IMDb RATING
6.3/10
2.4K
YOUR RATING
After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.
- Awards
- 2 nominations total
Featured reviews
STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)
This was an overall good release but there were numerous flaws. The worst of which was the dumbing down of the characters, especially Abbie Hoffman. It made for good cinema and fit the mainstream's mental picture of Abbie, but was quite misleading. Abbie's last wife, Johanna Lawrenson, was grossly misrepresented as apolitical and little more than a bubble-headed groupie. Both were excellent organizers and people. Talking to both was inspiring. It's sad that a film from a better source misrepresented them. However, that said, the film has value for providing a visual picture of the times and occurrences of Abbie's life. Abbie was one of the most significant of the 60s cast of characters and this film contributes to keeping his legacy alive.
First I have to ask, Vincent, what were you going for with that accent, New Yawk, Bahston, Joisey? Sounded like a combination of all but it distracted me from your dialogue. Should have just played Vincent playing Abby.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
"Steal This Movie" was not only an educational film in the sense that shed some light on the activist movement of the 1960s, but also a pleasant surprise regarding the quality of the performances in it. Vince D'Onofrio is amazing as Abbie Hoffman and his acting ability is in full display. Steal this video right away!
This film is about the activist years of Yippie Abbie Hoffman and the time after. People expecting to see a biopic about his activism, antics, or books will be dissapointed. The film is about Abbie Hoffman. Not about his efforts, but about him.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
Did you know
- TriviaTroy Garity, who plays Tom Hayden, is the son of the real Tom Hayden and Jane Fonda.
- GoofsCanadian road signs appear in several scenes including the early scene where Abbie is calling from the isolated phone booth. In the scene where Abbie's mother is driving down the road, a sign written in metric is clearly visible.
- Quotes
Abbie Hoffman: Dull is deadly.
- SoundtracksMy Back Pages
Written by Bob Dylan
Performed by Jackson Browne & Joan Osborne (as Joan Osbourne)
Jackson Browne appears courtesy of Elektra Entertainment
Joan Osbourne appears courtesy of Womanly Hips Records
Details
Box office
- Gross US & Canada
- $76,424
- Gross worldwide
- $79,088
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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