IMDb RATING
6.3/10
2.4K
YOUR RATING
After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.
- Awards
- 2 nominations total
Featured reviews
STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)
'Steal This Movie' is a well-thought, well-written well-acted, well-made dramatization of the life of left-wing activist Abbie Hoffman, probably the most famous of the Chicago Seven. (The title is a play on the title of Hoffman's autobiography, 'Steal This Book', though it certainly doesn't have the poignancy of that title.) 'Steal This Movie' made some bold casting choices. The lead role was given to Vincent D'Onofrio: not an obvious choice, because Vincent looks very little like Abbie, which caused many die-hard history aficionados to bash the decision. However, Vincent fills the role wonderful, brilliantly, expressing all the conflicting sides of Hoffman's personality, his sense of humor, his dead seriousness, strict political consciousness, bi-polar disorder, having to live in hiding and away from his wife and son. He makes the character come alive much more than someone else could have by simply looking and talking like him. Abbie's wife Anita is played wonderfully by SNL's Janeane Garofalo, accomplished comedian but not so as a dramatic actress.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
Though it doesn't have that much cinematic value by its own right, 'Steal This Movie' does a fantastic job of getting through both the spirit of the time and the greatness and difficulties of Hoffman's activities and his character - a great and fascinating person whose impact has long been overlooked. It's also a wonderful document of an important period that is practically ignored (relatively, of course). For those interested in the late 60s, in the hippie movements, Black Panthers and other left wing political movements of the time, and of course in Hoffman himself - it's invaluable, on top of being both touching and entertaining. A good watch.
This was an overall good release but there were numerous flaws. The worst of which was the dumbing down of the characters, especially Abbie Hoffman. It made for good cinema and fit the mainstream's mental picture of Abbie, but was quite misleading. Abbie's last wife, Johanna Lawrenson, was grossly misrepresented as apolitical and little more than a bubble-headed groupie. Both were excellent organizers and people. Talking to both was inspiring. It's sad that a film from a better source misrepresented them. However, that said, the film has value for providing a visual picture of the times and occurrences of Abbie's life. Abbie was one of the most significant of the 60s cast of characters and this film contributes to keeping his legacy alive.
The film is an interesting look, at what appears to be an interesting man. The style of film is distracting at first - it's all a little too busy, but once you get get by that the film is an interesting ride. The performances are great - Janeane Garolfalo and Jeanne Tripplehorn play the women Abbie loved and do it very effectivly. And D'Onofio is great as Hoffman himself - fiery, passionate and very effective. If there's a problem with the movie, it's that it seems too in love with Hoffman to give a truly accuarate picture. It romaticizes his struggle and seems to think that Hoffman did nothing wrong when he sold what appears to be a lot of cocaine to an FBI agent. True, he was set up, but he still sold it. The film breezes past Hoffman's suicide and paints a man like a golden boy, a truly great man. I would have appreciated a more honest look.
Robert Greenwald directs this brilliant biopic of '60s counter-culture rabble-rouser Abbie Hoffman(Vincent D'Onofrio)following his involvement with civil rights demonstrations in the south; his association with the infamous Chicago 7 and his disappearance underground in the '70s. Great mix of actual historic footage and well paced dialogue based on the books of Hoffman and his wife Anita. The perky Janeane Garofalo portrays Anita Hoffman and Jeanne Tripplehorn plays Hoffman's girlfriend Johanna Lawrence. Also in the cast are Kevin Pollak, Troy Garity and Kevin Corrigan. D'Onofrio is excellent in the lead role. This is the least heard account of events, but very thought provoking and interesting.
Did you know
- TriviaTroy Garity, who plays Tom Hayden, is the son of the real Tom Hayden and Jane Fonda.
- GoofsCanadian road signs appear in several scenes including the early scene where Abbie is calling from the isolated phone booth. In the scene where Abbie's mother is driving down the road, a sign written in metric is clearly visible.
- Quotes
Abbie Hoffman: Dull is deadly.
- SoundtracksMy Back Pages
Written by Bob Dylan
Performed by Jackson Browne & Joan Osborne (as Joan Osbourne)
Jackson Browne appears courtesy of Elektra Entertainment
Joan Osbourne appears courtesy of Womanly Hips Records
Details
Box office
- Gross US & Canada
- $76,424
- Gross worldwide
- $79,088
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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