roots. It was originally written as a school stage show, and the prologue in the assembly hall returns to it to the original setting. Having the teachers (and yes, I took a double take on Joan Collins on the piano) go on to be the singers and actors grounds the film, and the opening up of the stage setting is done without ever letting you forget it was a stage show.

The support cast are all good - it's especially satisfying to see the likes of Richard Attenborough and Christopher Biggins doing musicals again after nearly 30 years as well. Joan Collins has a whale of a time as Mrs Potiphar, and Pharaoh gets down and rocks with the best of them. Maria Freidman as the narrator shows her vocal range to perfection - currently she is the main attraction in the stage show of Witches of Eastwick.

All in all, good family fun, and worth watching with your kids.