The Prodigy

I was invited to their private screening in Dallas as a friend of a friend of a friend. I had no info on the film, so I didn't really know what to expect. My expectations were minimal. About a minute into it (very cool credit sequence hits), I realize that I was not about to watch your typical low-budget indie film. The Prodigy is one of the most intelligent thrillers I have seen at any budget level. The film tells the story of Truman Fisher (an incredible, A-list performance by Holt Boggs)a small time hood and the jaded anti-hero of the film. What he doesn't know is that he is being watched and studied by a legendary killer that we as the audience never see until the end. No, I'm not going to spoil it, but this film kept me guessing in disbelief with every turn. What impressed me the most, is the attention to detail that was paid to every element of the film. The acting, the fight scenes, the wardrobe, the visual style and last but not least, the script were so very specific and well thought out. In a genre that is known for being over the top and cheesy, especially at this level, it's the subtleties that put this film in a class by itself. The Prodigy is a thinking man's film, set in a genre that will entertain the most simple minded audience member. For a film trying to get out there and launch careers, this is the perfect vehicle for everyone involved. Bottom line, is this film was done for very little money, by a group of complete unknowns across the board. The Producer (Rucker) had to be some kind of miracle worker to help Kaufman pull this off. It resets the bar in my opinion of what is possible of film-making at this level. If this is truly his first film, then the William Kaufman is going to join the likes of great directors like Michael Mann, Walter Hill and David Fincher. I am a fan and can't wait to see what he does next.

Interesting that the IMDb recommends the 1995 Bond film GoldenEye as a companion piece for admirers of The Prodigy. But the fact is that Prodigy likely has more inventiveness, directorial savvy, frightening villainy, editing prowess, and well-spent money in its cutting-floor leavings than GoldenEye, or dozens of other big actioners for that matter, have from beginning to end.

Genre films are often cranked out as hasty marketing gimmicks; perhaps they are watched and perhaps not, but in most cases either way, they're quickly forgotten. Here, we have a psychological/crime thriller that stays in the viewer's lens long after the credits have rolled. The acting is solid throughout--superb in spots, actually, especially from star Holt Boggs and costar and co-writer Matt Beckham--and the surprises are well-plotted and considered. Just as importantly, intricate, minutes-long gunbattle and action scenes, which would normally be confusing failures in most low-budget hands, are directed and edited with a precision that allows us to follow the jarring action with the same attention and involvement that we do when we see Prodigy's less-interesting big-budget brethren. Sometimes as many as ten characters are involved in these sequences, but we are never distracted, confused or annoyed by their number, as they are showcased only when needed, to maximum effect. (Added note, and kudo to director Kaufman: Thanks for not filming yet another Nine Inch Nails video and passing it off as an action film.)

I was surprised and impressed at a recent Texas screening of this film, and can only hope that some attentive distributor realizes that memorable, riveting action can be done for less than $10 million. If this one surfaces at a festival or theater near you, don't waste any time--see it.

I recently saw this film at it's premiere in Dallas, Texas at the Magnolia theater. I knew very little about it, other than it was some local filmmakers on a tight budget. I was impressed and blown away by the professional quality from the opening credits to the end of the film. The acting was top notch even from the bit players. The main character Truman was played with a level of sophistication that even some ultra-high budget film haven't been able to achieve with big name stars. Holt Boggs took a two-bit mob character that typically is overdone and delivered an outstanding performance showing the inner turmoil of a person suffering the consequences of actions inside and outside his control. The director has uncanny eye for action. The fight scenes are realistic and exciting without being over the top. I think the best way to sum up the whole movie is to say that in a genre that is either too overdone or too cheesy, this one is done just right. I hope this film is picked up, because I want to own my copy of the DVD as soon as it is released.

Although I'm a little fatigued with the 'bullets and blood' shorts and features that are produced wholesale, I was genuinely stunned with the quality of this production. I have produced 10 shorts and 2 micro-budget features, so I feel the pain of being held back by monetary restrictions. Yet with this film I never once thought 'if only they had the funds and/or time to do that the right way'. If they would have announced the budget at 5 million, I would have said that it was money well spent. The cinematography was the best I have seen from a local production, the characters and acting were completely convincing, and the editing, pacing, and score were spot-on (if you notice any of these, then it becomes irritating) and did nothing to detract from the story…which I found refreshingly unique and richly layered. If I had a distribution company I would have signed them in the lobby after the screening.

Exciting and well-paced, 'The Prodigy' is a crime movie that plays like a horror movie. You have the haunted hero and his quirky pals going up against the seemingly unstoppable killer that will take them all to the edge of their sanity. Put guns in every hand, and you have an offbeat and very welcome thriller.

'The Prodigy' is a little come-out-of-nowhere masterpiece, the first feature of director William Kaufman, who co-wrote the script with stars Boggs, and Beckham. It's a taught, tight independent movie that looks as slick as any Hollywood lackluster. The ample, almost endless fight-scenes and shoot-outs are expertly choreographed and edited, and the entire movie looks crisp and beautiful. This is one of those films where you can see every penny present on the screen, shot no doubt while the leads were crashing on each others' floors and eating beans out of a can. If there is any fault to be had with the film, it's that the plot is a bit murky, with motivations difficult to figure out at times-in the beginning, I was convinced that Truman was an undercover cop, and his bust had gone bad; in reality it was a situation of rival gangs having a lively, bloody discussion. But if you sit back and let 'The Prodigy' take you where it wants to go, you'll never be bored and never be anything less than entertained and impressed. Standing out on a pyramid of outstanding actors is the film's true find, star Holt Boggs, who infuses the morally-ambiguous Truman with a depth and intelligence not usually found in low-budget crime thrillers (or big budget ones, for that matter). Actress and stuntwoman Inosanto is fun to watch as well. Truth be told, there isn't a false note struck by any character.

Mike Watt - FILMTHREAT