The Wood
- 1999
- Tous publics
- 1h 46m
IMDb RATING
7.0/10
11K
YOUR RATING
While dealing with a friend's cold feet on his wedding day, a writer reminisces about his youth with his best friends.While dealing with a friend's cold feet on his wedding day, a writer reminisces about his youth with his best friends.While dealing with a friend's cold feet on his wedding day, a writer reminisces about his youth with his best friends.
- Awards
- 1 win & 7 nominations total
Elayn J. Taylor
- Roland's Mother
- (as Elayn Taylor)
De'aundre Bonds
- Stacey
- (as De'Aundre Bonds)
Sam Hiona
- Cashier in mini-mart 1986
- (as Samuel Hiona)
Featured reviews
The Wood starring Omar Epps, Taye Diggs, Sean Nelson, Melinda Williams, De' Aundre Bonds and Antwon Tanner was a perfect positive black film that deserves alot of credit. Unlike The Best Man, it doesn't have a boring pre-wedding story - actually it's a lot of fun as the three friends talk about their fun childhood in 'The Wood' a.k.a Inglewood, California. The flashback scenes are done so nicely and the characters are written in detailed fashion and come across very realistically.
When I first seen the trailer I was like it would probably be an O.K. movie but it was alot better than I could possibly expect and turns out to be a big winner, this is a sleeper for 1999
10/10
When I first seen the trailer I was like it would probably be an O.K. movie but it was alot better than I could possibly expect and turns out to be a big winner, this is a sleeper for 1999
10/10
It is nice to see movies that deal with the African-American experience outside of gangsters and violence. However, this movie fails to take off and manifest itself as a really good coming of age story. The leads are well cast and do good in their parts, but the script and the way it is handled is pedestrian at best. 6/10.
Three hours before his wedding and Roland is nowhere to be found. His best friends, Mike and Slim, are both stressed trying to work out where they could be when they both get pages from his ex-girlfriend. They go to her house to find him drunk and experiencing doubts. As they drive around, sober him up and dry clean their suits for the wedding, they take time to uncover why he has doubts and also take a trip down memory lane and where they grew up in Inglewood.
Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.
The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.
The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.
Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.
Having seen several films on the trot where race is used to `comic' effect in a string of endless racist jokes it was refreshing to sit and watch a film where the cast were almost 100% black but the story was not told in relation to the colour of it's characters. Instead the story is a straight story of childhood memories and it could easily have been any culture telling it. Of course there is a thread of black culture running through the film but it is simply there as opposed to being the focus.
The story is slight and not totally together but it is interesting. The reasons for Roland's doubts are not made totally clear by the end of the film and there is a suggestion that it is really just a frame for the memories to occur within. This isn't too bad as the memories are really more of the story than the modern day trigger is. Both strands work quite well as long as you don't expect too much, it has a gentle humour that is pleasant and enjoyable and both strands seem to be able to carry it. The `to-camera' narration was a bit of a risk that I thought it didn't totally carry off but, happily, after the first 10 minutes it is pretty much absent for the rest of the film. Some of the strands don't totally come to a close and the fact that the main plot (Roland going missing on his wedding day) is mostly a side issue is a distraction but not to a detrimental point.
The cast are all pretty good. Epps is a good lead and is a likeable character. Diggs is good looking but he doesn't act as well as he can for much of the movie his `drunk' acting is pretty poor although he gets better as he sobers up. Jones is a bit of a comedy figure but does his job well despite being the least developed of the three. The teenage actors all carry themselves well, although in this modern tabloid world of hysteria it is a little uncomfortable to watch two young teenagers have sex (although I was relieved to find that the sexy one of them, Malinda Williams, was actually 24 when she played a 14 year old). The women are all very good looking but have lesser roles as the males take the meat of the story Tamala Jones is good and Epps' co-star from Love & Basketball (Sanaa Lathan) joins him for a brief role.
Overall it is a very light film that has a plot in a very basic sense but is really more of a nostalgic trip down the teenage years that is told with honesty and humour. It may not resemble any life I ever had but there were themes I could relate to. Slight but fun and, after seeing National Security, Undercover Brother and Bringing Down the House (where race is used for humour, rather than being a side issue) The Wood was also a breath of fresh air.
I had heard from several people before watching this movie that it was not as good as Omar Epps' other work, movies like "Higher Learning" and "First Time Felon". I wouldn't say it was as good as those two movies, but it is definately worth while. A story we all can relate to, especially us men. The story is about the trials and tribulations that a young man go through in the hood, or should I say "the wood". The movie deals with how boys interact with girls at a young age, and it does so very realistically. The acting is impeccable, the characters are incredibly real and the way the story is told is very charming. The movie has humor and drama mixed together beautifully. I think this is a movie everyone should see.
When I saw this I thought "I hope this movie can relate to me and not insult me at all!", and I was clearly wrong. This movie related to me a whole lot! Just because I'm white doesn't mean I can't relate to this. I did in more ways then one! I know how it feels to be left out like some of the characters and growing up is a fact of life and I liked the way they show their friendship growing by day. Taye Diggs was wonderful as the groom who was having doubts, I liked his character a lot. I also loved the flashbacks throughout most of the movie, it was interesting and I also loved the way you knew a flashback was about to occur was when the record player would start with a different record each time. I think everyone will relate to this movie~ white, black, asian, or pink! Everyone needs to see this!
Did you know
- TriviaIn a recent visit to USC, his alma mater, Rick Famuyiwa revealed that Paramount executives wanted the character of Mike to pinch Alicia's buttocks in the end scene for added laughs. Needless to say, Famuyiwa balked at this idea, and never shot the requested scene.
- Quotes
Young Roland: You might fuck around and say some shit that'll get you shot.
Young Mike: Shot?
Young Roland: Shot? Ya know? Guns? Bang-bang? This nigga don't know nothin'!
- ConnectionsFeatured in Dope (2015)
- SoundtracksBack in the Day (Remix)
by Ahmad Lewis, Stefan Gordy (as Stefan Kendall Gordy), Cecil D. Womack (as Cecil Womack), Gip Noble and Linda M. Womack (as Linda Womack)
Performed by Ahmad Lewis (as Ahmad)
Courtesy of Giant Records
By arrangement with Warner Special Products
Contains sample from "Love TKO"
by Cecil D. Womack (as Cecil Womack), Gip Noble and Linda M. Womack (as Linda Womack)
Performed by Teddy Pendergrass
Courtesy of Philadelphia International Records
- How long is The Wood?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $25,059,640
- Opening weekend US & Canada
- $8,515,223
- Jul 18, 1999
- Gross worldwide
- $25,059,640
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content