Au coeur du miracle

Bottom line: this is a "crisis of faith" story. The main character (Ed Harris) is a priest who has doubts, but wants to believe. He has already successfully debunked one candidate for sainthood; now his superiors ask him to investigate another. Along the way, he is sexually tempted by the saint-candidate's daughter (Ann Heche), and then opposed by a brilliant but embittered German arch-bishop. There's no sex, violence, sci-fi, or spectacular special effects in this one, folks. Just plain old good acting by the leads and supporting characters, excellent and evocative photography, and a first-rate musical score that adds to the overall enjoyment of the film. The script does have its flaws, which prevent "The Third Miracle" from being absolutely brilliant, but I was disappointed when the movie ended: I wanted more! Would that the absorbing story and its details continue: Is the candidate ever granted sainthood? Does the arch-bishop change his attitude publicly? And whose baby IS that? But these and other theological issues are what you will ponder and debate after the credits are over. And that's what makes this a worthwhile film.

The third miracle is a well written tale with a great touch of sentiment.

A priest saying G*DD*MN*D is like lung doctor lighting a cigarette, provoking, like a movie of this kind should be. It's meant to leave something to think about, for me it was commitment of an individual priest finding his way in mass traffic between his left and right ear. I enjoy these true emotions or behavior because i believe everyone on earth has a set of weaknesses. I like these true emotions and choices when it comes to mind digging.

Surely it's understandable that heavy religious people might be offended -the Archbishop was in the Nazi's army, drove around in a limo like a king and thought he was God himself-, but it's not the bible, I see it as a tale in a Catholic setting.

This movie is based on personal choices, activated by a game of chess between animal nature and common sense. Throw in some faith and a time structured plot, have it sequenced very well, put in some great dialogue and moody setting, you will get a well deserved great movie! I recommend this film, it's in a way uplifting.

8/10

"Dogma" showed that throwing darts at the Roman Catholic Church isn't hard to do. Similarly, "Stigmata" created villains within the Church hierarchy with relative ease. The hard part is making some sense of what motivates priests and nuns to carry on in spite of this undeserved negativism. That's what makes "The Third Miracle" a joy to watch - a film that goes beyond stereotypes and biases to try to find answers. There is something in this film that believers and non-believers can take away from even though "The Third Miracle" has decidedly taken a strong stand about matters of faith. The linking of a wayward postulator, Father Frank, searching to legitimize a common woman for sainthood, with his own personal search for God is very effective. Equally so is how the film shows the powerful role of secularism in the lives of men we call 'holy' (can it be any more obvious than the Bishop's mud bath?). A stroke of trickery at the end doesn't spoil the way this film invites us to consider faith as truly an all-or-nothing proposition. Certainly for Father Frank, the invitation to faith and to his own priesthood was based on a shaky bargain with God to spare the life of his father. For Roxane, the daughter of Helen O'Reagan, the decision to exclude God was equally as capricious - that God would take her mother away from her just because she had to do God's work. For Archbishop Werner, the God he defends and the God he internalizes are two different beings - one who is all knowing and all powerful, the other who cannot see beyond things black and white. "The Third Miracle", then, is not just about canonizing a dead woman, a holy housewife, but about how these three living players interact and struggle with each other to arrive at their own faith. This interaction is played out so well due to brilliant performances by Anne Heche, Ed Harris, and Armin Mueller-Stahl. Miracles strengthen one's faith but the visible miracles are more likely to move those who need a sign to believe. The irony of Father Frank is that he was instructed to disprove the very extraordinary acts of faith which he desperately needed to save his own spiritual life. It took him two hours, the length of this film, to find his miracle. "The Third Miracle" leaves us with a similar challenge, how long will it take for us to find that same miracle, that same faith.

This film is amazingly crafted, well-acted and thought provoking. Ed Harris gives one of his best performances (in fact, I strongly believe he deserved an Oscar nomination for THIS and not the overrated Pollock). Anne Heche delivers a strong, three-dimensional performance on a character that is hard to play. The flashbacks are beautifully shot and this film really brings up issues about faith, love and forgiveness. If you are a fan of Ed Harris, seek out this film.

Ed Harris plays the coolest priest this side of Toronoto. Most films fail to capture the time period the story takes place at. Here, the production value is terrific. The 1940's and the 1970's is done so well that is look like archival footage. Ed Harris is beyond great. Not only does he portray a priest, but one that is tormented with reality and his faith in God. Heche plays an equal role that is done well. A typical role for her, she plays it like she is playing herself. As for Ed Harris, this is one of his best performances that was once again over looked by the critics. The surprise ending is just that, a surprise. Most if not all the audience will not see it coming. A good story, with great acting and an uplifting ending, the 3rd Miracle is a winner.