L'empereur et l'assassin

After watching the movie a few times, I found so many subtle touches and emotions within the dialogue. Jing Ke, the Assassin has become one of favorite movie characters of all time. This fine Chinese actor says more with his eyes and his economy of words and movements then any big screen American actor today. Qin, the Emperor, is brilliant as he leads the audience to believe the kindness in his heart, only to unleash the most cruel acts upon the people around him. The promises he makes with incredible passion and shattered with an evil fist. Gong Li, as in just about every movie I've ever seen her in, is simply fantastic. Her screen dominance is so graceful and emotionally charged.

In case you couldn't tell, I loved this movie.

This is an epic film about the unification of the ancient kingdoms of China in the third century BC. What makes it interesting is the tragic downfall of the king and all the palace intrigue going on around him. It reminded me a bit of "King Lear" and some of the other Shakespeare plays.

The king starts out with noble ambitions, to unify the kingdoms under one ruler and to stop all the quarrelling so that the people can prosper and lead better lives. He and his childhood sweetheart, played beautifully by Li Gong, concoct a scheme whereby she pretends to go into exile in a rival kingdom in order to recruit an assassin to kill the king, thus giving him a pretext to go to war. But while she's away, the king becomes sadistic in his lust for power and goes on a killing spree.

There are numerous side plots that keep the action going. There is the Marquis, who pretends to be stupid and foppish but who's really very clever and wants to become king himself. He fathers two children with the king's mother and manages to keep it secret for years. Then there is the Prime Minister, a political rival to the king, who turns out to really be his father.

The assassin is a complex character himself. An adept swordsman and killer, he is undergoing a reformation when the king's lover comes to recruit him. He wants nothing more with killing, but is eventually won over by Li Gong (who wouldn't be?) when he sees how cruel and vicious the king has become.

Some spectacular cinematography, especially the battle scenes that are carried out on a grand scale - like they used to say, a cast of thousands, literally. The acting is OK, nothing special. It's the story that's interesting, though at over two and a half hours, it pushes the limit.

Definitely worth viewing.

I will admit my ignorance of this film's existence, until I saw it advertised on a cable outlet. I was very impressed with the novelistic structure of the film. The film, which is in a language I do not understand, shone with intelligence and nuance for me. I think this speaks to the film's quality. It was visually stunning. The acting was visually entrancing. The Chinese theater traditions of movement, used to enhance the delivery of dialogue, is so compelling after watching Western film, where actors traditionally focus more heavily on the dialogue. The action in this film comes right at you, without a lot of explosions to get your attention. It is human action that is so affective here. The added advantage that the film taught me history about one of the world's greatest tourist attractions, the funereal clay army of China's First Qin Emporer, was very impressive. It seemed to give the film an international relevance beyond the film's great ethical themes. This is a film I can comfortably recommend to a wide variety of friends and acquaintances.

After seeing dressed up action films, like the two mentioned above, Emperor and the Assassin was a godsend. This film was such a marvelous blend of action, intrigue, and personality, and I'm sure I'll see it again and again in years to come.

Some of the complaints about the movie have been the golden/brown tint and the quick, disorienting editing. However, I loved both of these qualities in the movie, though the editing did take some time to get used to. A great example of it, is when we're introduced to Jing Ke, the assassin. He is offered an assignment for five thousand, and we see a close up of his face as he demands ten thousand. The next shot shows him with sword drawn, in the house of his victims. That whole introduction to the assassin was marvelously edited, in my opinion. You have to realize that in order to fit the epic plot into just under three hours, a lot of tiny details needed to be cut out. The quick editing also makes the movie seem much shorter than it really is.

Someone said that the swordfighting in the movie (what little of it there was) seemed like high school drama, but I strongly disagree. Most of the action is captured in a few shots, making it seem much more realistic. In so many american films, we see a a flash of a dozen close ups, without getting a feel for what is even happening! Also, the constant use of slow motion in many movies gets so old. By having the fighting in this movie fast and furious, it is much more affecting.

I won't give away the ending, but it was really suspenseful and surprising. I had no idea what would happen (being unfamiliar with Chinese history helped), and was on the edge of my seat! So, to conclude, if you like sweeping historical epics, make sure to see this! I really like the films of Kurosawa, and saw some similarities here, so also if you like his movies, see this!!

Based on the actual event , this epic, is set in the year 221 B.C and tells the true story of the unification of China. Action packed and filled with intrigue, passion, betrayals and unforgettable battle sequences, it held my attention throughout in spite of its 160 minute length.

The king, Ying Zeng, played by Li Xuejian is obsessed with unifying the seven kingdoms of China and becoming its first Emperor. His lover, Lady Zhao, played by the beautiful actress Gong Li, devises a plot whereby she will travel to the neighboring kingdom of Yan to set a fake assassination plot in motion which will give the king an excuse to invade Yan. However, she falls in love with the assassin as the king becomes more and more ruthless.

There are subplots, and tragedy and constant high drama. There are scenes of great beauty and of abject cruelty. There is great cinematography and brilliant use of physical space.

The deep characterization made me think of Shakespeare. And tragic events that call to mind Greek drama. And yet it is totally Chinese as it deals with age-old questions of whether the ends justify the means. And raises the questions dealing with life and death and good and evil and all the blurred edges in between.

It is the story of individuals against the backdrop of history, a history that has shaped China for the past two thousand years. I was swept up in the story as well as the moral questions raised. There are no easy answers and this was one of the strengths of the movie.

Recommended. But be prepared for the violence and gore.