Radiance

It's a curious thing that a death in a family brings out in the survivors a need to tell the truth about the deceased and each other. Family history is re-written and relationships re-adjusted (or laid waste). The worst peril of a funeral is not the emotional upheaval but the thought that the way you feel about your family might never be the same. Why confess, when we're all much better off believing in the lone stranger, or "black prince" as here? Well, there is a reason, according to this film. If you can survive the shock of finding out the truth, you will come out of it the stronger, and so will your most important relationships. Party girl Nona returns to her Queensland coastal home to find her mother has just died. Her famous opera singing sister Cressy arrives also. Their stay at home sister Mae is pretty morose but it takes a while to find out why. After the funeral, attended only by the sisters, the story starts to emerge. There is a night of booze and catharsis. The next day the sisters find themselves both bonded and liberated.

"Radiance" originated as a stage play, and it shows. Against that the director, Rachel Perkins has made full use of the Hervey Bay, Queensland, coastal landscape. The three sisters are aboriginal Australians, but this is almost incidental. As Nona, the party girl, Deborah Mailman is full of vigour and fresh sexuality. Rachel Maza plays the worldly opera singer Cressy with a complementary languidness. Stay at home Mae radiates resentment, yet in the end it is she who is the agent of liberation for them all.

A fine drama beautifully realised.

With the death of their mother, two sisters (Nona and Cressy) return to their childhood home in Northern Australia where their third sister, Mae, lived looking after their mother. The funeral happens and the three find themselves together in the house for the first time in years. With time to talk, drink and fight, past hurts are revealed and family secrets come out.

From the plot synopsis you will immediately know that we are on familiar territory when it comes to female driven movies. This one is pretty much in a well known mould and travels a familiar narrative thread but not really to it's detriment. Instead the film is sparky enough and the revelations/devices interesting enough to really hold the interest no problem.

The cast really help the material as each of the three women are strong in their roles, each for different reasons. They use the material well to create characters that are interesting and have room for the audience to find out more. Of course, the fact that the film is very dialogue driven and features only three people for the majority, leaves the risk that the film will feel like a stage play on film rather than a film. To avoid this the director does a good job of using very good internal sets as well as wide-open externals on the beach or the open road.

Overall you will have seen this sort of female soul searching/family secrets film before but that doesn't make this a lesser film for that. The cast are really good value and the material is involving and interesting enough to keep the film moving along really well. The direction uses the cast well to have all the strengths of film while also keeping the dialogue and intimacy of a play.

Radiance is a powerful Australian drama, set against beautiful rural backdrops, but it is the visuals within the story which leave the strongest impression. The intense scenes within the film are strengthened by their beautiful depiction on camera, as if the movie is an artwork. The music is also a major player here, with operatic arias being used unconventionally, yet effectively, against the rural scenery. The performances are spectacular, with Deborah Mailman, Trisha Morton-Thomas and Rachael Maza playing the sisters, separated, but brought together through the death of their mother. Maza is particularly touching as the musical talent in the family, now a successful opera singer, but bitter at having to return home, to her traumatic and troubled roots. A beautiful, heart-tugging 'artwork', well worth the effort.

I had seen this movie (I also got the DVD) and and I love it I enjoy the simplicity and humanity in the whole making of this film plus the cruel reality of some peoples lives. Is a funny, touchy, sad and realistic film. Is like to see our selves in the mirror without the masks. I congratulate the Director, writer, cast and production team you all did an excellent job. Thanks. 3 women, sisters, confronting reality and love for each other, what else you can expect in a family reunion?, love's always the winner and in this movie you will taste it with a big smile and a few tears. I will give to this film 10 out of 10 for honesty and simplicity and good acting, qualities expected in a good film. I did enjoy this film very much. There's not blood, bombs, electric sounds, just 3 women capturing the audience with each of their dramas and showing us that in real life things can be sour but family and love it's always there. Great film. Ta.

Rachel Perkins took on Radiance with a great deal of care, intelligence and humour. The three main roles of the ensemble cast shine through Rachel's direction which allows the actors to explore their characters through the range of emotions of experience. Deborah Mailman who, nominated for an AFI award for her performance, is outstanding as Nona the young kid both lost and assured of who she is and what she wants. Still both Rachael Mazza (Chressy) and Trisha Morton-Thomas (Mae) are oustanding as well, Nona's humour guarantees her as the audience favourite. What outstounds me about Radiance is that it is an Australian film - one which doesn't go pastiche with quirkiness (say Welcome to Woop Woop) or the propaganda rallying call of Ostrailya. Radiance, like Head On, exists as a film about characters and a story. Three Aboriginal women who react and change in each others presence without delivering any Certified Political Message (TM)... it "informs the characters" Rachel says in JJJ interview. Alcholism isn't an issue it's an experience; the Stolen Generation isn't an epitaph but a reality for the characters. In short I was quite taken by this film because of its intelligence, strength and humour and it most definitely deserves both an Australian and International audience.