IMDb RATING
6.3/10
2.4K
YOUR RATING
After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.After years of hiding, the notorious American leftist radical, Abbie Hoffman, discusses his life, his cause and the opposition he endured.
- Awards
- 2 nominations total
Featured reviews
The film is an interesting look, at what appears to be an interesting man. The style of film is distracting at first - it's all a little too busy, but once you get get by that the film is an interesting ride. The performances are great - Janeane Garolfalo and Jeanne Tripplehorn play the women Abbie loved and do it very effectivly. And D'Onofio is great as Hoffman himself - fiery, passionate and very effective. If there's a problem with the movie, it's that it seems too in love with Hoffman to give a truly accuarate picture. It romaticizes his struggle and seems to think that Hoffman did nothing wrong when he sold what appears to be a lot of cocaine to an FBI agent. True, he was set up, but he still sold it. The film breezes past Hoffman's suicide and paints a man like a golden boy, a truly great man. I would have appreciated a more honest look.
"Steal This Movie" was not only an educational film in the sense that shed some light on the activist movement of the 1960s, but also a pleasant surprise regarding the quality of the performances in it. Vince D'Onofrio is amazing as Abbie Hoffman and his acting ability is in full display. Steal this video right away!
This film is about the activist years of Yippie Abbie Hoffman and the time after. People expecting to see a biopic about his activism, antics, or books will be dissapointed. The film is about Abbie Hoffman. Not about his efforts, but about him.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
The editing is not that great, and the dialogue could have been better, but the scenes are entertaining even without good pacing. D'Onofrio also did his best to portray Hoffman, even though he's 9 inches taller and doesn't look like him. He seems to capture that charisma, that "mojo" that other people seem to like. He' also very good in the second half, when you can tell Abbie is pondering his life - if he's doomed to run forever, is he running from nothing, did he waste his life. He seemed very tortured.
A lot of people may be dissapointed, but this is still a good film. Such a shame it didn't get wide release.
STEAL THIS MOVIE (2000) **1/2 Vincent D'Onofrio, Janeane Garofalo, Jeanne Tripplehorn, Kevin Pollak, Donal Logue, Kevin Corrigan, Alan Van Sprang, Troy Garity, Ingrid Veninger, Stephen Marshall, Joyce Gordon, Bernard Kay. The life and times of 1960s radical Yippie political rabble rouser Abbie Hoffman (D'Onofrio, although physically miscast, gives a decent turn) is depicted in this melange in his turbulent life with his wife Anita (Garofalo seemingly too low-keyed) which intersperses real-life newsreel archival footage with at times jarring restaged moments that don't juxtopose neatly. Based on the couples' book 'To America With Love: Letters From the Underground' and Marty Jezer's biography, 'Abbie Hoffman: American Rebel', the results are sketchy and one doesn't get a full realization of the secondary characters except for the infamous Chicago 7 trial in 1968 at The Democratic Convention. One wonders what Oliver Stone would have done with such meaty subject matter. (Dir: Robert Greenwald)
First I have to ask, Vincent, what were you going for with that accent, New Yawk, Bahston, Joisey? Sounded like a combination of all but it distracted me from your dialogue. Should have just played Vincent playing Abby.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
Second, there was a review here that should be removed as the guy that wrote it is so off base I think he saw a different movie. Dude, FYI. it's Jerry Lefcourt. Look into it.
Third, Abby was kicked (really he was kicked) off the stage at Woodstock by Townsend during the Who performance. Abby was the type of guy you wanted to kick. He was all about Abby.
This film is a romanticism of the truth. Don't steal it; steal Medium Cool instead.
Did you know
- TriviaTroy Garity, who plays Tom Hayden, is the son of the real Tom Hayden and Jane Fonda.
- GoofsCanadian road signs appear in several scenes including the early scene where Abbie is calling from the isolated phone booth. In the scene where Abbie's mother is driving down the road, a sign written in metric is clearly visible.
- Quotes
Abbie Hoffman: Dull is deadly.
- SoundtracksMy Back Pages
Written by Bob Dylan
Performed by Jackson Browne & Joan Osborne (as Joan Osbourne)
Jackson Browne appears courtesy of Elektra Entertainment
Joan Osbourne appears courtesy of Womanly Hips Records
Details
Box office
- Gross US & Canada
- $76,424
- Gross worldwide
- $79,088
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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