Flora et les siens

This mini series, also based on a book by Alex Haley as was `Queen', tried to use similar formulas, that is, constructing a long history following the lives of a family over many years. Whereas in `Queen' the result was masterful, here in Mama Flora the inspiration was lacking. Firstly perhaps in the book itself, and most certainly in this TV production. Too much is put in with too much haste over the years, such that the unfolding saga is shallow, superficial, not nearly so authentic as in `Queen'. Full marks for the scenification in the earlier parts of the film, which was prepared with great care, but as the film progressed it seemed to degenerate into a kind of dallasian-forsythian unpalatable mix in the last third of its three hours or so duration. I had hoped for more; but evidently Haley was less inspired with this tale than his near-biographical `Queen', and Peter Werner III is no match for John Erman. Only recommendable for those who have an appetite for these lengthy tales of generations growing up.

I was prepared not to like this film.I just thought it would be another Jane Pittman (which was great)! I was pleasantly surprised and touched. The second night I cried the whole time! The acting was superb. The plot plausible. This was a beautiful tribute to Alex Haley and his characters. Thank to the producers who shared a wonderful experience with the public.

This movie was very touching from start to finish. It is not as powerful as ROOTS of course but then again what movie is? Its a generational story of a woman named Flora who survives the remnants of slavery to the 21 century. She was consider stubborn as a mule. I think that stubbornness is what made her the heartbeat of the family. She had the respect of her family and community. I know that slavery is a heavy stain on American History but it is American History. To understand it you have to see both sides of the story. You don't have to be African American to enjoy this movie. It is an American story of Love,Hatred,Sacrice and Hope. It is a definite must see.

My wife and I had no problem sitting through this 3+ hour movie. In fact we could have watched more. It goes to show, they can still make interesting films without nudity and cursing. We

also went through a half dozen hankies. Tom

From legendary writer Alex Haley comes another fascinating glimpse of a generation impacted by slavery. In Mama Flora's Family, Erika Alexander's family sharecrops a plot of land in the 1910s. When Terrence Howard, the son of the landowner, takes a liking to her, he offers her a job as a caretaker to his dying grandmother Della Reese. The only problem is she'll have to move into the big house, and we all know where that'll lead.

This is only the beginning, and I won't tell you any of the weaves of the plot so you can just enjoy it as it unfolds. Erika grows up to become Cecily Tyson, and her story of suffering and sacrifice is cut in between the current 1970s timeline of Cecily trying to help her floundering granddaughter Queen Latifah find her way. Normally in movies that cut back and forth between decades, one part of the timeline is far more interesting than the other. In Mama Flora's Family, I was equally riveted by Erika's sadness as by the events that led to Queenie's downfall.

I don't know how I missed this miniseries when it aired on television, but I'm very glad I rented it recently. The acting is top-notch, the age makeup is convincing, and the production values place you right in the setting. If you didn't catch this family saga back in 1998 and you like Cecily Tyson, Erika Alexander, Blair Underwood, Mario Van Peebles, or Queen Latifah, you've got to rent it this weekend.